BGuthrie Photos: DC -- U.S. Capitol (interior) -- Rotunda

DC -- U.S. Capitol (interior) -- Rotunda:

Bruce Guthrie Photos Home Page: [Click here] to go to Bruce Guthrie Photos home page.

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Copyrights: All pictures were taken by amateur photographer Bruce Guthrie (me!) who retains copyright on them. Free for non-commercial use with attribution. See the [Creative Commons] definition of what this means. "Photos (c) Bruce Guthrie" is fine for attribution. (Commercial use folks including AI scrapers can of course contact me.) Feel free to use in publications and pages with attribution but you don't have permission to sell the photos themselves. A free copy of any printed publication using any photographs is requested. Descriptive text, if any, is from a mixture of sources, quite frequently from signs at the location or from official web sites; copyrights, if any, are retained by their original owners.

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Specific picture descriptions: Photos above with "i" icons next to the bracketed sequence numbers (e.g. "[1] ") are described as follows:
1. CAPROT_971204_01.JPG: US Capitol; Inside dome This is a view of the rotunda inside the Capitol dome. You can't see much of the mural due to the lighting but it portrays "The Apotheosis of Washington" by Italian immigrant Constantino Bromidi. The artist died after falling from the scaffolding beneath the fresco.
2. CAPROT_971204_18.JPG: Portrait Monument to Lucretia Mott, Elizabeth Cady Stanton and Susan B. Anthony The Basics Artist: Adelaide Johnson Materials: Marble Year: 1920 Location: Capitol Rotunda The monument was presented to the U.S. Capitol as a gift from the women of the United States by the National Woman's Party and was accepted on behalf of Congress by the Joint Committee on the Library on February 10, 1921. The unveiling ceremony was held in the Capitol Rotunda on February 15, 1921, the 101st anniversary of the birth of Susan B. Anthony, and was attended by representatives of over 70 women's organizations. The Committee authorized the installation of the monument in the Crypt, where it remained on continuous display. In accordance with House Concurrent Resolution 216, which was passed by the Congress in September 1996, the sculpture was relocated to the Rotunda in May 1997. The portraits are copies of the individual busts Adelaide Johnson carved for the Court of Honor of the Woman's Building at the World's Columbian Exhibition in 1893. The detailed busts are surrounded by rough-hewn marble at the top of the sculpture. The monument originally consisted of three parts, the 14,000-pound sculpture itself and two rectangular stone base slabs. The black Belgian marble base and the white Carrara marble base were donated by Johnson in 1925. However, the black marble base arrived broken and was not replaced by the artist until 1929. In 1930 both pieces were installed, completing the artist's design. The total weight of the monument and its two bases was approximately 26,000 pounds. To allow safe placement in the Rotunda, the marble base slabs were replaced with lighter structures designed to resemble them. From left to right the figures represent: Elizabeth Cady Stanton (1815-1902), president of the National Woman Suffrage Association from 1865 to 1893; author of the woman's bill of rights, which she read at the Seneca Falls, New York, convention in 1848; first to demand the vote for women. Susan B. Anthony (1820-1906), abolitionist, temperance advocate, and later president of the National American Woman Suffrage Association, who joined with Stanton in 1851 to promote woman suffrage; proposed the constitutional amendment passed many years after her death. Lucretia Mott (1793-1880), Quaker reformer and preacher, who worked for abolition, peace, and equality for women in jobs and education; organizer of the 1848 Seneca Falls, New York, convention, which launched the women's rights movement. The above was from https://www.aoc.gov/explore-capitol-campus/art/portrait-monument-mott-stanton-anthony
AAA "Gem": AAA considers this location to be a "must see" point of interest. To see pictures of other areas that AAA considers to be Gems, click here.
Bigger photos? To save server space, the full-sized versions of these images have either not been loaded to the server or have been removed from the server. (Only some pages are loaded with full-sized images and those usually get removed after three months.) I still have them though. If you want me to email them to you, please send an email to guthrie.bruce@gmail.com and I can email them to you, or, depending on the number of images, just repost the page again will the full-sized images.
1997 photos: Since 1984, I've lived in Silver Spring, Maryland. From 1981 to 2002, photos were taken using a Pentax ME Super camera. From 1989 to 2002, I was doing all pictures as prints (instead of slides which I had grown up on). In 1997, at the age of 40, my photo obsession began and I started taking thousands of photos per year. In September, 2002, I switched to digital cameras and the number of photos exploded. Trips this year: North Carolina (Dad), Florida (Mom), using a time share in Arkansas to visit Civil War sites in Missouri, Georgia, Arkansas, Mississippi and Tennessee. The Civil War became my excuse to see places I'd never been to in my life and it was a great motivator for 20 years or so. Image quality for my pictures is variable because these are scans of slides and/or prints at varying quality/resolutions. The Great Pandemic Digitizing Project: When I was first setting up my website in August, 2000, I had decided to digitize some of my favorite pre-digital slides and prints. The scans were fairly low resolution but they were good enough. With COVID forcing me to stay indoors, I decided to rescan ALL of my pre-digital images from multiple sources (slides, prints, and negatives) at a much higher resolution and quality setting. (I digitized Dad's slides at the same time). Instead of replacing my original scans, I added the new scans to existing pages, figuring I'd select the best ones later. As a result, multiple versions of images appear on most of these early pages. At some point, I'll take the time to do a final review and get rid of the duplicates.
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Photo Contact: [Email Bruce Guthrie].