VA -- Richmond -- Virginia Museum of Fine Arts -- Exhibit: Signs of Protest:
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Description of Pictures: Signs of Protest: Photographs from the Civil Rights Era
January 11, 2014 – September 7, 2014
Signs and protests were inseparable in the 1960s. Like a visual bullhorn, they both amplified and unified the voices fighting injustice. This exhibition includes photographs that feature protest signs, as well as images of the larger culture of resistance surrounding them, with an emphasis on Civil Rights leaders such as Martin Luther King Jr., Malcolm X, and Stokely Carmichael.
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Copyrights: All pictures were taken by amateur photographer Bruce Guthrie (me!) who retains copyright on them. Free for non-commercial use with attribution. See the [Creative Commons] definition of what this means. "Photos (c) Bruce Guthrie" is fine for attribution. (Commercial use folks including AI scrapers can of course contact me.) Feel free to use in publications and pages with attribution but you don't have permission to sell the photos themselves. A free copy of any printed publication using any photographs is requested. Descriptive text, if any, is from a mixture of sources, quite frequently from signs at the location or from official web sites; copyrights, if any, are retained by their original owners.
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Specific picture descriptions: Photos above with "i" icons next to the bracketed sequence numbers (e.g. "[1] ") are described as follows:
VMFASP_140817_001.JPG: Signs of Protest: Photographs from the Civil Rights Era
"Somewhere I read that the greatness of America is the right to protest for right."
-- Martin Luther King, Jr., April 3, 1968
Signs and protests were inseparable in the 1960s, with words painted or printed large scale to produce maximum impact when photographed or filmed by the media. Like a visual bullhorn, they both amplified and unified the voices fighting injustice. This exhibition includes photographs of those signs and the individuals who carried them, as well as images of the larger culture of resistance during the turbulent decade. With an emphasis on civil rights leaders Martin Luther King Jr., Malcolm X, and Stokely Carmichael, Signs of Protest traces the evolution of protest from civil rights and black power to Vietnam War demonstrations and, in subsequent decades, rallies fighting South African aparthied.
Many of the photographs on view here, including Gordon Parks, Bob Adelman, and James Karales, worked for magazines such as Life and Look, whose photo essays reached millions of American readers every week. They understood that the photographs they took had the capability to effect real change. Gordon Parks called his camera a weapon, an apt reference to the power of images in the fight for racial justice and equality.
VMFASP_140817_005.JPG: Gordon Parks
Untitled, Mobile, Alabama, 1956
"I wasn't going in. I didn't want to take my niece through the back entrance. She smelled popcorn and wnated some. All I could think was where I could go to get her popcorn."
-- Joanne Wilson, 2013
VMFASP_140817_011.JPG: Bob Adelman
Demonstrator during the March on Washington DC, 1963
"I show with one eye on the lens, one eye on history, and my heart was with the civil rights movement."
-- Bob Adelman
VMFASP_140817_017.JPG: Protest in Richmond
On January 1, 1960, Dr. King spoke at an Emancipation Day rally in Richmond. Inspired by his example of nonviolent protest, a group of Virginia Union University students organized a sit-in at the segregated Woolworth's lunch counter on February 20. The restaurant responded by closing. Two days later, the students returned to downtown, this time entering the first-floor lunch counter at Thalhimers, as well as the exclusive Richmond Room restaurant on the store's fourth floor. When thirty-four of the students refused to leave, they were arrested and later dubbed "the Richmond 34." These initial protests led to nearly a year of picket lines that promoted boycotts of segregated stores with signs such as "Don't Shop Where You Are Arrested," ultimately resulting in the integration of Thalhimers and several other Richmond stores.
Richard N. Anderson was both a University of Virginia-trained architect and lifelong photographer. He published his images under the byline DanFoto in Richmond's Times-Dispatch and News Leader. While few vintage prints of his photographs exist, Anderson gave his original negatives to the Valentine Richmond History Center. Reproduced here are digital scans that document and preserve these powerful events in our local history.
VMFASP_140817_021.JPG: Danny Lyon
Danville, 1963, A Crowd Watches the Demonstrators Returning to the Steps of City Hall, 1963
VMFASP_140817_034.JPG: Beuford Smith
Woman in Doorway, Harlem, 1965
VMFASP_140817_041.JPG: Gordon Parks
White Police Officer Standing Between Two Black Protestors, 1963
VMFASP_140817_054.JPG: Louis Draper
Untitled (Black Muslims), 1960s
VMFASP_140817_064.JPG: Louis Draper
Malcolm X, Harlem, 1964
VMFASP_140817_070.JPG: Ernest C. Withers
I Am A Man, Sanitation Workers Strike, Memphis Tennessee, March 28, 1968
VMFASP_140817_080.JPG: Louis Draper
Untitled (Revolt Now), ca 1960s
VMFASP_140817_086.JPG: Louis Draper
Untitled (Noisy Panthers Disrupt Trial), ca 1966-72
VMFASP_140817_094.JPG: Gordon Parks
Stokely Carmichael, Watts, Los Angeles, CA, 1966
VMFASP_140817_101.JPG: James Karales
Selma to Montgomery March, Alabama, 1965
VMFASP_140817_111.JPG: Leroy Henderson
First Anti-Vietnam War Rally, Marchers on Madison Ave., April 15, 1967
VMFASP_140817_117.JPG: Diane Arbus
Boy with a Straw Hat Waiting to March in a Pro-War Parade, New York City, 1967
VMFASP_140817_123.JPG: Garry Winogrand
New York City, 1970, 1970
VMFASP_140817_140.JPG: Benedict J. Fernandez
Countdown to Eternity, 1967-68
VMFASP_140817_152.JPG: Benedict J. Fernandez
Countdown to Eternity, 1967-68
VMFASP_140817_155.JPG: Benedict J. Fernandez
Countdown to Eternity, 1967-68
VMFASP_140817_159.JPG: Benedict J. Fernandez
Countdown to Eternity, 1967-68
VMFASP_140817_162.JPG: Benedict J. Fernandez
Countdown to Eternity, 1967-68
VMFASP_140817_168.JPG: Benedict J. Fernandez
Countdown to Eternity, 1967-68
VMFASP_140817_175.JPG: Benedict J. Fernandez
Countdown to Eternity, 1967-68
VMFASP_140817_179.JPG: Benedict J. Fernandez
Countdown to Eternity, 1967-68
VMFASP_140817_189.JPG: Ian Berry
South Africa, Supporters Climb to Every Vantage Point, 1994
VMFASP_140817_195.JPG: Alf Kumalo
A Protest March after the Uitenhage Massacre of 21st March, 1985, 1985
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2014 photos: Equipment this year: I mostly used my Fuji XS-1 camera but, depending on the event, I also used a Nikon D7000.
Trips this year:
three Civil War Trust conferences (Winchester, VA, Nashville, TN, and Atlanta, GA),
Michigan to visit mom in the hospice before she died and then a return trip after she died, and
my 9th consecutive San Diego Comic-Con trip (including Las Vegas, Reno, Carson City, Sacramento, Oakland, and Los Angeles).
Ego strokes: Paul Dickson used one of my photos as the author photo in his book "Aphorisms: Words Wrought by Writers".
Number of photos taken this year: just over 470,000.
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