BGuthrie Photos: MD -- Baltimore -- Walters Art Museum -- Asian Artworks

MD -- Baltimore -- Walters Art Museum -- Asian Artworks:

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Copyrights: All pictures were taken by amateur photographer Bruce Guthrie (me!) who retains copyright on them. Free for non-commercial use with attribution. See the [Creative Commons] definition of what this means. "Photos (c) Bruce Guthrie" is fine for attribution. (Commercial use folks including AI scrapers can of course contact me.) Feel free to use in publications and pages with attribution but you don't have permission to sell the photos themselves. A free copy of any printed publication using any photographs is requested. Descriptive text, if any, is from a mixture of sources, quite frequently from signs at the location or from official web sites; copyrights, if any, are retained by their original owners.

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Specific picture descriptions: Photos above with "i" icons next to the bracketed sequence numbers (e.g. "[1] ") are described as follows:
1. WALTAS_051203_220.JPG: Sword Guards (Tsuba): 17th and 18th centuries: Like other craftsmen, the makers of tsuba belonged to many different schools. When fashions changed, some tsuba makers would proudly stick to the traditions of their teachers; others would adapt to demand, even to the point of inscribing the false signature of a famed craftsman. Forgeries may be contemporary, or they may be later, made for 19th-century collectors. For all these reasons, the study of tsuba is a battleground nearly as dangerous as the actual sword blades. In one early type of sword guard, the surface of the tsuba is used as a ground for an overall pattern of flowers, with every part having an equal weight. In another early type, the approach is entirely different: a miniature landscape appears on the tsuba. Even within this small frame, it is possible to suggest great distances. In the 18th century imitations of this type were produced using an antique iron body. The majority of 16th- and 17th-century tsuba were openwork iron, and this tradition continued into the 18th century, but with an increased interest in detail in complex, delicate rhythms -- rhythms that can also characterize inlaid work. In the first half of the 18th century, several well-known craftsmen started to produce an engraved copper or copper alloy tsuba, sometimes combined with relief work. In the best of these, the engraved line swells and narrows like brushed ink. Another 18th-century development was of pictorial carved openwork tsuba, in which the negative, openwork spaces are a powerful component of the design.
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AAA "Gem": AAA considers this location to be a "must see" point of interest. To see pictures of other areas that AAA considers to be Gems, click here.
Bigger photos? To save server space, the full-sized versions of these images have either not been loaded to the server or have been removed from the server. (Only some pages are loaded with full-sized images and those usually get removed after three months.) I still have them though. If you want me to email them to you, please send an email to guthrie.bruce@gmail.com and I can email them to you, or, depending on the number of images, just repost the page again will the full-sized images.
Directly Related Pages: Other pages with content (MD -- Baltimore -- Walters Art Museum -- Asian Artworks) directly related to this one: [Display ALL photos on one page]:
- 2012_MD_Walters_Asia: MD -- Baltimore -- Walters Art Museum -- Asian Artworks (16 photos from 2012)
- 2009_MD_Walters_Asia: MD -- Baltimore -- Walters Art Museum -- Asian Artworks (123 photos from 2009)
Same Subject: Click on this link to see coverage of items having the same subject: [Walters Art Museum] [Display ALL Walters Art Museum photos] [Museums (Art)]
2005 photos: Trips this year: Florida (for Lotusphere), a driving trip down south (seeing sites in North Carolina, South Carolina, Florida, and Georgia), Williamsburg, and Chicago. Equipment this year: I used four cameras -- two Fujifilm S7000 cameras (which were plagued by dust inside the lens), a new Fujifilm S5200 (nice but not great and I hated the proprietary xD memory chips), and a Canon PowerShot S1 IS (returned because it felt flimsy to me). I gave my Epson camera to my catsitter. Both of the S7000s were in for repairs over Christmas. Number of photos taken this year: 147,000.
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Photo Contact: [Email Bruce Guthrie].