BGuthrie Photos: CA -- Sacramento -- Crocker Art Museum -- Exhibit: Testament of the Spirit: Paintings by Eduardo Carrillo

CA -- Sacramento -- Crocker Art Museum -- Exhibit: Testament of the Spirit: Paintings by Eduardo Carrillo:

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Description of Pictures: Testament of the Spirit
Paintings by Eduardo Carrillo
June 24, 2018 — October 07, 2018
Eduardo Carrillo’s artwork has been described as mystical, realistic, surreal, and visionary. His imagery, whether grounded in the everyday world or infused with magical realism, reflects his relationship to his native California and to his Mexican heritage, as well as to his early religious upbringing and respect for European traditions in art. An inspirational leader who actively challenged racism and injustice, Carrillo created programs and platforms that promoted greater awareness of Latin American culture, aesthetics, and social concerns, significantly advancing the recognition and appreciation of Chicano art and culture in California.
Testament of the Spirit: Paintings by Eduardo Carrillo highlights the creative efforts and social importance of Carrillo as artist, teacher, scholar, and social activist. It showcases work created for three distinct realms: the public, the private, and the museum. The artist’s murals are featured in the full-color, bilingual exhibition catalogue. Intimate watercolors and paintings describe the artist’s everyday life in self-portraits, still lifes, and images of people and places he held dear. Large-scale visionary paintings — Carrillo’s masterpieces — reveal his complex and creative mind. The exhibition also includes the bilingual video Eduardo Carrillo: A Life of Engagement, by Pedro Pablo Celedón.
Testament of the Spirit: Paintings by Eduardo Carrillo will be accompanied by an extensive, full-color, bilingual catalogue with an introduction by guest curator Susan Leask, as well as essays by Philip Brookman, Gilberto Cárdenas, Maureen Davidson, Tim Drescher, Michael Duncan, Amalia Mesa-Bains, Terezita Romo, and Christina Waters.

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[1] CROCCA_180713_004.JPG	[2] CROCCA_180713_006.JPG	[3] CROCCA_180713_009.JPG
[4] CROCCA_180713_015.JPG	[5] CROCCA_180713_022.JPG	[6] CROCCA_180713_025.JPG
[7] CROCCA_180713_031.JPG	[8] CROCCA_180713_039.JPG	[9] CROCCA_180713_045.JPG
[10] CROCCA_180713_049.JPG	[11] CROCCA_180713_055.JPG	[12] CROCCA_180713_064.JPG
[13] CROCCA_180713_069.JPG	[14] CROCCA_180713_077.JPG	[15] CROCCA_180713_083.JPG
[16] CROCCA_180713_088.JPG	[17] CROCCA_180713_093.JPG	[18] CROCCA_180713_098.JPG
[19] CROCCA_180713_104.JPG	[20] CROCCA_180713_107.JPG	[21] CROCCA_180713_112.JPG
[22] CROCCA_180713_118.JPG	[23] CROCCA_180713_122.JPG	[24] CROCCA_180713_127.JPG
[25] CROCCA_180713_132.JPG	[26] CROCCA_180713_136.JPG	[27] CROCCA_180713_139.JPG
[28] CROCCA_180713_144.JPG	[29] CROCCA_180713_150.JPG	[30] CROCCA_180713_153.JPG
[31] CROCCA_180713_156.JPG	[32] CROCCA_180713_159.JPG	[33] CROCCA_180713_163.JPG
[34] CROCCA_180713_173.JPG	[35] CROCCA_180713_177.JPG	[36] CROCCA_180713_181.JPG
[37] CROCCA_180713_184.JPG	[38] CROCCA_180713_186.JPG	[39] CROCCA_180713_190.JPG
[40] CROCCA_180713_192.JPG	[41] CROCCA_180713_196.JPG	[42] CROCCA_180713_213.JPG
[43] CROCCA_180713_216.JPG	[44] CROCCA_180713_222.JPG	[45] CROCCA_180713_228.JPG
[46] CROCCA_180713_238.JPG	[47] CROCCA_180713_242.JPG	[48] CROCCA_180713_244.JPG
[49] CROCCA_180713_250.JPG	[50] CROCCA_180713_257.JPG	[51] CROCCA_180713_263.JPG
[52] CROCCA_180713_272.JPG	[53] CROCCA_180713_276.JPG	[54] CROCCA_180713_285.JPG
[55] CROCCA_180713_289.JPG	[56] CROCCA_180713_293.JPG	[57] CROCCA_180713_300.JPG
[58] CROCCA_180713_307.JPG	[59] CROCCA_180713_310.JPG	[60] CROCCA_180713_314.JPG
[61] CROCCA_180713_323.JPG	[62] CROCCA_180713_330.JPG	[63] CROCCA_180713_336.JPG

