BGuthrie Photos: Images whose date-stamp is "20221202"

BGuthrie Photos: Images whose date-stamp is "20221202" Images whose date-stamp is "20221202":

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[1] BEING_221202_001.JPG Medium (Email) (Bigger?)	[2] BEING_221202_004.JPG Medium (Email) (Bigger?)	[3] BEING_221202_009.JPG Medium (Email) (Bigger?)
[4] BEING_221202_010.JPG Medium (Email) (Bigger?)	[5] BEING_221202_014.JPG Medium (Email) (Bigger?)	[6] BEING_221202_016.JPG Medium (Email) (Bigger?)
[7] BEING_221202_019.JPG Medium (Email) (Bigger?)	[8] BEING_221202_021.JPG Medium (Email) (Bigger?)	[9] BEING_221202_024.JPG Medium (Email) (Bigger?)
[10] BEING_221202_027.JPG Medium (Email) (Bigger?)	[11] BEING_221202_031.JPG Medium (Email) (Bigger?)	[12] BEING_221202_035.JPG Medium (Email) (Bigger?)
[13] BEING_221202_037.JPG Medium (Email) (Bigger?)	[14] BEING_221202_040.JPG Medium (Email) (Bigger?)	[15] BEING_221202_041.JPG Medium (Email) (Bigger?)
[16] BEING_221202_044.JPG Medium (Email) (Bigger?)	[17] BEING_221202_045.JPG Medium (Email) (Bigger?)	[18] BEING_221202_049.JPG Medium (Email) (Bigger?)
[19] BEING_221202_051.JPG Medium (Email) (Bigger?)	[20] BEING_221202_054.JPG Medium (Email) (Bigger?)	[21] BEING_221202_057.JPG Medium (Email) (Bigger?)
[22] BEING_221202_060.JPG Medium (Email) (Bigger?)	[23] BEING_221202_062.JPG Medium (Email) (Bigger?)	[24] BEING_221202_065.JPG Medium (Email) (Bigger?)
[25] BEING_221202_068.JPG Medium (Email) (Bigger?)	[26] BEING_221202_070.JPG Medium (Email) (Bigger?)	[27] BEING_221202_072.JPG Medium (Email) (Bigger?)
[28] BEING_221202_075.JPG Medium (Email) (Bigger?)	[29] BEING_221202_078.JPG Medium (Email) (Bigger?)	[30] BEING_221202_081.JPG Medium (Email) (Bigger?)
[31] BEING_221202_084.JPG Medium (Email) (Bigger?)	[32] BEING_221202_087.JPG Medium (Email) (Bigger?)	[33] BEING_221202_088.JPG Medium (Email) (Bigger?)
[34] BEING_221202_091.JPG Medium (Email) (Bigger?)	[35] BEING_221202_094.JPG Medium (Email) (Bigger?)	[36] BEING_221202_096.JPG Medium (Email) (Bigger?)
[37] BEING_221202_098.JPG Medium (Email) (Bigger?)	[38] BEING_221202_100.JPG Medium (Email) (Bigger?)	[39] CONNOL_221202_01.JPG Medium (Email) (Bigger?)
[40] CONNOL_221202_08.JPG Medium (Email) (Bigger?)	[41] CONNOL_221202_09.JPG Medium (Email) (Bigger?)	[42] CONNOL_221202_13.JPG Medium (Email) (Bigger?)
[43] CONNOL_221202_20.JPG Medium (Email) (Bigger?)	[44] CONNOL_221202_21.JPG Medium (Email) (Bigger?)	[45] CONNOL_221202_25.JPG Medium (Email) (Bigger?)
[46] CONNOL_221202_28.JPG Medium (Email) (Bigger?)	[47] CORC_221202_04.JPG Medium (Email) (Bigger?)	[48] CORC_221202_09.JPG Medium (Email) (Bigger?)
[49] CORC_221202_15.JPG Medium (Email) (Bigger?)	[50] CORC_221202_16.JPG Medium (Email) (Bigger?)	[51] ENCOUN_221202_002.JPG Medium (Email) (Bigger?)
[52] ENCOUN_221202_006.JPG Medium (Email) (Bigger?)	[53] ENCOUN_221202_014.JPG Medium (Email) (Bigger?)	[54] ENCOUN_221202_017.JPG Medium (Email) (Bigger?)
[55] ENCOUN_221202_019.JPG Medium (Email) (Bigger?)	[56] ENCOUN_221202_023.JPG Medium (Email) (Bigger?)	[57] ENCOUN_221202_027.JPG Medium (Email) (Bigger?)
[58] ENCOUN_221202_031.JPG Medium (Email) (Bigger?)	[59] ENCOUN_221202_033.JPG Medium (Email) (Bigger?)	[60] ENCOUN_221202_037.JPG Medium (Email) (Bigger?)
[61] ENCOUN_221202_040.JPG Medium (Email) (Bigger?)	[62] ENCOUN_221202_044.JPG Medium (Email) (Bigger?)	[63] ENCOUN_221202_047.JPG Medium (Email) (Bigger?)
[64] ENCOUN_221202_053.JPG Medium (Email) (Bigger?)	[65] ENCOUN_221202_061.JPG Medium (Email) (Bigger?)	[66] ENCOUN_221202_064.JPG Medium (Email) (Bigger?)
[67] ENCOUN_221202_067.JPG Medium (Email) (Bigger?)	[68] ENCOUN_221202_070.JPG Medium (Email) (Bigger?)	[69] ENCOUN_221202_073.JPG Medium (Email) (Bigger?)
[70] ENCOUN_221202_076.JPG Medium (Email) (Bigger?)	[71] ENCOUN_221202_080.JPG Medium (Email) (Bigger?)	[72] ENCOUN_221202_085.JPG Medium (Email) (Bigger?)
[73] ENCOUN_221202_087.JPG Medium (Email) (Bigger?)	[74] ENCOUN_221202_090.JPG Medium (Email) (Bigger?)	[75] ENCOUN_221202_092.JPG Medium (Email) (Bigger?)
[76] ENCOUN_221202_095.JPG Medium (Email) (Bigger?)	[77] ENCOUN_221202_099.JPG Medium (Email) (Bigger?)	[78] HBF_221202_006.JPG Medium (Email) High (Print)
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[127] HBF_221202_209.JPG Medium (Email) High (Print)	[128] HBF_221202_213.JPG Medium (Email) High (Print)	[129] HBF_221202_219.JPG Medium (Email) High (Print)
[130] HBF_221202_240.JPG Medium (Email) High (Print)	[131] HBF_221202_246.JPG Medium (Email) High (Print)	[132] HBF_221202_258.JPG Medium (Email) High (Print)
[133] HBF_221202_262.JPG Medium (Email) High (Print)	[134] HBF_221202_268.JPG Medium (Email) High (Print)	[135] HBF_221202_271.JPG Medium (Email) High (Print)
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[142] HBF_221202_311.JPG Medium (Email) High (Print)	[143] HBF_221202_317.JPG Medium (Email) High (Print)	[144] JINCBF_221202_01.JPG Medium (Email) High (Print)
[145] JINCBF_221202_04.JPG Medium (Email) High (Print)	[146] JINCBF_221202_09.JPG Medium (Email) High (Print)	[147] JINCBF_221202_13.JPG Medium (Email) High (Print)
[148] JINCBF_221202_16.JPG Medium (Email) High (Print)	[149] JINCBF_221202_19.JPG Medium (Email) High (Print)	[150] JINCBF_221202_22.JPG Medium (Email) High (Print)
[151] JINCBF_221202_26.JPG Medium (Email) High (Print)	[152] JINCBF_221202_30.JPG Medium (Email) High (Print)	[153] JINCBF_221202_32.JPG Medium (Email) High (Print)
[154] LEGACY_221202_001.JPG Medium (Email) High (Print)	[155] LEGACY_221202_002.JPG Medium (Email) High (Print)	[156] LEGACY_221202_006.JPG Medium (Email) High (Print)
[157] LEGACY_221202_011.JPG Medium (Email) High (Print)	[158] LEGACY_221202_012.JPG Medium (Email) High (Print)	[159] LEGACY_221202_017.JPG Medium (Email) High (Print)
[160] LEGACY_221202_018.JPG Medium (Email) High (Print)	[161] LEGACY_221202_020.JPG Medium (Email) High (Print)	[162] LEGACY_221202_023.JPG Medium (Email) High (Print)
[163] LEGACY_221202_025.JPG Medium (Email) High (Print)	[164] LEGACY_221202_028.JPG Medium (Email) High (Print)	[165] LEGACY_221202_035.JPG Medium (Email) High (Print)
[166] LEGACY_221202_042.JPG Medium (Email) High (Print)	[167] LEGACY_221202_057.JPG Medium (Email) High (Print)	[168] LEGACY_221202_061.JPG Medium (Email) High (Print)
[169] LEGACY_221202_082.JPG Medium (Email) High (Print)	[170] LEGACY_221202_085.JPG Medium (Email) High (Print)	[171] LEGACY_221202_110.JPG Medium (Email) High (Print)
[172] LEGACY_221202_149.JPG Medium (Email) High (Print)	[173] LEGACY_221202_186.JPG Medium (Email) High (Print)	[174] LEGACY_221202_192.JPG Medium (Email) High (Print)

[175] NIGHTS_221202_001_STITCH.JPG

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[176] NIGHTS_221202_003_STITCH.JPG

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[177] NIGHTS_221202_006.JPG Medium (Email) High (Print)	[178] NIGHTS_221202_009.JPG Medium (Email) High (Print)	[179] NIGHTS_221202_010.JPG Medium (Email) High (Print)
[180] NIGHTS_221202_013.JPG Medium (Email) High (Print)	[181] NIGHTS_221202_014.JPG Medium (Email) High (Print)	[182] NIGHTS_221202_015.JPG Medium (Email) High (Print)
[183] NIGHTS_221202_020.JPG Medium (Email) High (Print)	[184] NIGHTS_221202_023.JPG Medium (Email) High (Print)	[185] NIGHTS_221202_024.JPG Medium (Email) High (Print)
[186] NIGHTS_221202_025.JPG Medium (Email) High (Print)	[187] NIGHTS_221202_027.JPG Medium (Email) High (Print)	[188] NIGHTS_221202_029.JPG Medium (Email) High (Print)
[189] NIGHTS_221202_030.JPG Medium (Email) High (Print)	[190] NIGHTS_221202_031.JPG Medium (Email) High (Print)	[191] NIGHTS_221202_039.JPG Medium (Email) High (Print)
[192] NIGHTS_221202_042.JPG Medium (Email) High (Print)	[193] NIGHTS_221202_043.JPG Medium (Email) High (Print)	[194] NIGHTS_221202_044.JPG Medium (Email) High (Print)
[195] NIGHTS_221202_045.JPG Medium (Email) High (Print)	[196] NIGHTS_221202_061.JPG Medium (Email) High (Print)	[197] NIGHTS_221202_068.JPG Medium (Email) High (Print)
[198] NIGHTS_221202_088.JPG Medium (Email) High (Print)	[199] NIGHTS_221202_091.JPG Medium (Email) High (Print)	[200] NIGHTS_221202_096.JPG Medium (Email) High (Print)
[201] NIGHTS_221202_101.JPG Medium (Email) High (Print)	[202] NIGHTS_221202_132.JPG Medium (Email) High (Print)	[203] NIGHTS_221202_141.JPG Medium (Email) High (Print)
[204] NIGHTS_221202_152.JPG Medium (Email) High (Print)	[205] NIGHTS_221202_158.JPG Medium (Email) High (Print)	[206] NIGHTS_221202_166.JPG Medium (Email) High (Print)
[207] NIGHTS_221202_173.JPG Medium (Email) High (Print)	[208] NIGHTS_221202_181.JPG Medium (Email) High (Print)	[209] NIGHTS_221202_204.JPG Medium (Email) High (Print)
[210] NIGHTS_221202_207.JPG Medium (Email) High (Print)	[211] NIGHTS_221202_229.JPG Medium (Email) High (Print)	[212] NIGHTS_221202_235.JPG Medium (Email) High (Print)
