MD -- Baltimore -- Walters Art Museum -- Exhibit: Designing the New: Charles Rennie Mackintosh and the Glasgow Style:
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Description of Pictures: Designing the New: Charles Rennie Mackintosh and the Glasgow Style
October 06, 2019–January 05, 2020
Charles Rennie Mackintosh’s name is synonymous with modern design.
Designing the New: Charles Rennie Mackintosh and the Glasgow Style will be the first US exhibition in a generation to highlight the architect and designer’s innovative work, and explore the larger circle of artists and craftspeople with whom he collaborated.
Featuring a variety of media including furniture, posters, textiles, architectural drawings, books, and ceramics, Designing the New: Charles Rennie Mackintosh and the Glasgow Style celebrates the 150th anniversary of Mackintosh’s birth. The exhibition will highlight the process of making, the international influences and impact of the Glasgow Style, and the Glasgow School of Art’s support and encouragement of women artists. Approximately 165 works, drawn from the best of Glasgow Museums’ internationally renowned civic collections, alongside key pieces from The Hunterian, University of Glasgow, The Glasgow School of Art, and important loans from private collections will be on display.
Spanning Mackintosh’s lifetime (1868-1928), the exhibition will present his work in the context of his key predecessors, contemporaries, and the international influences from which they drew inspiration, including Japanese tsubas, Islamic tiles, and extraordinary bookbindings. Visitors can explore some of these inspirations in the Walters collection. The exhibition also establishes a link between Glasgow and Baltimore as industrial cities that produced rich artistic traditions and cultures as they grew.
co-organized by Glasgow Museums and the American Federation of Arts
Curator: Alison Brown, Glasgow Museum’s Curator for European Decorative Art and Design from 1800 to the present
Organizing curator: Jo Briggs, Associate Curator of 18th and 19th Century Art, The Walters Art Museum
Designing the New: Charles Rennie Mackintosh and the Glasgow Style is a touring ...More...
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Specific picture descriptions: Photos above with "i" icons next to the bracketed sequence numbers (e.g. "[1] ") are described as follows:
WALGL1_191103_001.JPG: Designing the New:
Charles Rennie Mackintosh and the Glasgow Style
WALGL1_191103_015.JPG: The Glasgow School of Art: north elevation, March 1897
Designed by Charles Rennie Mackintosh
WALGL1_191103_024.JPG: High-backed chair for Miss Cranston's Ingram Street Tearooms, Glasgow, 1900
Designed by Charles Rennie Mackintosh
WALGL1_191103_034.JPG: Charles Rennie Mackintosh, 1893
WALGL1_191103_038.JPG: The Young Mackintosh's Glasgow
WALGL1_191103_042.JPG: The Corporation Art Galleries, Sauchiehall Street Glasgow, 1859
Mark Dessurne
WALGL1_191103_046.JPG: Collection stand from Dowanhill United Presbyterian Church, 1866
Designed by William Leiper
WALGL1_191103_050.JPG: Illustrations for William Morris's The Story of the Glittering Plain, ca 1893
Chapter III: The Warriors of the Raven Search the Seas
Drawings by Walter Crane
WALGL1_191103_052.JPG: Illustrations for William Morris's The Story of the Glittering Plain, ca 1893
Chapter X: They Hold Converse with Folk of the Glittering Pain
Drawings by Walter Crane
WALGL1_191103_056.JPG: Program for the Third Annual Reunion of Past and Present Students of The Glasgow School of Art at the Corporation Galleries, 1889
WALGL1_191103_059.JPG: Program for the Students' Annual Reunion of The Glasgow School of Art and Haldane Academy at the Corporation Galleries, 1888
WALGL1_191103_062.JPG: Study of a Carpet, July 1891
Charles Rennie Mackintosh
WALGL1_191103_067.JPG: Iznik-ware tile, mid-16th century
Made in Anatolia, Turkey
WALGL1_191103_070.JPG: Hexagonal Damascus tile, ca 17th century
Made in Damascus, Syria
WALGL1_191103_072.JPG: Learning from Islamic Cultures