Specific picture descriptions: Photos above with "i" icons next to the bracketed sequence numbers (e.g. "[1] ") are described as follows:
1. CROCCA_180713_006.JPG: Eduardo Carrillo, 1937-1997
2. CROCCA_180713_009.JPG: Eduardo Carrillo Self-Portrait, 1960
3. CROCCA_180713_015.JPG: Eduardo Carrillo Self-Portrait, 1958
4. CROCCA_180713_025.JPG: Eduardo Carrillo Ed's Garden, 1990
5. CROCCA_180713_031.JPG: Eduardo Carrillo Ed in the Garden, early 1990s
6. CROCCA_180713_039.JPG: Eduardo Carrillo Self-Portrait with Square Glasses, 1988
7. CROCCA_180713_045.JPG: Eduardo Carrillo Night Drawing with Lamp
8. CROCCA_180713_049.JPG: Eduardo Carrillo Tio Beto on the Wall, 1987-88
9. CROCCA_180713_055.JPG: Eduardo Carrillo Doyle, 1992
10. CROCCA_180713_064.JPG: Eduardo Carrillo Portrait of Don Leandro, 1987
11. CROCCA_180713_069.JPG: Eduardo Carrillo Flower Avenue Backyard, 1970
12. CROCCA_180713_077.JPG: Eduardo Carrillo Self-Portrait with Pipe, 1991
13. CROCCA_180713_083.JPG: Self-Portraits
14. CROCCA_180713_088.JPG: Eduardo Carrillo Self-Portrait with Carved Frame, 1993
15. CROCCA_180713_093.JPG: Eduardo Carrillo Vegetable Man, 1997
16. CROCCA_180713_098.JPG: Eduardo Carrillo La Cueva, 1993
17. CROCCA_180713_104.JPG: Still-Life Paintings
18. CROCCA_180713_107.JPG: Eduardo Carrillo Untitled (Photograph of the Artist's Mother), 1990
19. CROCCA_180713_112.JPG: Eduardo Carrillo Untitled (Still Life with Santo Nino Candle), 1989
20. CROCCA_180713_118.JPG: Eduardo Carrillo Still Life with TV and Phone, n.d.
21. CROCCA_180713_122.JPG: Eduardo Carrillo Woman Holding a Serpent, 1975
22. CROCCA_180713_127.JPG: Eduardo Carrillo Alison Knitting, early 1990s
23. CROCCA_180713_132.JPG: Eduardo Carrillo Alison Reclining from the Back, 1992
24. CROCCA_180713_136.JPG: Eduardo Carrillo Alison in Profile, 1993
25. CROCCA_180713_139.JPG: Eduardo Carrillo Adagio Doloroso, 1992
26. CROCCA_180713_144.JPG: Eduardo Carrillo H Street, 1971
27. CROCCA_180713_153.JPG: Testament of the Spirit Paintings by Eduardo Carrillo
28. CROCCA_180713_159.JPG: Eduardo Carrillo Subterranean Garden, circa 1960s
29. CROCCA_180713_173.JPG: Eduardo Carrillo, Sergio Hernandez, Ramses Noriega, & Saul Solache Chicano History, 1970
30. CROCCA_180713_196.JPG: Eduardo Carrillo Las Tropicanas, 1974
31. CROCCA_180713_213.JPG: Eduardo Carrillo Smoke Gets in Your Eyes, early 1970s
32. CROCCA_180713_216.JPG: Eduardo Carrillo Testament of the Holy Spirit, 1971
33. CROCCA_180713_222.JPG: Eduardo Carrillo The Aerialist, 1994
34. CROCCA_180713_228.JPG: Eduardo Carrillo The Temptation of St. Anthony (Copy of Hieronymus Bosch Painting), 1960-61
35. CROCCA_180713_238.JPG: Eduardo Carrillo The Burial (The Deposition), 1983
36. CROCCA_180713_242.JPG: Eduardo Carrillo Study for the Burial (The Deposition), circa 1983
37. CROCCA_180713_244.JPG: Eduardo Carrillo Couple in the Garden, 1985
38. CROCCA_180713_250.JPG: Eduardo Carrillo The Flight of Sister Juana, 1982
39. CROCCA_180713_257.JPG: Eduardo Carrillo The Last Supper, 1994
40. CROCCA_180713_263.JPG: Eduardo Carrillo Busy Signal, 1970
41. CROCCA_180713_272.JPG: Eduardo Carrillo Warrior, 1997
42. CROCCA_180713_276.JPG: Eduardo Carrillo Two Brothers Fighting, 1985
43. CROCCA_180713_285.JPG: Eduardo Carrillo Down the Lane (Surfing at the Mount of the River Jordan), 1991-92
44. CROCCA_180713_289.JPG: Eduardo Carrillo The Two of Hearts, 1983
45. CROCCA_180713_293.JPG: Eduardo Carrillo Reaching for Coatlicue, 1988
46. CROCCA_180713_300.JPG: Eduardo Carrillo Tio Beta y Tio Nacho at the Precipice, circa 1970s
47. CROCCA_180713_307.JPG: Eduardo Carrillo Pearly Gates, 1966
48. CROCCA_180713_310.JPG: Eduardo Carrillo The Artist Dreaming of Immortality in the House of His Grandmother, 1990
49. CROCCA_180713_314.JPG: Eduardo Carrillo Leda and the Swan, 1996
50. CROCCA_180713_323.JPG: Eduardo Carrillo Cabin in the Sky, 1966
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Wikipedia Description: Crocker Art Museum
From Wikipedia, the free encyclopedia