[213] NIGHTS_221202_248.JPG Medium (Email) High (Print)	[214] NIGHTS_221202_272.JPG Medium (Email) High (Print)	[215] NIGHTS_221202_274.JPG Medium (Email) High (Print)
[216] NIGHTS_221202_281.JPG Medium (Email) High (Print)	[217] NIGHTS_221202_285.JPG Medium (Email) High (Print)	[218] NIGHTS_221202_293.JPG Medium (Email) High (Print)
[219] NIGHTS_221202_295.JPG Medium (Email) High (Print)	[220] NIGHTS_221202_303.JPG Medium (Email) High (Print)	[221] NIGHTS_221202_311.JPG Medium (Email) High (Print)
[222] NIGHTS_221202_315.JPG Medium (Email) High (Print)	[223] NIGHTS_221202_319.JPG Medium (Email) High (Print)	[224] NIGHTS_221202_326.JPG Medium (Email) High (Print)
[225] NIGHTS_221202_334.JPG Medium (Email) High (Print)	[226] NIGHTS_221202_336.JPG Medium (Email) High (Print)	[227] NIGHTS_221202_349.JPG Medium (Email) High (Print)
[228] NIGHTS_221202_375.JPG Medium (Email) High (Print)	[229] NIGHTS_221202_394.JPG Medium (Email) High (Print)	[230] NIGHTS_221202_418.JPG Medium (Email) High (Print)
[231] NIGHTS_221202_422.JPG Medium (Email) High (Print)	[232] NIGHTS_221202_438.JPG Medium (Email) High (Print)	[233] NIGHTS_221202_498.JPG Medium (Email) High (Print)
[234] NIGHTS_221202_505.JPG Medium (Email) High (Print)	[235] NIGHTS_221202_523.JPG Medium (Email) High (Print)	[236] NIGHTS_221202_533.JPG Medium (Email) High (Print)
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[243] NIGHTS_221202_544.JPG Medium (Email) High (Print)	[244] NIGHTS_221202_546.JPG Medium (Email) High (Print)	[245] NIGHTS_221202_547.JPG Medium (Email) High (Print)
[246] NIGHTS_221202_548.JPG Medium (Email) High (Print)	[247] NIGHTS_221202_549.JPG Medium (Email) High (Print)	[248] NIGHTS_221202_550.JPG Medium (Email) High (Print)
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Specific picture descriptions: Photos above with "i" icons next to the bracketed sequence numbers (e.g. "[1]

") are described as follows:

BEING_221202_001.JPG: Imprinting Dimensional States of Being A Mural by Joerael Numina (Source page: 2022_12_02B4_Corc_Being)
BEING_221202_004.JPG: imprinting dimensional states of being WASHINGTON, DC 2018 Discover details of Joerael's epic mural at The Corcoran School of the Arts and Design. This mural spans the length of 2,052 square feet and artistically shares the history of the local Piscataway Tribe. The Piscataway are the people where the rivers bend and call the DC Bay Area their homeland. The mural is large, colorful, and unapologetically descriptive of story. This work was created in collaboration with members of the Piscataway Tribe. The mural is in honor of the Piscataway people whose ancestral land is currently the United States capital. This work touches upon the complexities and histories of indigenous activism in the DC bay area. Joerael took his time and made sure to hold himself accountable to in-depth research and interviews with the tribe Sebi and Gabrielle Tayac of the Piscataway tribe. Joerael developed relations and learned about the tribe's roots in activism. Joerael also included in each design the diversity of the tribe and the resilience of survival. A deep bow of gratitude for Piscataway Tribal members Sebi Tayac and Gabrielle Tayac. Their contributions, time, and stories supported manifesting the mural to reality. The above was from https://www.joerael.com/imprinting-dimensional-states-of-being
BEING_221202_014.JPG: Sebi Tayac, Great grandson of Turkey Tayac
BEING_221202_016.JPG: Gabriel’s father and Vetran Joe Tayac
BEING_221202_019.JPG: Gabriel Tayac, grandaugter of Turkey Tayac.
BEING_221202_027.JPG: A wild turkey
BEING_221202_031.JPG: Dennis Banks, American Indian Movement
BEING_221202_035.JPG: An expression of the Tree at Piscataway Park “Mayoane” emerging and growing into the 27 hereditary chiefs buried underneath.
BEING_221202_045.JPG: Turkey Tayac and Alcatraz AIM Graffiti
BEING_221202_060.JPG: A visualization of the word Piscataway “confluence of waters” is two waters falls pouring into the same body. At the base of this body of water is Turkey Tayac’s hands holding a tobacco bundle.
BEING_221202_062.JPG: One of Roberta's famous slogans Roberta Blackgoat became friends of the Piscataway when she would travel to protest and do speaking engagements in DC. She was protesting an executive order to remove Dine’ & Hopi residents from black mesa in Arizona. The force removal forced 14,000 Navajo and several hundred Hopi to move, however along with several hundred Roberta stayed and fought for her right to live out her life on her ancestral land. The removal was to expand the Peabody coal mining operation. Under Black Mesa 20 billion tons of low sulfur coal was discovered. Activist like Roberta Blackgoat were highly influential to the Piscataway and their activism in Washington DC.
BEING_221202_070.JPG: The Longest Walk poster 1978
BEING_221202_078.JPG: Here is a portrait of Chief Turkey Tayac the 27th Hereditary Chief of the Piscataway and on both sides of him are depictions of Living Solid Face.
CONNOL_221202_01.JPG: (Source page: 2022_12_02C2_ConnAve_Overlook)
CONNOL_221202_20.JPG: Gldn+ Arts Welcome to the Connecticut Avenue Overlook -- a pocket park where everyone is invited to gather and connect. This large concrete area has been transformed with greenery, seating, and public art for the community. Take a picture enjoying the space and share on social media using #GoldenTriangleDC and tag @goldentriangledc.
CORC_221202_04.JPG: The Corcoran Gallery of Art Established and endowed by William Wilson Corcoran For the purpose of encouraging American genius in the production and preservation of works pertaining to the fine arts and kindred objects by deed of gift dated May Tenth 1869 to the original board of trustees... (Source page: 2022_12_02B1_Corc_School)
CORC_221202_16.JPG: Andre is an artist
ENCOUN_221202_002.JPG: Encounters at 500 17th St NW (Source page: 2022_12_02B2_Corc_Encounters)
ENCOUN_221202_006.JPG: Welcome to 500 17th Street NW
ENCOUN_221202_017.JPG: A New Vision
ENCOUN_221202_031.JPG: Chronicles of Corcoran
ENCOUN_221202_033.JPG: Emily Snyder Chronicals [sic] of Corcoran Shawn Shafner Consider the Acorn Tina Villadolid Healing Ritual for the Evening of June 4th, 1904
ENCOUN_221202_037.JPG: Consider the Acorn
ENCOUN_221202_053.JPG: Healing Ritual for the Evening of June 4th, 1904
ENCOUN_221202_064.JPG: Crescendo (<)
ENCOUN_221202_067.JPG: Martina Maya-Callen 931 Steps from the White House Vanessa Chen Crescendo (<)
ENCOUN_221202_070.JPG: Hypervisibility
ENCOUN_221202_076.JPG: 931 Steps from the White House
ENCOUN_221202_087.JPG: Tyler Andrew Lackey Encountering the Namesake Andee Berberich The Social Body
ENCOUN_221202_092.JPG: Restful Encounters
ENCOUN_221202_099.JPG: The Social Body: A Study of Accessibility in 500 17th Street NW
HBF_221202_006.JPG: (Source page: 2022_12_02A_WHHA_Book_Fair)
HBF_221202_012.JPG: Artist Peter Waddell is copying two of his own works, "Tiber Creek: The Bathers, John Quincy Adams Takes a Deadly Chance" and "A Vision Takes Form: the White House Under Construction, 1796".
HBF_221202_039.JPG: John Hutton (left)
HBF_221202_087.JPG: Rocco Smirne is the six-year old with his dad. He was here promoting his book "Rocco Travels With The Presidents!" The book is described on the WHHA site as: Every president of the United States has to travel to attend important events and to meet people around the world. For more than two hundred years, the presidents have taken journeys on horses, trains, ships, cars, airplanes, and helicopters. Sometimes, just for fun, they have also used bicycles, golf carts, and even parachutes! Rocco is six years old, but he already knows a great deal about the White House and the presidents and the places he would like to go too, so he created this book to share some of the adventures he would have if he could travel with the presidents! Rocco travels through time and around the world to ride horses with Abraham Lincoln and bicycles with Jimmy Carter. He boards trains for a trip out west with Grover Cleveland and a New York jaunt with Franklin Roosevelt. He has fun riding in Lyndon Johnson's Amphicar and Joe Biden's Corvette. He ends the book with his favorite trip of all: a flight on Marine One. This title is the fourth in a continuing series of children's books launched by the White House Historical Association in 2020 with A White House Alphabet and Presidents Play! About the Author Rocco Smirne is an elementary school student in Fairfax County Virginia. He loves to travel to new places with his family. He is also the author of A White House Alphabet. About the Illustrator John Hutton is a professor of art history at Salem College, and the illustrator of a series of children’s books published by the White House Historical Association. He lives in Winston Salem, North Carolina.