WALGL1_191103_078.JPG: Four tiles: The Elements -- Fire, Air, Water, and Earth (Ignis, Zephyria, Acqua, Terra), ca 1877
Designed by Walter Crane
WALGL1_191103_085.JPG: Panel with carved Gothic forms
WALGL1_191103_088.JPG: Learning from the Art of the Past
WALGL1_191103_091.JPG: Caledonia Road Church, Gorbals, Glasgow, 1856
Alexander "Greek" Thompson
WALGL1_191103_100.JPG: Replica of an ancient Roman bowl in the Vatican Museums, made in the 1890s
WALGL1_191103_106.JPG: Electrotype Replica of a 16th-century German (Nuremberg) ewer in the Louvre Museum, Paris, made ca 1878
WALGL1_191103_111.JPG: Learning from the Art of the Past
WALGL1_191103_113.JPG: 1868-92
The Young Mackintosh's Glasgow
WALGL1_191103_126.JPG: Sheet of fusuma-gami (door paper), mid-1870s
Shichigoro Koizumi, Tokyo, Japan
WALGL1_191103_135.JPG: The Japanese Exchange with Glasgow
WALGL1_191103_141.JPG: Sketch: House at Corner of McLeod Street, 1889
Charles Rennie Mackintosh
WALGL1_191103_148.JPG: Study drawing: Some Norman Work from Berkshire, ca 1884
Talwin Morris
WALGL1_191103_159.JPG: Glasgow Cathedral at Sunset, 1890
Charles Rennie Mackintosh
WALGL1_191103_163.JPG: The Harvest Moon, 1892
Charles Rennie Mackintosh
WALGL1_191103_169.JPG: The Book of Glasgow Cathedral, 1898
Cover designed by Talwin Morris
Embroidered tablecloth, ca 1906-7
Designed and made by Ellison Young
WALGL1_191103_186.JPG: 1893-1900
Formative Years of the Glasgow Style
WALGL1_191103_213.JPG: The Shock of the New
WALGL1_191103_218.JPG: In memoriam -- Senex, 1894
Talwin MOrris
WALGL1_191103_227.JPG: Tsuba Designs
Flight of arrows, 16th-17th century
Kinai School, Japan
Lotus, possibly 17th-18th century
Kaneie School, Japan
Cormorants and waves, 18th century
Kinai School, Japan
WALGL1_191103_228.JPG: The Yellow Book, Volume 1, April 1894
Cover design by Aubrey Beardsley
WALGL1_191103_240.JPG: Salome: J'ai baise ta bouche, 1893
Aubrey Beardsley
WALGL1_191103_247.JPG: The Glasgow School of Art Club Program, 1893
Designed by Frances Macdonald
WALGL1_191103_250.JPG: Photograph of the folding screen
The Birth and Death of the Winds, ca 1895
Designed by James Herbert McNair, Frances Macdonald, and Margaret Macdonald
WALGL1_191103_255.JPG: Poster for The Scottish Musical Review, 1896
Designed by Charles Rennie Mackintosh
WALGL1_191103_263.JPG: Three stencil cards for a mural, Miss Cranston's Buchanan Street Tearooms, Glasgow, 1896-97
Designed by Charles Rennie Mackintosh
WALGL1_191103_276.JPG: Cabbages in an Orchard, 1894
Charles Rennie Mackintosh
WALGL1_191103_283.JPG: Poster for The Glasgow Institute of the Fine Arts, ca 1894-95
Designed by Charles Rennie Mackintosh
WALGL1_191103_287.JPG: Poster for The Glasgow Institute of the Fine Arts, ca 1895
Designed by Frances Macdonald, Margaret Macdonald, and James Herbert McNair
WALGL1_191103_292.JPG: Poster for Drooko, Joseph Wright's umbrella factory Glasgow, 1894-95
Designed by Frances Macdonald and Margaret Macdonald
WALGL1_191103_316.JPG: A Pond, 1894
Frances Macdonald
WALGL1_191103_325.JPG: Candlestick, ca 1896
Designed and made by Frances Macdonald
WALGL1_191103_332.JPG: Early Architectural Gems
WALGL1_191103_340.JPG: High-backed chair for Miss Cranston's Argyle Street Tearooms, 1898
Designed by Charles Rennie Mackintosh
Wallcovering fabric, ca 1896-97
Designed by George Walton
Leaded-glass restroom cubicle door from the Argyle Street Tearooms, 1898
Designed and made by George Walton & Co, Glasgow
WALGL1_191103_351.JPG: Stenciled plaster ceiling fragment from the Argyle Street Tearooms, 1898
Designed and made by George Walton & Co
WALGL1_191103_353.JPG: Table for the Smoking Room, Argyle Street Tearooms, 1898
Designed by Charles Rennie Mackintosh
WALGL1_191103_356.JPG: Martyrs' Public School, perspective drawing, 1896
Designed by Charles Rennie Mackintosh
WALGL1_191103_361.JPG: The Glasgow School of Art, cross-sectional drawing, September 1897
Designed by Charles Rennie Mackintosh
WALGL1_191103_370.JPG: The Glasgow Herald Building, elevation and section drawing, 1893