The Crocker Art Museum, formerly the E. B. Crocker Art Gallery, is one of the leading arts institutions in California, and the longest continuously-operating art museum in the West. Located in Sacramento, California, the Museum hosts one of the state’s premier collections of Californian art. The collection contains works dating from the Gold Rush to the present day, a world-renowned collection of master drawings, European paintings, one of the largest and most comprehensive international ceramics collections in the U.S. and collections of Asian, African, and Oceanic art. In addition to its collections, the Crocker offers a variety of public programs.

History

In 1869, Edwin B. Crocker, a banker and landowner of great wealth, and Margaret Crocker began to assemble a significant collection of paintings and drawings during an extended trip to Europe just a year after their purchase of land on the corner of Third and O Street in the city of Sacramento. As a prominent California family, the Crockers supported many social and civic causes. Judge Crocker (1818–1875) served on the State Supreme Court. His brother was Charles Crocker, one of the “Big Four” railroad barons. In 1885, his widow, Margaret (1822–1901), fulfilled their shared vision of creating a public art museum when she presented the E. B. Crocker Art Gallery and collection to the City of Sacramento and the California Museum Association, “in trust for the public.” the contents of which were valued at the time at more than $500,000.000.

While the Crocker Art Museum had undertaken a series of renovations and additions since it first opened as a public museum 125 years ago, the facility could not keep pace with the Museum’s burgeoning collection and the growing population of Sacramento and California's Central Valley Region. In 2000, the Crocker began a master planning process with Gwathmey Siegel & Associates and in 2002 commissioned the firm to design a major expansion of the Museum. The expanded Crocker Art Museum opened on October 10, 2010.

Permanent Collections

Californian Art & American Art

The Californian art collection includes works dating from statehood to the present day. The core collection of early Californian art was assembled by Judge E. B. and Margaret Crocker in the early 1870s and has continued to grow over the years. The Crocker now boasts 150 years of painting, sculpture, and craft media covering genres that include Impressionism, Abstract Expressionism, and Pop Art, and features artists such as Thomas Hill, Guy Rose, Joan Brown, and Wayne Thiebaud. The collection also includes American art from the late-19th century to the present. American Impressionists and Modernists are a particular strength, with iconic works by Childe Hassam, Robert Henri, and Georgia O'Keeffe. Other Twentieth Century painters represented include; Granville Redmond, Edwin Deakin, Maynard Dixon, Richard Diebenkorn, Mel Ramos, Jim Piskoti ("Justice"), Jess, and Luis Azaceta.

Works On Paper

The collection of approximately 1,500 master drawings is one of the finest early collections in the United States, with superb examples from the major European schools. Collection strengths include European drawings from the 17th and 18th centuries. Major drawings by artists such as Albrecht Dürer, Fra Bartolommeo, François Boucher, and Jean-Honoré Fragonard are represented here. American photography and modern and contemporary California prints are also strengths of the works on paper collection.