HBF_221202_089.JPG: Peter Waddell
HBF_221202_096.JPG: John Hutton
HBF_221202_102.JPG: Peter Waddell and Bill Barker ("Becoming Jefferson: My Life as a Founding Father")
HBF_221202_116.JPG: Mac Keith Griswold
HBF_221202_119.JPG: Wayne Smith (right)
HBF_221202_121.JPG: Matthew Wendel ("Recipes from the President’s Ranch: Food People Like to Eat")
HBF_221202_125.JPG: Chef Mark Ramsdell (books co-authored with the late Chef Roland Mesnier: "Creating the Sweet World of White House Desserts: A Pastry Chef’s Secrets" and "The White House in Gingerbread".
HBF_221202_127.JPG: Alex Prud'homme (signing his foreword to "The White House Family Cookbook by White House Executive Chef Henry Haller" and his article "Julia Child Goes Behind the Scenes at the White House" in White House History Quarterly)
HBF_221202_149.JPG: Rebecca Youngblood Vaughn (signing her introduction to her father's memoir "20 Years in the Secret Service: My Life with Five Presidents"; and, from the White House History Quarterly issue "Protecting the Presidents: The History of the United States Secret Service," she will sign her article "Growing Up a Secret Service Agent’s Daughter: Life with My Father Rufus W. Youngblood")
HBF_221202_213.JPG: Knight Kiplinger, Matthew Costello
HBF_221202_219.JPG: Peter Waddell, Knight Kiplinger, Matthew Costello
HBF_221202_262.JPG: Peter Waddell, John Hutton
HBF_221202_301.JPG: Bruce M. White
HBF_221202_311.JPG: Christina Ewald (right)
HBF_221202_317.JPG: Matthew Costello
JINCBF_221202_01.JPG: (Source page: 2022_12_02C1_JICC_NCBF2023)
JINCBF_221202_09.JPG: National Cherry Blossom Festival 2023 National Cherry Blossom Festival Official Artwork by Orlando Quevedo
JINCBF_221202_13.JPG: About the National Cherry Blossom Festival
LEGACY_221202_001.JPG: (Source page: 2022_12_02B8_Corc_Legacy)
LEGACY_221202_006.JPG: Legacy: 50 Years Dance on the Edge
LEGACY_221202_042.JPG: Maida Withers
NIGHTS_221202_001_STITCH.JPG: (Source page: 2022_12_02E_Nightsiren)
NIGHTS_221202_027.JPG: Natalia Germani, Tereza Nvotová
NIGHTS_221202_039.JPG: Abbie Algar (AFI)
NIGHTS_221202_042.JPG: Radovan Javorčík, the Ambassador Extraordinary and Plenipotentiary of the Slovak Republic to the United States of America, and Michelle Joanne Javorčíková
NIGHTS_221202_061.JPG: Javier Chavez (AFI), Tereza Nvotová, Natalia Germani
NIGHTS_221202_091.JPG: Tereza Nvotová
NIGHTS_221202_101.JPG: Natalia Germani
NIGHTS_221202_561.JPG: Natalia Germani, Ambassador Radovan Javorčík, Tereza Nvotová, Michelle Joanne Javorčíková
NIGHTS_221202_583.JPG: Natalia Germani, Tereza Nvotová
RENEW_221202_001.JPG: (Source page: 2022_12_02B6_Corc_Renewal)
RENEW_221202_008.JPG: Kanika Sircar Elegy for a Coral Reef, 2021
RENEW_221202_011.JPG: Jayne Shatz Rising from the Sea, 2021
RENEW_221202_016.JPG: Lexi Arrietta Reliquary/Relinquish, 2021
RENEW_221202_021.JPG: Pat Alexander Out of Range, 2022
RENEW_221202_026.JPG: C.l. bigelow quiet orb, 2022
RENEW_221202_030.JPG: George Lorio Split, 2021
RENEW_221202_035.JPG: Lisa Rosenstein Inner Light, 2020/2022
RENEW_221202_040.JPG: Patte Ormsby Land Sea Sky, 2019
RENEW_221202_044.JPG: Marilyn Geldzahler Rebuilding, 2022
RENEW_221202_057.JPG: Sally Canzoneri Architecture of Water; DC Water Headquarters, 2022
RENEW_221202_062.JPG: Maggie Gourlay Growth Rings Installation, 2021
RENEW_221202_069.JPG: Patte Ormsby Our Lady of Guadalupe & Her Pal Juan Diego, 2022
RENEW_221202_075.JPG: Natalie Abrams Untitled 12.20.2012
RENEW_221202_081.JPG: Natalie Abrams Untitled 12.23.2012
RENEW_221202_086.JPG: Robert Stackhouse Ghost Dance, 1974 Ghost Dance – a nearly five-foot-tall, semicircular, vertical structure made of consecutive slats of recycled, industrial-grade wood – marks the focal point of Renewal. On the adjacent wall, a display of Stackhouse’s watercolor renderings of the sculpture and detailed instructions for its original construction in 1974 accompany the structure. Stackhouse first unveiled Ghost Dance nearly 40 years ago, drawing inspiration from the 19th-century Native American movement among the Nevada Northern Paiute to restore ownership of their land and way of life. Stackhouse and his wife, Carol Mickett, who are artistic collaborators, unveiled the opening of their exhibit with a reception and a lecture last week titled “Where we’ve been, where we are, where we’re going.” Babette Pendleton, Corcoran’s exhibition and programming associate, said the slogan encapsulates the exhibition, which centers around the restoration of the work of art. The sculpture explores themes of renewal, rebirth and sustainability through its use of recycled materials and now through its rebirth as part of a new exhibition. The spiritual movement of Ghost Dance emerged after European settlers brought a period of devastating disease to the Paiute people in Nevada who wished to cleanse their land of the European settlers and sustain its natural beauty. Pendleton said after sitting in the gallery’s storage for over a decade, Ghost Dance was in need of restoration. Visible disrepair on the wood and metal screws left Stackhouse and Mickett to decide between modernizing the construction or maintaining its original appearance, Stackhouse said. The above was from https://www.gwhatchet.com/2022/09/19/art-preview-corcoran-unveils-exhibits-featuring-sculpture-immersive-projection-this-month/
RENEW_221202_087.JPG: Robert Stackhouse Facsimile of Instructions for "Ghost Dance", 1974
RENEW_221202_093.JPG: Robert Stackhouse Facsimile of Drawing of Ghost Dance, 1974
RENEW_221202_101.JPG: The Corcoran Gallery of Art was established in 1869 and expanded in 1880 to include the Corcoran College of Art and Design. In 2014, the Corcoran transferred the college and gallery building to the George Washington University and distributed the works from its Collection to museums and institutions in Washington, DC.
RENEW_221202_105.JPG: Gayle Friedman Adventure Jumbo, 2020
RENEW_221202_110.JPG: Keith Krueger Check My Brain, 2021
RENEW_221202_113.JPG: Jennifer Noda Almost Midnight, 2022
RENEW_221202_125.JPG: Mike Shaffer Too Tall Tower Ten, 2021
RENEW_221202_130.JPG: Dan Hildt Everything, Everywhere (Tout Partout), 2022
RENEW_221202_138.JPG: Caroline MacKinnon Pebbles: Lost in Time, 2022
RENEW_221202_148.JPG: Michelle Marcuse The remaining rumors live here, 2022
RENEW_221202_162.JPG: Sharon Pierce McCullough Scattered Thoughts, 2021
RENEW_221202_167.JPG: Chee Keong Kung Slow Light VIII, 2020
RENEW_221202_170.JPG: Chee Keong Kung Slow Light IX, 2020
RENEW_221202_174.JPG: Barbara Januszkiewicz Fire, Inspired by Jimi Hendrix, 2022
REPAR_221202_01.JPG: Over 7,000 indigenous people were killed and forced to leave from where you are standing. For indigenous people only... (Source page: 2022_12_02B5_Corc_Reparations)
REPAR_221202_04.JPG: For Indigenous People Only Encountering the Other: Indigenous Reparations, Rematriation, & Reconciliation Survey rematriation English Etymology -- Based on repatriation. Noun rematriation (uncountable): A return to a spiritual way of life with respect for Mother Earth.
REPAR_221202_11.JPG: For Black People Only Encountering the Other: Black Reparations, Rematriation, & Reconciliation Survey
REPAR_221202_17.JPG: More than 60,000 Black people have been economically displaced out of Washington DC as a result of Gentrification
REPAR_221202_20.JPG: More than 10,000 Latin people seeking asylum have been forcibly bussed to Washington DC by US governors
REPAR_221202_24.JPG: Don't forget the Genocide
REPAR_221202_30.JPG: Pay Black People
REPAR_221202_34.JPG: For South Asian People Only Encountering the Other: South Asian Reparations, Rematriation, & Reconciliation Survey
REPAR_221202_38.JPG: For Latin People Only Encountering the Other: Latin Reparations, Rematriation, & Reconciliation Survey
SENSES_221202_01.JPG: View Into the Senses (Source page: 2022_12_02B7_Corc_Senses)
SENSES_221202_05.JPG: Clark V. Fox Classic Windows: Washington I, 1982
SENSES_221202_15.JPG: Larry Zox Green Composition, 1980
SENSES_221202_19.JPG: Malcolm Morley Arles/Miami, 1973
SENSES_221202_21.JPG: Kawanishi Hide The Pond, 1957
SENSES_221202_26.JPG: Edgardo Frabceschi Untitled, 1967
SENSES_221202_30.JPG: Paul Reed Thule, 1971
SENSES_221202_35.JPG: Clark V. Fox Los Angeles Windows, 1983
SENSES_221202_39.JPG: Victor Vasarely Tau Ceti, 1967
SENSES_221202_44.JPG: Julian Stanczak Stratified, 1979
SENSES_221202_48.JPG: Victor Vasarely Jerusalem of Gold (Psalm XIX:2), 1984
SENSES_221202_54.JPG: Kawanishi Hide The Pond, 1957
TPCDEN_221202_003.JPG: (Source page: 2022_12_02D_TPC_De_Nittis)
TPCDEN_221202_008.JPG: Approaching Storm ca 1869
TPCDEN_221202_022.JPG: An Italian Impressionist in Paris: Giuseppe De Nittis
TPCDEN_221202_028.JPG: Farmhouse near Naples 1866
TPCDEN_221202_037.JPG: Crossing the Apennines -- Memory 1867
TPCDEN_221202_046.JPG: The Train Passes 1869
TPCDEN_221202_060.JPG: Approaching Storm ca 1869
TPCDEN_221202_065.JPG: Gulf of Naples -- Sunny Reflections ca 1872
TPCDEN_221202_070.JPG: Gulf of Naples -- Sunny Reflections ca 1872
TPCDEN_221202_076.JPG: Landscape Under the Sun 1872
TPCDEN_221202_083.JPG: Caillebotte and De Nettis: A Fruitful Friendship
TPCDEN_221202_088.JPG: The Road from Naples to Brindisi 1872
TPCDEN_221202_093.JPG: Gustave Caillebotte A Road in Naples, ca 1872-75
TPCDEN_221202_096.JPG: Country Road -- Along the Ofanto ca 1874-75
TPCDEN_221202_110.JPG: Mountainous Site, Italy (Torre Annunziata) 1872
TPCDEN_221202_115.JPG: Giorgio Sommer Naples, Eruption of Vesuvius, April 26, 1872
TPCDEN_221202_124.JPG: Eruption of Vesuvius (Study) 1872
TPCDEN_221202_129.JPG: Eruption of Vesuvius 1872
TPCDEN_221202_140.JPG: Vesevius Eruption 1872
TPCDEN_221202_147.JPG: Mount Vesuvius Erupts Violently on April 26, 1872
TPCDEN_221202_154.JPG: Vine Leaves ca 1880-83
TPCDEN_221202_159.JPG: Still Life 1880
TPCDEN_221202_165.JPG: Capricious Nocturnal ca 1880-83
TPCDEN_221202_170.JPG: Figure of a Woman (Leontine) 1880
TPCDEN_221202_179.JPG: Edouard Manet Portrait of a Lady, ca 1879
TPCDEN_221202_188.JPG: Go Deeper Through Empathy Experience works of art through the perspective of other people.
