BGuthrie Photos: DC -- Arthur M. Sackler Gallery -- Not Covered Elsewhere

DC -- Arthur M. Sackler Gallery -- Not Covered Elsewhere:

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Copyrights: All pictures were taken by amateur photographer Bruce Guthrie (me!) who retains copyright on them. Free for non-commercial use with attribution. See the [Creative Commons] definition of what this means. "Photos (c) Bruce Guthrie" is fine for attribution. (Commercial use folks including AI scrapers can of course contact me.) Feel free to use in publications and pages with attribution but you don't have permission to sell the photos themselves. A free copy of any printed publication using any photographs is requested. Descriptive text, if any, is from a mixture of sources, quite frequently from signs at the location or from official web sites; copyrights, if any, are retained by their original owners.

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[1]

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[2] SISG_050723_018.JPG

[3]

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[4] SISG_050723_033.JPG

[5] SISG_050723_037.JPG

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[10] SISG_050723_068.JPG

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[16] SISG_050723_113.JPG

[17] SISG_050723_118.JPG

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[20] SISG_050723_133.JPG

[21] SISG_050723_146.JPG

[22] SISG_050723_151.JPG

Specific picture descriptions: Photos above with "i" icons next to the bracketed sequence numbers (e.g. "[1] ") are described as follows:
1. SISG_050723_008.JPG: Funerary relief bust. Syria, Palmyra, Roman Empire, ca 231. Limestone. The inscriptions carved on this relief bust, written in Aramaic, identify the figure as a woman named Haliphat and date her death to the year 231. The bust is from Palmyra, a city in southern Syria that flourished during the Roman Empire as a caravan oasis on the trade route linking the Mediterranean with West and Central Asia. Many members of Palmyra's prosperous merchant class commissioned such funerary busts depicting fashionably dressed individuals; women often wear elaborate jewelry. The busts covered the openings of burial compartments in family tombs located in the desert outside Palmyra.
2. SISG_050723_024.JPG: A Virgin 1892-93 by Abbott Handerson Thayer Oil on canvas Thayer began this group portrait of his children, Gladys, Mary, and Gerald, soon after the untimely death of their mother in 1891. He originally envisioned the central figure, Mary (who temporarily took charge of Gladys and Gerald), as Flora, the Greek goddess of flowers, but as the work progressed he decided to make her a Greek "Victory" figure instead, with clouds billowing behind her like wings. The model for Mary's dramatic stance was a famous Hellenistic sculpture in the Louvre, the Nike of Somathrace (second century BC), known as the Winged Victory. Thayer would have seen that magnificent sculpture while he was a student in Paris during the late 1870's, when it was reinstalled at the head of the grand staircase. A related inspiration was the Sherman Monument, by Thayer's friend the sculpture Augustus Saint-Gaudens (1848-1907). Commissioned in 1891 and unveiled in 1903 at the Grand Army Plaza, New York City, the monument features a powerfully winged female figure, also modeled on the Winged Victory, leading the commander of the Union army into battle. Charles Lang Freer (1854-1919), founder of the Freer Gallery of Art, purchased Thayer's Virgin in 1893 and hung the painting above the landing in the stair hall of his Detroit residence where, like the Winged Victory in the Louvre, it could be admired from various vantage points. Freer acknowledged Thayer's visual allusion in 1910 by ordering a plaster cast of the Winged Victory to be displayed beside A Virgin in an exhibition at the University of Michigan, along with other important works of Asian and American art from his collection.
3. SISG_050723_082.JPG: Mourning Attendant. China, Tang dynasty, 7th century Limestone Tang emperors and nobles were buried in elaborately constructed tombs marked by monumental stone sculptures above ground and lavish furnishings below. Earthenware funerary figures formed a large and important component of the tomb furnishings, but ones in stone, like this are, rare. The sculpture presents a strikingly sensitive depiction of a servant hunched forward, his brows deeply furrowed, eyes downcast, and lips downturned in mourning. The Tang sculptor's ability to describe details realistically is extended even to the attendant's robe, with its collar buttoned at one shoulder, tied headdress, soft boots, and belt tucked under the back.
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AAA "Gem": AAA considers this location to be a "must see" point of interest. To see pictures of other areas that AAA considers to be Gems, click here.
Bigger photos? To save server space, the full-sized versions of these images have either not been loaded to the server or have been removed from the server. (Only some pages are loaded with full-sized images and those usually get removed after three months.) I still have them though. If you want me to email them to you, please send an email to guthrie.bruce@gmail.com and I can email them to you, or, depending on the number of images, just repost the page again will the full-sized images.
Directly Related Pages: Other pages with content (DC -- Arthur M. Sackler Gallery -- Not Covered Elsewhere) directly related to this one: [Display ALL photos on one page]:
- 2023_DC_SISG: DC -- Arthur M. Sackler Gallery -- Not Covered Elsewhere (4 photos from 2023)
- 2022_DC_SISG: DC -- Arthur M. Sackler Gallery -- Not Covered Elsewhere (5 photos from 2022)
- 2021_DC_SISG: DC -- Arthur M. Sackler Gallery -- Not Covered Elsewhere (13 photos from 2021)
- 2019_DC_SISG: DC -- Arthur M. Sackler Gallery -- Not Covered Elsewhere (7 photos from 2019)
- 2017_DC_SISG: DC -- Arthur M. Sackler Gallery -- Not Covered Elsewhere (5 photos from 2017)
- 2015_DC_SISG: DC -- Arthur M. Sackler Gallery -- Not Covered Elsewhere (2 photos from 2015)
- 2008_DC_SISG: DC -- Arthur M. Sackler Gallery -- Not Covered Elsewhere (22 photos from 2008)
- 2006_DC_SISG: DC -- Arthur M. Sackler Gallery -- Not Covered Elsewhere (29 photos from 2006)
- 2004_DC_SISG: DC -- Arthur M. Sackler Gallery -- Not Covered Elsewhere (28 photos from 2004)
Same Subject: Click on this link to see coverage of items having the same subject: [(Smithsonian) Arthur M. Sackler Gallery] [Display ALL (Smithsonian) Arthur M. Sackler Gallery photos] [Museums (Art)]
2005 photos: Trips this year: Florida (for Lotusphere), a driving trip down south (seeing sites in North Carolina, South Carolina, Florida, and Georgia), Williamsburg, and Chicago. Equipment this year: I used four cameras -- two Fujifilm S7000 cameras (which were plagued by dust inside the lens), a new Fujifilm S5200 (nice but not great and I hated the proprietary xD memory chips), and a Canon PowerShot S1 IS (returned because it felt flimsy to me). I gave my Epson camera to my catsitter. Both of the S7000s were in for repairs over Christmas. Number of photos taken this year: 147,000.
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Photo Contact: [Email Bruce Guthrie].