Designed by Charles Rennie Mackintosh
WALGL1_191103_374.JPG: Queen's Cross Church, perspective drawing, 1897-98
Designed by Charles Rennie Mackintosh
WALGL1_191103_385.JPG: Wall panel from the billiards room, Ingram Street Tearooms, 1900-1901
Designed by Charles Rennie Mackintosh
Pendant light, from the Ingram Street Tearooms, ca 1900-1901
Designed by Charles Rennie Mackintosh
Mirror from the ladies' restroom and serving table,
Miss Cranston's Ingram Street Tearooms, 1900-1901
Designed by Charles Rennie Mackintosh
WALGL1_191103_395.JPG: The Ingram Street Tearooms, 1900
WALGL1_191103_406.JPG: Stencil card, probably for the smoking gallery, Miss Cranston's Buchanan Street Tearooms, 1896-97
Designed by Charles Rennie Mackintosh
WALGL1_191103_414.JPG: The Importance of Books
WALGL1_191103_419.JPG: Greeting card: Kind Thoughts Like Winged Birds..., ca 1906-10
Designed by Jessie Marion King
WALGL1_191103_423.JPG: Menu card for Miss Cranston's Lunch and Tea Rooms, ca 1906
Cover design by Jessie Marion King
WALGL1_191103_427.JPG: Album von Berlin, 1900
Cover design by Jessie Marion King, 1899
WALGL1_191103_433.JPG: The Secret of the Wondrous Rose, ca 1894-96
Jessie Marion King
WALGL1_191103_440.JPG: Tail-piece page illustration for The High History of the Holy Graal, 1902-03
Jessie Marion King
WALGL1_191103_448.JPG: Prince and Sleeping Princess, ca 1897
Frances Macdonald
WALGL1_191103_454.JPG: Summer, ca 1894
Margaret Macdonald
WALGL1_191103_461.JPG: Kindred Spirits
WALGL1_191103_475.JPG: Fountain, ca 1893-94
James Herbert McNair
WALGL1_191103_477.JPG: 2 Sketchbook, executed while residing at Field's Court, Gray's Inn, London, and at Dunglass, Bowling, Dumbartonshire, 1893-95
Talwin Morris
WALGL1_191103_480.JPG: The Importance of Books:
Talwin Morris and Blackie & Sons
WALGL1_191103_489.JPG: The Hill House, ca 1905-11
Talwin Morris
WALGL1_191103_499.JPG: Ex Libris: The Pen is Mightier Than Truth, printing proof, 1897
Talwin Morris
WALGL1_191103_503.JPG: Printing plate for the cover of The Golden Book of Children's Verse, undated
Designed by Talwin Morris
WALGL1_191103_509.JPG: Interlocking pattern, ca 1908-9
Designed by Talwin MOrris
WALGL1_191103_523.JPG: salmon and Gillespie
WALGL1_191103_526.JPG: Armchair, for the Agents' Office of the British Linen Co. (later Bank), Hutchensontown Branch (later Gorbals), ca 1899-1900
Designed by James Salmon Junior
WALGL1_191103_531.JPG: The Artistic Interior
WALGL1_191103_558.JPG: The May Queen, 1900
Margaret Macdonald Mackintosh
WALGL2_191103_043.JPG: Teaching Design and Decoration -- Ceramics
WALGL2_191103_063.JPG: The Many Facets of The Glasgow School of Art
WALGL2_191103_077.JPG: Design & Making -- Glasgow's Technical Art Studios, Est. 1893
WALGL2_191103_081.JPG: Teaching Design and Decoration -- Needlework
WALGL2_191103_085.JPG: Teaching Design and Decoration -- Art Botany
WALGL2_191103_106.JPG: Teaching Design and Decoration -- Metalwork
WALGL2_191103_131.JPG: Teaching Design and Decoration -- Furniture and Interiors
WALGL2_191103_145.JPG: New Horizons: Inspiration and Opportunity
WALGL2_191103_166.JPG: 1892-1905
Technical Art Instruction and Exhibitions
WALGL2_191103_191.JPG: Teaching Design and Decoration -- Stained Glass
WALGL2_191103_214.JPG: What Makes Mackintosh, Mackintosh?
WALGL2_191103_216.JPG: 1901-9
Mackintosh's Major Architectural Projects
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2019 photos: Equipment this year: I continued to use my Fuji XS-1 cameras but, depending on the event, I also used a Nikon D7000.
Trips this year:
a four-day jaunt to Massachusetts (Boston, Stockbridge, and Springfield) to experience rain in another state,
Asheville, NC to visit Dad and his wife Dixie,
four trips to New York City (including the United Nations, Flushing, and the New York Comic-Con), and
my 14th consecutive San Diego Comic-Con (including sites in Utah).
Number of photos taken this year: about 582,000.
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