BGuthrie Photos: DC -- Natl Gallery of Art -- West Wing -- Exhibit: Shaw Memorial

DC -- Natl Gallery of Art -- West Wing -- Exhibit: Shaw Memorial:

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Specific picture descriptions: Photos above with "i" icons next to the bracketed sequence numbers (e.g. "[1] ") are described as follows:
1. NGASHW_971002_01.JPG: Natl Gallery of Art; West Wing; Garden Court This is a little waterfall in the Garden Court of the museum.
2. NGASHW_971002_02.JPG: Natl Gallery of Art; West Wing; Shaw Memorial; front Various views of the memorial.
3. NGASHW_971002_03.JPG: Natl Gallery of Art; West Wing; Shaw Memorial; Shaw Various views of the memorial.
4. NGASHW_971002_04.JPG: Natl Gallery of Art; West Wing; Shaw Memorial; soldier close-up Various views of the memorial.
5. NGASHW_971002_06.JPG: Natl Gallery of Art; West Wing; Shaw Memorial; overall going Various views of the memorial.
Multi Column: Number of columns of thumbnails to appear per page (normally defaults to 3): [1 col] [2] [3] [4] [5] [6] [7] [8] [9] [10]
AAA "Gem": AAA considers this location to be a "must see" point of interest. To see pictures of other areas that AAA considers to be Gems, click here.
Wikipedia Description: Robert Gould Shaw Memorial
From Wikipedia, the free encyclopedia

The Memorial to Robert Gould Shaw and the Massachusetts Fifty-Fourth Regiment is a bronze relief sculpture, by Augustus Saint-Gaudens, located at 24 Beacon Street, in Boston Common.

The sculpture depicts the 54th Regiment marching down Beacon Street on May 28, 1863. The monument was unveiled on May 31, 1897.

The inscription reads:
(On face of relief:)
OMNIA RELINQVIT
SEVARE REMPVBLICAM

Translation from Latin to English: "He left behind everything to save the Republic."

On pedestal under the relief, lines from James Russell Lowell's poem "Memoriae Positum": "Right in the van of the red rampart's slippery / swell with heart that beat a charge he fell / forward as fits a man: but the high soul burns / on to light men's feet where death for noble / ends makes dying sweet."

Carved on back of monument, 1894 text by Charles W. Norton:
"The White Officers taking life and honor in their hands cast in their lot with men of a despised race unproven in war and risked death as inciters of servile insurrection if taken prisoners besides encountering all the common perils of camp march and battle. The Black rank and file volunteered when disaster clouded the Union Cause. Served without pay for eighteen months till given that of white troops. Faced threatened enslavement if captured. Were brave in action. Patient under heavy and dangerous labors. And cheerful amid hardships and privations. Together they gave to the Nation and the World undying proof that Americans of African descent possess the pride, courage and devotion of the patriot soldier. One hundred and eighty thousand such Americans enlisted under the Union Flag in MDCCCLXIII-MDCCCLXV.
signed"

Restored plaster cast at the National Gallery of Art:

A plaster cast, which exhibited at the 1901 Pan-American Exposition, is at the National Gallery of Art, on loan by the Saint-Gaudens National Historic Site, Cornish, New Hampshire.
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- 2023_DC_NGA_Shaw: DC -- Natl Gallery of Art -- West Wing -- Exhibit: Shaw Memorial (28 photos from 2023)
- 2021_DC_NGA_Shaw: DC -- Natl Gallery of Art -- West Wing -- Exhibit: Shaw Memorial (28 photos from 2021)
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Same Subject: Click on this link to see coverage of items having the same subject: [Museums (Art)] [National Gallery of Art]
1997 photos: Since 1984, I've lived in Silver Spring, Maryland. From 1981 to 2002, photos were taken using a Pentax ME Super camera. From 1989 to 2002, I was doing all pictures as prints (instead of slides which I had grown up on). In 1997, at the age of 40, my photo obsession began and I started taking thousands of photos per year. In September, 2002, I switched to digital cameras and the number of photos exploded. Trips this year: North Carolina (Dad), Florida (Mom), using a time share in Arkansas to visit Civil War sites in Missouri, Georgia, Arkansas, Mississippi and Tennessee. The Civil War became my excuse to see places I'd never been to in my life and it was a great motivator for 20 years or so. Image quality for my pictures is variable because these are scans of slides and/or prints at varying quality/resolutions. The Great Pandemic Digitizing Project: When I was first setting up my website in August, 2000, I had decided to digitize some of my favorite pre-digital slides and prints. The scans were fairly low resolution but they were good enough. With COVID forcing me to stay indoors, I decided to rescan ALL of my pre-digital images from multiple sources (slides, prints, and negatives) at a much higher resolution and quality setting. (I digitized Dad's slides at the same time). Instead of replacing my original scans, I added the new scans to existing pages, figuring I'd select the best ones later. As a result, multiple versions of images appear on most of these early pages. At some point, I'll take the time to do a final review and get rid of the duplicates.
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