TPCDEN_221202_190.JPG: Personal Choices Create a collection and add it to the gallery
TPCDEN_221202_195.JPG: Share Your Haiku How would you use your words to bring a work of art to life?
TPCDEN_221202_198.JPG: I will never forgive My gaze only looks ahead The wound in too deep
TPCDEN_221202_201.JPG: God bless the artist Ashamed of his own nature Unwilling to paint
TPCDEN_221202_203.JPG: Words Written by: "Nude from the Back" Look away from me Perfect skin is made of paint I could not compare
TPCDEN_221202_206.JPG: A Day at the Races Reminds me of Groucho Marx He takes Me Places
TPCDEN_221202_213.JPG: Between the Screens ca 1879
TPCDEN_221202_219.JPG: The Modern Woman Fashion and Japonisme
TPCDEN_221202_224.JPG: Snow Effect ca 1880
TPCDEN_221202_231.JPG: Nude from the Back 1879/1880
TPCDEN_221202_239.JPG: Under the Viaduct ca 1875
TPCDEN_221202_247.JPG: Clouds on Westminster (Study) 1878
TPCDEN_221202_251.JPG: Westminster Bridge (Study) 1878
TPCDEN_221202_259.JPG: The New Conception of Urban Space -- Paris and London
TPCDEN_221202_262.JPG: The Bridge ca 1876
TPCDEN_221202_270.JPG: The National Gallery and the Church of St. Martin-in-the-Fields (London) 1878
TPCDEN_221202_278.JPG: Edgar Degas Woman Viewed from Behind (Visit to a Museum), ca 1879-85
TPCDEN_221202_286.JPG: Pearl and Shell ca 1879
TPCDEN_221202_296.JPG: Degas and De Nittis A Friendship
TPCDEN_221202_299.JPG: Edgar Degas Portrait of Mme De Nittis, ca 1872
TPCDEN_221202_308.JPG: The Resilience of Paris after the Franco-Prussian War
TPCDEN_221202_311.JPG: The Place de Carrousel: The Ruins of the Tuileries in 1882 1882
TPCDEN_221202_324.JPG: The Place de Pyramides 1875
TPCDEN_221202_341.JPG: The Place des Pyramides (Study) 1875-76
TPCDEN_221202_346.JPG: Parisiennes in the Place de la Concorde ca 1875
TPCDEN_221202_355.JPG: The Parfumerie Violet -- Corner of Boulevard des Capucines and Rue Scribe ca 1880
TPCDEN_221202_364.JPG: The Place de la Madeleine, Paris ca 1877
TPCDEN_221202_371.JPG: The Arc de Triomphe, Paris ca 1876
TPCDEN_221202_383.JPG: The Construction of the Trocadero in 1876 ca 1876
TPCDEN_221202_393.JPG: The Bourgeoisie at the Races in Paris and London
TPCDEN_221202_396.JPG: Edgar Degas Racehorses at Longchamp, 1871, possibly reworked in 1874
TPCDEN_221202_403.JPG: Edouard Manet At the Races, ca 1875
TPCDEN_221202_410.JPG: Edouard Manet The Races at Londchamg, 1866
TPCDEN_221202_417.JPG: Edgar Degas At the Races: The Start, ca 1860-62
TPCDEN_221202_425.JPG: The Races at Auteuil -- Next to the Stove 1880-81
TPCDEN_221202_432.JPG: The Races at Longchamp (Completed Study) 1883
TPCDEN_221202_438.JPG: Return from the Races ca 1875
TPCDEN_221202_446.JPG: The Races at Auteuil, Paris -- On the Chair ca 1883
TPCDEN_221202_457.JPG: Flirtation, Hyde Park (Flirting Next to the Track) ca 1874
TPCDEN_221202_467.JPG: Return from the Races 1875
TPCDEN_221202_486.JPG: A Special Evening, February 20, 1875
TPCDEN_221202_489.JPG: Printmaking as Personal Artistic Expression and as Reproduction
TPCDEN_221202_491.JPG: Printmaking as Personal Artistic Expression and as Reproduction
TPCDEN_221202_495.JPG: The Place des Pyramides, Paris ca 1883
TPCDEN_221202_501.JPG: Marcellin-Gilbert Desboutin Degas, 1876
TPCDEN_221202_504.JPG: Edgar Degas Alphonse Hirsch
TPCDEN_221202_515.JPG: Portrait of Edgar Degas (right facing) February 20, 1875
TPCDEN_221202_518.JPG: Portrait of Edgar Degas (left facing) February 20, 1875
TPCDEN_221202_525.JPG: View Taken in London ca 1876
TPCDEN_221202_530.JPG: The Dancer Holoke-GO-Zen 1873
TPCDEN_221202_533.JPG: Elegant Young Woman Seen from Behind ca 1875
TPCDEN_221202_540.JPG: Trees ca 1879/1880
TPCDEN_221202_546.JPG: Edgar Degas The Road, ca 1878/1880
TPCDEN_221202_556.JPG: Leisure in the City and the Suburbs
TPCDEN_221202_559.JPG: Next to the Pond in the Luxembourg Gardens, Paris 1875
TPCDEN_221202_569.JPG: Suzanne and Madeleine Boussod in the Garden ca 1874
TPCDEN_221202_576.JPG: Edouard Manet In the Garden, 1870
TPCDEN_221202_583.JPG: In the Wheat Field 1873
TPCDEN_221202_594.JPG: Winter Walk 1879
TPCDEN_221202_603.JPG: Leontine in a Boat 1874
TPCDEN_221202_619.JPG: Leontine Skating ca 1875
TPCDEN_221202_626.JPG: De Nittis's Last Works -- Interiors and Plein-Air Scenes
TPCDEN_221202_629.JPG: Trains Passing 1884
TPCDEN_221202_637.JPG: Field of Wheat Sheaves ca 1880
TPCDEN_221202_646.JPG: In the Hammock II 1884
TPCDEN_221202_653.JPG: Spring ca 1879
TPCDEN_221202_662.JPG: Breakfast in the Garden 1884
TPCDEN_221202_672.JPG: Princess Mathilde Bonaparte
TPCDEN_221202_676.JPG: The Salon of Princess Mathilde 1883
TPCDEN_221202_690.JPG: In Fashionable Society 1883
TRAN20_221202_001.JPG: Ryoto Unno A ship groping through the dark, 2022 (Source page: 2022_12_02B3_Corc_Transformer20)
TRAN20_221202_019.JPG: Martha Wilson I'm Going to Die, 2014
TRAN20_221202_024.JPG: Jenny Walton Radiance, 2022
TRAN20_221202_030.JPG: Naoko Wowsugi new moon, 2022
TRAN20_221202_034.JPG: Antonia Tricarico Me, My Eyes, and I series 03, 2014
TRAN20_221202_039.JPG: Kelly Towles The Observer, 2022
TRAN20_221202_044.JPG: Lisa Marie Thalhammer LOVE in Rainbow Glow, 2022
TRAN20_221202_049.JPG: Scott Szegeski koji scales, 2022
TRAN20_221202_053.JPG: Tang Untitled, 2022
TRAN20_221202_057.JPG: Banner Sale Troubled Magic All I see is a stranger, 2021
TRAN20_221202_068.JPG: Hannah Spector midnight language, 2022
TRAN20_221202_072.JPG: Christine Buckton Tillman bunting and betty cooke, 2020
TRAN20_221202_077.JPG: Zach Storm Swell, 2022
TRAN20_221202_083.JPG: Jay Stuckey Ship, 2020
TRAN20_221202_100.JPG: Molly Springfield On Being Ill, 2022
TRAN20_221202_108.JPG: Farrah Skeiky Club Angel, 2021
TRAN20_221202_113.JPG: Johab Silva Orange and Yellow Flowers: After Ellsworth Kelly, 2022
TRAN20_221202_118.JPG: Joaquin Segura G8 (United States of America), 2012-2022
TRAN20_221202_124.JPG: Sheldon Scott I.a.d.c.a.f. (Pink Glitter), 2018
TRAN20_221202_130.JPG: MichaelAngelo Rodriguez Aca Se Ve Claro, 2021
TRAN20_221202_133.JPG: Lauren Rice Time is a Sunset, 2022
TRAN20_221202_138.JPG: Alanno Reeves We're Not Going to Make it Back, 2020
TRAN20_221202_142.JPG: Alanna Reeves Ackee (In Green), 2020
TRAN20_221202_147.JPG: Vesna Pavlovic Ceiling Systems, From "Sites of Memory" series, 2019
TRAN20_221202_152.JPG: Andrea Polichetti Untitled, 2021
TRAN20_221202_157.JPG: Ryan Carroll Nelson Bouffant, 2022
TRAN20_221202_162.JPG: Joseph Orzal (Joseph Orzal x Chiha Poster and Katie Pettit) Statehood Now, 2019
TRAN20_221202_168.JPG: Piero Passacantando Abstract Reflection, 2022
TRAN20_221202_189.JPG: 2013
TRAN20_221202_195.JPG: 2014
TRAN20_221202_197.JPG: 2015
TRAN20_221202_201.JPG: 2016
TRAN20_221202_202.JPG: 2017
TRAN20_221202_205.JPG: 2018
TRAN20_221202_208.JPG: 2019
TRAN20_221202_211.JPG: 2020
TRAN20_221202_214.JPG: 2021
TRAN20_221202_220.JPG: 2022
TRAN20_221202_227.JPG: Siren Arts
TRAN20_221202_230.JPG: J. Morrison (Homocats) We Are Tired of Homophobia, 2014
TRAN20_221202_235.JPG: Carolina Mayorga Fungus Gnat Southwest, from the series Kelly's Plants, 2022
TRAN20_221202_240.JPG: Taylor McKimens Kiss Me, 2022
TRAN20_221202_245.JPG: Jameson Magrogan Cobble V, 2019
TRAN20_221202_250.JPG: Jennifer Wen Ma In Furious Bloom III, 2016
TRAN20_221202_255.JPG: Hatnim Lee Woman dressed as Union Jack at Queen Elizabeth II's funeral, September 19th, 2022
TRAN20_221202_258.JPG: Sandra Luckett Aqua Pura, 2021
TRAN20_221202_261.JPG: Marissa Long Ben with Flowers, 2022
TRAN20_221202_265.JPG: Nilay Lawson Chef Feo's Big Bowl of Black Beans and Rice, 2022
TRAN20_221202_271.JPG: Carolina Mayorga Building 1 __ Fun with Cardboard May 2022, 2022
TRAN20_221202_276.JPG: Victor Koroma Black Flowers: "SAMO
User comment: @ IS DEAD" VANITAS, 2022