European Art

The collection of European art was shaped by the Crocker family’s purchase of paintings during their grand tour of Europe between 1869 and 1871. This core collection focuses on Central European painting of the 19th century, Dutch and Flemish 16th and 17th-century painting, and Italian-Baroque painting. Painters represented at this art museum include; Antonio Joli, Guido Cagnacci, Gerrit van Honthorst, Nicolaes Maes, Nicolaes Molenaer, Pieter Quast ("Quarreling Women"), Bernhard Reinhold ("Young Mason Eating Lunch"), Andreas Achenbach, Karl von Piloty, Paul Blondeau ("Dordrecht"), Arnold Marc Gorter ("Canal Landscape With Trees"), Andreas Schelfhout, and Charles Christian Nahl.

International Ceramics

Since midcentury, the Museum has followed the development of notable Californian, American, and international ceramists such as Hamada Shoji and Lucie Rie. Major gifts to the museum celebrate craftsmanship, expand upon clay’s traditions, and test its boundaries as a medium. The history of ceramics is also explored in a superb collection of 18th–century Meissen porcelain tableware and in the works of ancient cultures dating to the Neolithic period.

Asian Art

The collection of Asian art is especially noted for its holdings of Chinese tomb furnishings and trade ceramics, and Japanese armor and tea ware. The collection is also notable for Korean ceramics which began with a gift by Judge E.B. and Margaret Crocker’s daughter Jennie Crocker Fassett in the 1920s. South and Southeast Asia are well represented through the William and Edith Cleary gift of more than 600 Indian and Persian miniature paintings and drawings, as well as Buddhist art from the region between Pakistan and Southeast Asia.

African & Oceanic Art

The collection of African and Oceanic art features a variety of objects created for daily life and traditional ceremonies. The art of the Asmat of New Guinea is strikingly evidenced in the towering memorials to ancestors, called bis poles.

The Crocker-Kingsley

A biennial exhibition has been held by the museum in cooperation with the Kingsley Art Club since 1927, and juried since 1940. Artists whose works have appeared include Robert Arneson, Elmer Bischoff, David Gilhooly, Ralph Goings, Roland Petersen, Mel Ramos, Fritz Scholder, and Wayne Thiebaud.

Main Buildings

Architecture

Crocker Art Museum; historic Art Gallery building

In 1868, Judge Edwin B. Crocker purchased the property and existing buildings on the corner of Third and O Streets. He then commissioned Seth Babson (1830–1908), a talented local architect, to redesign and renovate the home into a grander, Italianate mansion. In addition, Crocker asked Babson to design an elaborate gallery building that would sit adjacent to the mansion and display the family's growing art collection.

Babson saw the home and gallery as an integrated complex, unique in design and demanding the finest materials. The gallery building included a bowling alley, skating rink and billiards room on the ground floor; a natural history museum and a library on the first floor; and gallery space on the second floor. Completed in 1872, the Crocker family mansion and art gallery are considered the masterpieces of Babson's career.

The family mansion went through several uses and reconstructions until a 1989 renovation restored the historic façade and created a modern gallery interior.

2010 expansion

On October 10, 2010 the Crocker Art Museum opened a new 125,000-square-foot (11,600 m2) building designed by Gwathmey Siegel & Associates Architects founded by recognized architect Charles Gwathmey of group The New York Five. The roughly 37,600-square-foot (3,490 m2) custom facade system was designed and supplied by Overgaard Ltd., Hong Kong. The new building, named the Teel Family Pavilion, is attached to the museum's historic structures to expand the Crocker Art Museum's original and present traveling exhibitions as well as educational programs.

The controversial expansion has more than tripled the Crocker’s size to 145,000 square feet (13,500 m2) — adding four times the space for traveling exhibitions and three times the space for the Museum to showcase its permanent collection. The original museum only accommodated 4 percent of the museum's collection. 15 percent was displayed at the opening of the new section.

The expanded Museum includes a new education center with four studio art classrooms, an art education resource room for teachers and docents, an expanded library, and student and community exhibition galleries, as well as an auditorium and public gathering places. These new facilities allow the Crocker to present expanded programming, enabling the Museum to serve the community as never before.
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