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Specific picture descriptions: Photos above with "i" icons next to the bracketed sequence numbers (e.g. "[1]

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BEING_221202_001.JPG: Imprinting Dimensional States of Being A Mural by Joerael Numina (Source page: 2022_12_02B4_Corc_Being)
BEING_221202_004.JPG: imprinting dimensional states of being WASHINGTON, DC 2018 Discover details of Joerael's epic mural at The Corcoran School of the Arts and Design. This mural spans the length of 2,052 square feet and artistically shares the history of the local Piscataway Tribe. The Piscataway are the people where the rivers bend and call the DC Bay Area their homeland. The mural is large, colorful, and unapologetically descriptive of story. This work was created in collaboration with members of the Piscataway Tribe. The mural is in honor of the Piscataway people whose ancestral land is currently the United States capital. This work touches upon the complexities and histories of indigenous activism in the DC bay area. Joerael took his time and made sure to hold himself accountable to in-depth research and interviews with the tribe Sebi and Gabrielle Tayac of the Piscataway tribe. Joerael developed relations and learned about the tribe's roots in activism. Joerael also included in each design the diversity of the tribe and the resilience of survival. A deep bow of gratitude for Piscataway Tribal members Sebi Tayac and Gabrielle Tayac. Their contributions, time, and stories supported manifesting the mural to reality. The above was from https://www.joerael.com/imprinting-dimensional-states-of-being
BEING_221202_014.JPG: Sebi Tayac, Great grandson of Turkey Tayac
BEING_221202_016.JPG: Gabriel’s father and Vetran Joe Tayac
BEING_221202_019.JPG: Gabriel Tayac, grandaugter of Turkey Tayac.
BEING_221202_027.JPG: A wild turkey
BEING_221202_031.JPG: Dennis Banks, American Indian Movement
BEING_221202_035.JPG: An expression of the Tree at Piscataway Park “Mayoane” emerging and growing into the 27 hereditary chiefs buried underneath.
BEING_221202_045.JPG: Turkey Tayac and Alcatraz AIM Graffiti
BEING_221202_060.JPG: A visualization of the word Piscataway “confluence of waters” is two waters falls pouring into the same body. At the base of this body of water is Turkey Tayac’s hands holding a tobacco bundle.
BEING_221202_062.JPG: One of Roberta's famous slogans Roberta Blackgoat became friends of the Piscataway when she would travel to protest and do speaking engagements in DC. She was protesting an executive order to remove Dine’ & Hopi residents from black mesa in Arizona. The force removal forced 14,000 Navajo and several hundred Hopi to move, however along with several hundred Roberta stayed and fought for her right to live out her life on her ancestral land. The removal was to expand the Peabody coal mining operation. Under Black Mesa 20 billion tons of low sulfur coal was discovered. Activist like Roberta Blackgoat were highly influential to the Piscataway and their activism in Washington DC.
BEING_221202_070.JPG: The Longest Walk poster 1978
BEING_221202_078.JPG: Here is a portrait of Chief Turkey Tayac the 27th Hereditary Chief of the Piscataway and on both sides of him are depictions of Living Solid Face.
CONNOL_221202_01.JPG: (Source page: 2022_12_02C2_ConnAve_Overlook)
CONNOL_221202_20.JPG: Gldn+ Arts Welcome to the Connecticut Avenue Overlook -- a pocket park where everyone is invited to gather and connect. This large concrete area has been transformed with greenery, seating, and public art for the community. Take a picture enjoying the space and share on social media using #GoldenTriangleDC and tag @goldentriangledc.
CORC_221202_04.JPG: The Corcoran Gallery of Art Established and endowed by William Wilson Corcoran For the purpose of encouraging American genius in the production and preservation of works pertaining to the fine arts and kindred objects by deed of gift dated May Tenth 1869 to the original board of trustees... (Source page: 2022_12_02B1_Corc_School)
CORC_221202_16.JPG: Andre is an artist
ENCOUN_221202_002.JPG: Encounters at 500 17th St NW (Source page: 2022_12_02B2_Corc_Encounters)
ENCOUN_221202_006.JPG: Welcome to 500 17th Street NW
ENCOUN_221202_017.JPG: A New Vision
ENCOUN_221202_031.JPG: Chronicles of Corcoran
ENCOUN_221202_033.JPG: Emily Snyder Chronicals [sic] of Corcoran Shawn Shafner Consider the Acorn Tina Villadolid Healing Ritual for the Evening of June 4th, 1904
ENCOUN_221202_037.JPG: Consider the Acorn
ENCOUN_221202_053.JPG: Healing Ritual for the Evening of June 4th, 1904
ENCOUN_221202_064.JPG: Crescendo (<)
ENCOUN_221202_067.JPG: Martina Maya-Callen 931 Steps from the White House Vanessa Chen Crescendo (<)
ENCOUN_221202_070.JPG: Hypervisibility
ENCOUN_221202_076.JPG: 931 Steps from the White House
ENCOUN_221202_087.JPG: Tyler Andrew Lackey Encountering the Namesake Andee Berberich The Social Body
ENCOUN_221202_092.JPG: Restful Encounters
ENCOUN_221202_099.JPG: The Social Body: A Study of Accessibility in 500 17th Street NW
HBF_221202_006.JPG: (Source page: 2022_12_02A_WHHA_Book_Fair)
HBF_221202_012.JPG: Artist Peter Waddell is copying two of his own works, "Tiber Creek: The Bathers, John Quincy Adams Takes a Deadly Chance" and "A Vision Takes Form: the White House Under Construction, 1796".
HBF_221202_039.JPG: John Hutton (left)
HBF_221202_087.JPG: Rocco Smirne is the six-year old with his dad. He was here promoting his book "Rocco Travels With The Presidents!" The book is described on the WHHA site as: Every president of the United States has to travel to attend important events and to meet people around the world. For more than two hundred years, the presidents have taken journeys on horses, trains, ships, cars, airplanes, and helicopters. Sometimes, just for fun, they have also used bicycles, golf carts, and even parachutes! Rocco is six years old, but he already knows a great deal about the White House and the presidents and the places he would like to go too, so he created this book to share some of the adventures he would have if he could travel with the presidents! Rocco travels through time and around the world to ride horses with Abraham Lincoln and bicycles with Jimmy Carter. He boards trains for a trip out west with Grover Cleveland and a New York jaunt with Franklin Roosevelt. He has fun riding in Lyndon Johnson's Amphicar and Joe Biden's Corvette. He ends the book with his favorite trip of all: a flight on Marine One. This title is the fourth in a continuing series of children's books launched by the White House Historical Association in 2020 with A White House Alphabet and Presidents Play! About the Author Rocco Smirne is an elementary school student in Fairfax County Virginia. He loves to travel to new places with his family. He is also the author of A White House Alphabet. About the Illustrator John Hutton is a professor of art history at Salem College, and the illustrator of a series of children’s books published by the White House Historical Association. He lives in Winston Salem, North Carolina.
HBF_221202_089.JPG: Peter Waddell
HBF_221202_096.JPG: John Hutton
HBF_221202_102.JPG: Peter Waddell and Bill Barker ("Becoming Jefferson: My Life as a Founding Father")
HBF_221202_116.JPG: Mac Keith Griswold
HBF_221202_119.JPG: Wayne Smith (right)
HBF_221202_121.JPG: Matthew Wendel ("Recipes from the President’s Ranch: Food People Like to Eat")
HBF_221202_125.JPG: Chef Mark Ramsdell (books co-authored with the late Chef Roland Mesnier: "Creating the Sweet World of White House Desserts: A Pastry Chef’s Secrets" and "The White House in Gingerbread".
HBF_221202_127.JPG: Alex Prud'homme (signing his foreword to "The White House Family Cookbook by White House Executive Chef Henry Haller" and his article "Julia Child Goes Behind the Scenes at the White House" in White House History Quarterly)
HBF_221202_149.JPG: Rebecca Youngblood Vaughn (signing her introduction to her father's memoir "20 Years in the Secret Service: My Life with Five Presidents"; and, from the White House History Quarterly issue "Protecting the Presidents: The History of the United States Secret Service," she will sign her article "Growing Up a Secret Service Agent’s Daughter: Life with My Father Rufus W. Youngblood")
HBF_221202_213.JPG: Knight Kiplinger, Matthew Costello
HBF_221202_219.JPG: Peter Waddell, Knight Kiplinger, Matthew Costello
HBF_221202_262.JPG: Peter Waddell, John Hutton
HBF_221202_301.JPG: Bruce M. White
HBF_221202_311.JPG: Christina Ewald (right)
HBF_221202_317.JPG: Matthew Costello
JINCBF_221202_01.JPG: (Source page: 2022_12_02C1_JICC_NCBF2023)
JINCBF_221202_09.JPG: National Cherry Blossom Festival 2023 National Cherry Blossom Festival Official Artwork by Orlando Quevedo
JINCBF_221202_13.JPG: About the National Cherry Blossom Festival
LEGACY_221202_001.JPG: (Source page: 2022_12_02B8_Corc_Legacy)
LEGACY_221202_006.JPG: Legacy: 50 Years Dance on the Edge
LEGACY_221202_042.JPG: Maida Withers
NIGHTS_221202_001_STITCH.JPG: (Source page: 2022_12_02E_Nightsiren)
NIGHTS_221202_027.JPG: Natalia Germani, Tereza Nvotová
NIGHTS_221202_039.JPG: Abbie Algar (AFI)
NIGHTS_221202_042.JPG: Radovan Javorčík, the Ambassador Extraordinary and Plenipotentiary of the Slovak Republic to the United States of America, and Michelle Joanne Javorčíková
NIGHTS_221202_061.JPG: Javier Chavez (AFI), Tereza Nvotová, Natalia Germani
NIGHTS_221202_091.JPG: Tereza Nvotová
NIGHTS_221202_101.JPG: Natalia Germani
NIGHTS_221202_561.JPG: Natalia Germani, Ambassador Radovan Javorčík, Tereza Nvotová, Michelle Joanne Javorčíková
NIGHTS_221202_583.JPG: Natalia Germani, Tereza Nvotová
RENEW_221202_001.JPG: (Source page: 2022_12_02B6_Corc_Renewal)
RENEW_221202_008.JPG: Kanika Sircar Elegy for a Coral Reef, 2021
RENEW_221202_011.JPG: Jayne Shatz Rising from the Sea, 2021
RENEW_221202_016.JPG: Lexi Arrietta Reliquary/Relinquish, 2021
RENEW_221202_021.JPG: Pat Alexander Out of Range, 2022
RENEW_221202_026.JPG: C.l. bigelow quiet orb, 2022
RENEW_221202_030.JPG: George Lorio Split, 2021
RENEW_221202_035.JPG: Lisa Rosenstein Inner Light, 2020/2022
RENEW_221202_040.JPG: Patte Ormsby Land Sea Sky, 2019
RENEW_221202_044.JPG: Marilyn Geldzahler Rebuilding, 2022
RENEW_221202_057.JPG: Sally Canzoneri Architecture of Water; DC Water Headquarters, 2022
RENEW_221202_062.JPG: Maggie Gourlay Growth Rings Installation, 2021
RENEW_221202_069.JPG: Patte Ormsby Our Lady of Guadalupe & Her Pal Juan Diego, 2022
RENEW_221202_075.JPG: Natalie Abrams Untitled 12.20.2012
RENEW_221202_081.JPG: Natalie Abrams Untitled 12.23.2012
RENEW_221202_086.JPG: Robert Stackhouse Ghost Dance, 1974 Ghost Dance – a nearly five-foot-tall, semicircular, vertical structure made of consecutive slats of recycled, industrial-grade wood – marks the focal point of Renewal. On the adjacent wall, a display of Stackhouse’s watercolor renderings of the sculpture and detailed instructions for its original construction in 1974 accompany the structure. Stackhouse first unveiled Ghost Dance nearly 40 years ago, drawing inspiration from the 19th-century Native American movement among the Nevada Northern Paiute to restore ownership of their land and way of life. Stackhouse and his wife, Carol Mickett, who are artistic collaborators, unveiled the opening of their exhibit with a reception and a lecture last week titled “Where we’ve been, where we are, where we’re going.” Babette Pendleton, Corcoran’s exhibition and programming associate, said the slogan encapsulates the exhibition, which centers around the restoration of the work of art. The sculpture explores themes of renewal, rebirth and sustainability through its use of recycled materials and now through its rebirth as part of a new exhibition. The spiritual movement of Ghost Dance emerged after European settlers brought a period of devastating disease to the Paiute people in Nevada who wished to cleanse their land of the European settlers and sustain its natural beauty. Pendleton said after sitting in the gallery’s storage for over a decade, Ghost Dance was in need of restoration. Visible disrepair on the wood and metal screws left Stackhouse and Mickett to decide between modernizing the construction or maintaining its original appearance, Stackhouse said. The above was from https://www.gwhatchet.com/2022/09/19/art-preview-corcoran-unveils-exhibits-featuring-sculpture-immersive-projection-this-month/
RENEW_221202_087.JPG: Robert Stackhouse Facsimile of Instructions for "Ghost Dance", 1974
RENEW_221202_093.JPG: Robert Stackhouse Facsimile of Drawing of Ghost Dance, 1974
RENEW_221202_101.JPG: The Corcoran Gallery of Art was established in 1869 and expanded in 1880 to include the Corcoran College of Art and Design. In 2014, the Corcoran transferred the college and gallery building to the George Washington University and distributed the works from its Collection to museums and institutions in Washington, DC.
RENEW_221202_105.JPG: Gayle Friedman Adventure Jumbo, 2020
RENEW_221202_110.JPG: Keith Krueger Check My Brain, 2021
RENEW_221202_113.JPG: Jennifer Noda Almost Midnight, 2022
RENEW_221202_125.JPG: Mike Shaffer Too Tall Tower Ten, 2021
RENEW_221202_130.JPG: Dan Hildt Everything, Everywhere (Tout Partout), 2022
RENEW_221202_138.JPG: Caroline MacKinnon Pebbles: Lost in Time, 2022
RENEW_221202_148.JPG: Michelle Marcuse The remaining rumors live here, 2022
RENEW_221202_162.JPG: Sharon Pierce McCullough Scattered Thoughts, 2021
RENEW_221202_167.JPG: Chee Keong Kung Slow Light VIII, 2020
RENEW_221202_170.JPG: Chee Keong Kung Slow Light IX, 2020
RENEW_221202_174.JPG: Barbara Januszkiewicz Fire, Inspired by Jimi Hendrix, 2022
REPAR_221202_01.JPG: Over 7,000 indigenous people were killed and forced to leave from where you are standing. For indigenous people only... (Source page: 2022_12_02B5_Corc_Reparations)
REPAR_221202_04.JPG: For Indigenous People Only Encountering the Other: Indigenous Reparations, Rematriation, & Reconciliation Survey rematriation English Etymology -- Based on repatriation. Noun rematriation (uncountable): A return to a spiritual way of life with respect for Mother Earth.
REPAR_221202_11.JPG: For Black People Only Encountering the Other: Black Reparations, Rematriation, & Reconciliation Survey
REPAR_221202_17.JPG: More than 60,000 Black people have been economically displaced out of Washington DC as a result of Gentrification
REPAR_221202_20.JPG: More than 10,000 Latin people seeking asylum have been forcibly bussed to Washington DC by US governors
REPAR_221202_24.JPG: Don't forget the Genocide
REPAR_221202_30.JPG: Pay Black People
REPAR_221202_34.JPG: For South Asian People Only Encountering the Other: South Asian Reparations, Rematriation, & Reconciliation Survey
REPAR_221202_38.JPG: For Latin People Only Encountering the Other: Latin Reparations, Rematriation, & Reconciliation Survey
SENSES_221202_01.JPG: View Into the Senses (Source page: 2022_12_02B7_Corc_Senses)
SENSES_221202_05.JPG: Clark V. Fox Classic Windows: Washington I, 1982
SENSES_221202_15.JPG: Larry Zox Green Composition, 1980
SENSES_221202_19.JPG: Malcolm Morley Arles/Miami, 1973
SENSES_221202_21.JPG: Kawanishi Hide The Pond, 1957
SENSES_221202_26.JPG: Edgardo Frabceschi Untitled, 1967
SENSES_221202_30.JPG: Paul Reed Thule, 1971
SENSES_221202_35.JPG: Clark V. Fox Los Angeles Windows, 1983
SENSES_221202_39.JPG: Victor Vasarely Tau Ceti, 1967
SENSES_221202_44.JPG: Julian Stanczak Stratified, 1979
SENSES_221202_48.JPG: Victor Vasarely Jerusalem of Gold (Psalm XIX:2), 1984
SENSES_221202_54.JPG: Kawanishi Hide The Pond, 1957
TPCDEN_221202_003.JPG: (Source page: 2022_12_02D_TPC_De_Nittis)
TPCDEN_221202_008.JPG: Approaching Storm ca 1869
TPCDEN_221202_022.JPG: An Italian Impressionist in Paris: Giuseppe De Nittis
TPCDEN_221202_028.JPG: Farmhouse near Naples 1866
TPCDEN_221202_037.JPG: Crossing the Apennines -- Memory 1867
TPCDEN_221202_046.JPG: The Train Passes 1869
TPCDEN_221202_060.JPG: Approaching Storm ca 1869
TPCDEN_221202_065.JPG: Gulf of Naples -- Sunny Reflections ca 1872
TPCDEN_221202_070.JPG: Gulf of Naples -- Sunny Reflections ca 1872
TPCDEN_221202_076.JPG: Landscape Under the Sun 1872
TPCDEN_221202_083.JPG: Caillebotte and De Nettis: A Fruitful Friendship
TPCDEN_221202_088.JPG: The Road from Naples to Brindisi 1872
TPCDEN_221202_093.JPG: Gustave Caillebotte A Road in Naples, ca 1872-75
TPCDEN_221202_096.JPG: Country Road -- Along the Ofanto ca 1874-75
TPCDEN_221202_110.JPG: Mountainous Site, Italy (Torre Annunziata) 1872
TPCDEN_221202_115.JPG: Giorgio Sommer Naples, Eruption of Vesuvius, April 26, 1872
TPCDEN_221202_124.JPG: Eruption of Vesuvius (Study) 1872
TPCDEN_221202_129.JPG: Eruption of Vesuvius 1872
TPCDEN_221202_140.JPG: Vesevius Eruption 1872
TPCDEN_221202_147.JPG: Mount Vesuvius Erupts Violently on April 26, 1872
TPCDEN_221202_154.JPG: Vine Leaves ca 1880-83
TPCDEN_221202_159.JPG: Still Life 1880
TPCDEN_221202_165.JPG: Capricious Nocturnal ca 1880-83
TPCDEN_221202_170.JPG: Figure of a Woman (Leontine) 1880
TPCDEN_221202_179.JPG: Edouard Manet Portrait of a Lady, ca 1879
TPCDEN_221202_188.JPG: Go Deeper Through Empathy Experience works of art through the perspective of other people.
TPCDEN_221202_190.JPG: Personal Choices Create a collection and add it to the gallery
TPCDEN_221202_195.JPG: Share Your Haiku How would you use your words to bring a work of art to life?
TPCDEN_221202_198.JPG: I will never forgive My gaze only looks ahead The wound in too deep
TPCDEN_221202_201.JPG: God bless the artist Ashamed of his own nature Unwilling to paint
TPCDEN_221202_203.JPG: Words Written by: "Nude from the Back" Look away from me Perfect skin is made of paint I could not compare
TPCDEN_221202_206.JPG: A Day at the Races Reminds me of Groucho Marx He takes Me Places
TPCDEN_221202_213.JPG: Between the Screens ca 1879
TPCDEN_221202_219.JPG: The Modern Woman Fashion and Japonisme
TPCDEN_221202_224.JPG: Snow Effect ca 1880
TPCDEN_221202_231.JPG: Nude from the Back 1879/1880
TPCDEN_221202_239.JPG: Under the Viaduct ca 1875
TPCDEN_221202_247.JPG: Clouds on Westminster (Study) 1878
TPCDEN_221202_251.JPG: Westminster Bridge (Study) 1878
TPCDEN_221202_259.JPG: The New Conception of Urban Space -- Paris and London
TPCDEN_221202_262.JPG: The Bridge ca 1876
TPCDEN_221202_270.JPG: The National Gallery and the Church of St. Martin-in-the-Fields (London) 1878
TPCDEN_221202_278.JPG: Edgar Degas Woman Viewed from Behind (Visit to a Museum), ca 1879-85
TPCDEN_221202_286.JPG: Pearl and Shell ca 1879
TPCDEN_221202_296.JPG: Degas and De Nittis A Friendship
TPCDEN_221202_299.JPG: Edgar Degas Portrait of Mme De Nittis, ca 1872
TPCDEN_221202_308.JPG: The Resilience of Paris after the Franco-Prussian War
TPCDEN_221202_311.JPG: The Place de Carrousel: The Ruins of the Tuileries in 1882 1882
TPCDEN_221202_324.JPG: The Place de Pyramides 1875
TPCDEN_221202_341.JPG: The Place des Pyramides (Study) 1875-76
TPCDEN_221202_346.JPG: Parisiennes in the Place de la Concorde ca 1875
TPCDEN_221202_355.JPG: The Parfumerie Violet -- Corner of Boulevard des Capucines and Rue Scribe ca 1880
TPCDEN_221202_364.JPG: The Place de la Madeleine, Paris ca 1877
TPCDEN_221202_371.JPG: The Arc de Triomphe, Paris ca 1876
TPCDEN_221202_383.JPG: The Construction of the Trocadero in 1876 ca 1876
TPCDEN_221202_393.JPG: The Bourgeoisie at the Races in Paris and London
TPCDEN_221202_396.JPG: Edgar Degas Racehorses at Longchamp, 1871, possibly reworked in 1874
TPCDEN_221202_403.JPG: Edouard Manet At the Races, ca 1875
TPCDEN_221202_410.JPG: Edouard Manet The Races at Londchamg, 1866
TPCDEN_221202_417.JPG: Edgar Degas At the Races: The Start, ca 1860-62
TPCDEN_221202_425.JPG: The Races at Auteuil -- Next to the Stove 1880-81
TPCDEN_221202_432.JPG: The Races at Longchamp (Completed Study) 1883
TPCDEN_221202_438.JPG: Return from the Races ca 1875
TPCDEN_221202_446.JPG: The Races at Auteuil, Paris -- On the Chair ca 1883
TPCDEN_221202_457.JPG: Flirtation, Hyde Park (Flirting Next to the Track) ca 1874
TPCDEN_221202_467.JPG: Return from the Races 1875
TPCDEN_221202_486.JPG: A Special Evening, February 20, 1875
TPCDEN_221202_489.JPG: Printmaking as Personal Artistic Expression and as Reproduction
TPCDEN_221202_491.JPG: Printmaking as Personal Artistic Expression and as Reproduction
TPCDEN_221202_495.JPG: The Place des Pyramides, Paris ca 1883
TPCDEN_221202_501.JPG: Marcellin-Gilbert Desboutin Degas, 1876
TPCDEN_221202_504.JPG: Edgar Degas Alphonse Hirsch
TPCDEN_221202_515.JPG: Portrait of Edgar Degas (right facing) February 20, 1875
TPCDEN_221202_518.JPG: Portrait of Edgar Degas (left facing) February 20, 1875
TPCDEN_221202_525.JPG: View Taken in London ca 1876
TPCDEN_221202_530.JPG: The Dancer Holoke-GO-Zen 1873
TPCDEN_221202_533.JPG: Elegant Young Woman Seen from Behind ca 1875
TPCDEN_221202_540.JPG: Trees ca 1879/1880
TPCDEN_221202_546.JPG: Edgar Degas The Road, ca 1878/1880
TPCDEN_221202_556.JPG: Leisure in the City and the Suburbs
TPCDEN_221202_559.JPG: Next to the Pond in the Luxembourg Gardens, Paris 1875
TPCDEN_221202_569.JPG: Suzanne and Madeleine Boussod in the Garden ca 1874
TPCDEN_221202_576.JPG: Edouard Manet In the Garden, 1870
TPCDEN_221202_583.JPG: In the Wheat Field 1873
TPCDEN_221202_594.JPG: Winter Walk 1879
TPCDEN_221202_603.JPG: Leontine in a Boat 1874
TPCDEN_221202_619.JPG: Leontine Skating ca 1875
TPCDEN_221202_626.JPG: De Nittis's Last Works -- Interiors and Plein-Air Scenes
TPCDEN_221202_629.JPG: Trains Passing 1884
TPCDEN_221202_637.JPG: Field of Wheat Sheaves ca 1880
TPCDEN_221202_646.JPG: In the Hammock II 1884
TPCDEN_221202_653.JPG: Spring ca 1879
TPCDEN_221202_662.JPG: Breakfast in the Garden 1884
TPCDEN_221202_672.JPG: Princess Mathilde Bonaparte
TPCDEN_221202_676.JPG: The Salon of Princess Mathilde 1883
TPCDEN_221202_690.JPG: In Fashionable Society 1883
TRAN20_221202_001.JPG: Ryoto Unno A ship groping through the dark, 2022 (Source page: 2022_12_02B3_Corc_Transformer20)
TRAN20_221202_019.JPG: Martha Wilson I'm Going to Die, 2014
TRAN20_221202_024.JPG: Jenny Walton Radiance, 2022
TRAN20_221202_030.JPG: Naoko Wowsugi new moon, 2022
TRAN20_221202_034.JPG: Antonia Tricarico Me, My Eyes, and I series 03, 2014
TRAN20_221202_039.JPG: Kelly Towles The Observer, 2022
TRAN20_221202_044.JPG: Lisa Marie Thalhammer LOVE in Rainbow Glow, 2022
TRAN20_221202_049.JPG: Scott Szegeski koji scales, 2022
TRAN20_221202_053.JPG: Tang Untitled, 2022
TRAN20_221202_057.JPG: Banner Sale Troubled Magic All I see is a stranger, 2021
TRAN20_221202_068.JPG: Hannah Spector midnight language, 2022
TRAN20_221202_072.JPG: Christine Buckton Tillman bunting and betty cooke, 2020
TRAN20_221202_077.JPG: Zach Storm Swell, 2022
TRAN20_221202_083.JPG: Jay Stuckey Ship, 2020
TRAN20_221202_100.JPG: Molly Springfield On Being Ill, 2022
TRAN20_221202_108.JPG: Farrah Skeiky Club Angel, 2021
TRAN20_221202_113.JPG: Johab Silva Orange and Yellow Flowers: After Ellsworth Kelly, 2022
TRAN20_221202_118.JPG: Joaquin Segura G8 (United States of America), 2012-2022
TRAN20_221202_124.JPG: Sheldon Scott I.a.d.c.a.f. (Pink Glitter), 2018
TRAN20_221202_130.JPG: MichaelAngelo Rodriguez Aca Se Ve Claro, 2021
TRAN20_221202_133.JPG: Lauren Rice Time is a Sunset, 2022
TRAN20_221202_138.JPG: Alanno Reeves We're Not Going to Make it Back, 2020
TRAN20_221202_142.JPG: Alanna Reeves Ackee (In Green), 2020
TRAN20_221202_147.JPG: Vesna Pavlovic Ceiling Systems, From "Sites of Memory" series, 2019
TRAN20_221202_152.JPG: Andrea Polichetti Untitled, 2021
TRAN20_221202_157.JPG: Ryan Carroll Nelson Bouffant, 2022
TRAN20_221202_162.JPG: Joseph Orzal (Joseph Orzal x Chiha Poster and Katie Pettit) Statehood Now, 2019
TRAN20_221202_168.JPG: Piero Passacantando Abstract Reflection, 2022
TRAN20_221202_189.JPG: 2013
TRAN20_221202_195.JPG: 2014
TRAN20_221202_197.JPG: 2015
TRAN20_221202_201.JPG: 2016
TRAN20_221202_202.JPG: 2017
TRAN20_221202_205.JPG: 2018
TRAN20_221202_208.JPG: 2019
TRAN20_221202_211.JPG: 2020
TRAN20_221202_214.JPG: 2021
TRAN20_221202_220.JPG: 2022
TRAN20_221202_227.JPG: Siren Arts
TRAN20_221202_230.JPG: J. Morrison (Homocats) We Are Tired of Homophobia, 2014
TRAN20_221202_235.JPG: Carolina Mayorga Fungus Gnat Southwest, from the series Kelly's Plants, 2022
TRAN20_221202_240.JPG: Taylor McKimens Kiss Me, 2022
TRAN20_221202_245.JPG: Jameson Magrogan Cobble V, 2019
TRAN20_221202_250.JPG: Jennifer Wen Ma In Furious Bloom III, 2016
TRAN20_221202_255.JPG: Hatnim Lee Woman dressed as Union Jack at Queen Elizabeth II's funeral, September 19th, 2022
TRAN20_221202_258.JPG: Sandra Luckett Aqua Pura, 2021
TRAN20_221202_261.JPG: Marissa Long Ben with Flowers, 2022
TRAN20_221202_265.JPG: Nilay Lawson Chef Feo's Big Bowl of Black Beans and Rice, 2022
TRAN20_221202_271.JPG: Carolina Mayorga Building 1 __ Fun with Cardboard May 2022, 2022
TRAN20_221202_276.JPG: Victor Koroma Black Flowers: "SAMO
User comment: @ IS DEAD" VANITAS, 2022

Medium (Email)

Specific picture descriptions: Photos above with "i" icons next to the bracketed sequence numbers (e.g. "[1]

") are described as follows:

BEING_221202_001.JPG: Imprinting Dimensional States of Being A Mural by Joerael Numina (Source page: 2022_12_02B4_Corc_Being)
BEING_221202_004.JPG: imprinting dimensional states of being WASHINGTON, DC 2018 Discover details of Joerael's epic mural at The Corcoran School of the Arts and Design. This mural spans the length of 2,052 square feet and artistically shares the history of the local Piscataway Tribe. The Piscataway are the people where the rivers bend and call the DC Bay Area their homeland. The mural is large, colorful, and unapologetically descriptive of story. This work was created in collaboration with members of the Piscataway Tribe. The mural is in honor of the Piscataway people whose ancestral land is currently the United States capital. This work touches upon the complexities and histories of indigenous activism in the DC bay area. Joerael took his time and made sure to hold himself accountable to in-depth research and interviews with the tribe Sebi and Gabrielle Tayac of the Piscataway tribe. Joerael developed relations and learned about the tribe's roots in activism. Joerael also included in each design the diversity of the tribe and the resilience of survival. A deep bow of gratitude for Piscataway Tribal members Sebi Tayac and Gabrielle Tayac. Their contributions, time, and stories supported manifesting the mural to reality. The above was from https://www.joerael.com/imprinting-dimensional-states-of-being
BEING_221202_014.JPG: Sebi Tayac, Great grandson of Turkey Tayac
BEING_221202_016.JPG: Gabriel’s father and Vetran Joe Tayac
BEING_221202_019.JPG: Gabriel Tayac, grandaugter of Turkey Tayac.
BEING_221202_027.JPG: A wild turkey
BEING_221202_031.JPG: Dennis Banks, American Indian Movement
BEING_221202_035.JPG: An expression of the Tree at Piscataway Park “Mayoane” emerging and growing into the 27 hereditary chiefs buried underneath.
BEING_221202_045.JPG: Turkey Tayac and Alcatraz AIM Graffiti
BEING_221202_060.JPG: A visualization of the word Piscataway “confluence of waters” is two waters falls pouring into the same body. At the base of this body of water is Turkey Tayac’s hands holding a tobacco bundle.
BEING_221202_062.JPG: One of Roberta's famous slogans Roberta Blackgoat became friends of the Piscataway when she would travel to protest and do speaking engagements in DC. She was protesting an executive order to remove Dine’ & Hopi residents from black mesa in Arizona. The force removal forced 14,000 Navajo and several hundred Hopi to move, however along with several hundred Roberta stayed and fought for her right to live out her life on her ancestral land. The removal was to expand the Peabody coal mining operation. Under Black Mesa 20 billion tons of low sulfur coal was discovered. Activist like Roberta Blackgoat were highly influential to the Piscataway and their activism in Washington DC.
BEING_221202_070.JPG: The Longest Walk poster 1978
BEING_221202_078.JPG: Here is a portrait of Chief Turkey Tayac the 27th Hereditary Chief of the Piscataway and on both sides of him are depictions of Living Solid Face.
CONNOL_221202_01.JPG: (Source page: 2022_12_02C2_ConnAve_Overlook)
CONNOL_221202_20.JPG: Gldn+ Arts Welcome to the Connecticut Avenue Overlook -- a pocket park where everyone is invited to gather and connect. This large concrete area has been transformed with greenery, seating, and public art for the community. Take a picture enjoying the space and share on social media using #GoldenTriangleDC and tag @goldentriangledc.
CORC_221202_04.JPG: The Corcoran Gallery of Art Established and endowed by William Wilson Corcoran For the purpose of encouraging American genius in the production and preservation of works pertaining to the fine arts and kindred objects by deed of gift dated May Tenth 1869 to the original board of trustees... (Source page: 2022_12_02B1_Corc_School)
CORC_221202_16.JPG: Andre is an artist
ENCOUN_221202_002.JPG: Encounters at 500 17th St NW (Source page: 2022_12_02B2_Corc_Encounters)
ENCOUN_221202_006.JPG: Welcome to 500 17th Street NW
ENCOUN_221202_017.JPG: A New Vision
ENCOUN_221202_031.JPG: Chronicles of Corcoran
ENCOUN_221202_033.JPG: Emily Snyder Chronicals [sic] of Corcoran Shawn Shafner Consider the Acorn Tina Villadolid Healing Ritual for the Evening of June 4th, 1904
ENCOUN_221202_037.JPG: Consider the Acorn
ENCOUN_221202_053.JPG: Healing Ritual for the Evening of June 4th, 1904
ENCOUN_221202_064.JPG: Crescendo (<)
ENCOUN_221202_067.JPG: Martina Maya-Callen 931 Steps from the White House Vanessa Chen Crescendo (<)
ENCOUN_221202_070.JPG: Hypervisibility
ENCOUN_221202_076.JPG: 931 Steps from the White House
ENCOUN_221202_087.JPG: Tyler Andrew Lackey Encountering the Namesake Andee Berberich The Social Body
ENCOUN_221202_092.JPG: Restful Encounters
ENCOUN_221202_099.JPG: The Social Body: A Study of Accessibility in 500 17th Street NW
HBF_221202_006.JPG: (Source page: 2022_12_02A_WHHA_Book_Fair)
HBF_221202_012.JPG: Artist Peter Waddell is copying two of his own works, "Tiber Creek: The Bathers, John Quincy Adams Takes a Deadly Chance" and "A Vision Takes Form: the White House Under Construction, 1796".
HBF_221202_039.JPG: John Hutton (left)
HBF_221202_087.JPG: Rocco Smirne is the six-year old with his dad. He was here promoting his book "Rocco Travels With The Presidents!" The book is described on the WHHA site as: Every president of the United States has to travel to attend important events and to meet people around the world. For more than two hundred years, the presidents have taken journeys on horses, trains, ships, cars, airplanes, and helicopters. Sometimes, just for fun, they have also used bicycles, golf carts, and even parachutes! Rocco is six years old, but he already knows a great deal about the White House and the presidents and the places he would like to go too, so he created this book to share some of the adventures he would have if he could travel with the presidents! Rocco travels through time and around the world to ride horses with Abraham Lincoln and bicycles with Jimmy Carter. He boards trains for a trip out west with Grover Cleveland and a New York jaunt with Franklin Roosevelt. He has fun riding in Lyndon Johnson's Amphicar and Joe Biden's Corvette. He ends the book with his favorite trip of all: a flight on Marine One. This title is the fourth in a continuing series of children's books launched by the White House Historical Association in 2020 with A White House Alphabet and Presidents Play! About the Author Rocco Smirne is an elementary school student in Fairfax County Virginia. He loves to travel to new places with his family. He is also the author of A White House Alphabet. About the Illustrator John Hutton is a professor of art history at Salem College, and the illustrator of a series of children’s books published by the White House Historical Association. He lives in Winston Salem, North Carolina.
HBF_221202_089.JPG: Peter Waddell
HBF_221202_096.JPG: John Hutton
HBF_221202_102.JPG: Peter Waddell and Bill Barker ("Becoming Jefferson: My Life as a Founding Father")
HBF_221202_116.JPG: Mac Keith Griswold
HBF_221202_119.JPG: Wayne Smith (right)
HBF_221202_121.JPG: Matthew Wendel ("Recipes from the President’s Ranch: Food People Like to Eat")
HBF_221202_125.JPG: Chef Mark Ramsdell (books co-authored with the late Chef Roland Mesnier: "Creating the Sweet World of White House Desserts: A Pastry Chef’s Secrets" and "The White House in Gingerbread".
HBF_221202_127.JPG: Alex Prud'homme (signing his foreword to "The White House Family Cookbook by White House Executive Chef Henry Haller" and his article "Julia Child Goes Behind the Scenes at the White House" in White House History Quarterly)
HBF_221202_149.JPG: Rebecca Youngblood Vaughn (signing her introduction to her father's memoir "20 Years in the Secret Service: My Life with Five Presidents"; and, from the White House History Quarterly issue "Protecting the Presidents: The History of the United States Secret Service," she will sign her article "Growing Up a Secret Service Agent’s Daughter: Life with My Father Rufus W. Youngblood")
HBF_221202_213.JPG: Knight Kiplinger, Matthew Costello
HBF_221202_219.JPG: Peter Waddell, Knight Kiplinger, Matthew Costello
HBF_221202_262.JPG: Peter Waddell, John Hutton
HBF_221202_301.JPG: Bruce M. White
HBF_221202_311.JPG: Christina Ewald (right)
HBF_221202_317.JPG: Matthew Costello
JINCBF_221202_01.JPG: (Source page: 2022_12_02C1_JICC_NCBF2023)
JINCBF_221202_09.JPG: National Cherry Blossom Festival 2023 National Cherry Blossom Festival Official Artwork by Orlando Quevedo
JINCBF_221202_13.JPG: About the National Cherry Blossom Festival
LEGACY_221202_001.JPG: (Source page: 2022_12_02B8_Corc_Legacy)
LEGACY_221202_006.JPG: Legacy: 50 Years Dance on the Edge
LEGACY_221202_042.JPG: Maida Withers
NIGHTS_221202_001_STITCH.JPG: (Source page: 2022_12_02E_Nightsiren)
NIGHTS_221202_027.JPG: Natalia Germani, Tereza Nvotová
NIGHTS_221202_039.JPG: Abbie Algar (AFI)
NIGHTS_221202_042.JPG: Radovan Javorčík, the Ambassador Extraordinary and Plenipotentiary of the Slovak Republic to the United States of America, and Michelle Joanne Javorčíková
NIGHTS_221202_061.JPG: Javier Chavez (AFI), Tereza Nvotová, Natalia Germani
NIGHTS_221202_091.JPG: Tereza Nvotová
NIGHTS_221202_101.JPG: Natalia Germani
NIGHTS_221202_561.JPG: Natalia Germani, Ambassador Radovan Javorčík, Tereza Nvotová, Michelle Joanne Javorčíková
NIGHTS_221202_583.JPG: Natalia Germani, Tereza Nvotová
RENEW_221202_001.JPG: (Source page: 2022_12_02B6_Corc_Renewal)
RENEW_221202_008.JPG: Kanika Sircar Elegy for a Coral Reef, 2021
RENEW_221202_011.JPG: Jayne Shatz Rising from the Sea, 2021
RENEW_221202_016.JPG: Lexi Arrietta Reliquary/Relinquish, 2021
RENEW_221202_021.JPG: Pat Alexander Out of Range, 2022
RENEW_221202_026.JPG: C.l. bigelow quiet orb, 2022
RENEW_221202_030.JPG: George Lorio Split, 2021
RENEW_221202_035.JPG: Lisa Rosenstein Inner Light, 2020/2022
RENEW_221202_040.JPG: Patte Ormsby Land Sea Sky, 2019
RENEW_221202_044.JPG: Marilyn Geldzahler Rebuilding, 2022
RENEW_221202_057.JPG: Sally Canzoneri Architecture of Water; DC Water Headquarters, 2022
RENEW_221202_062.JPG: Maggie Gourlay Growth Rings Installation, 2021
RENEW_221202_069.JPG: Patte Ormsby Our Lady of Guadalupe & Her Pal Juan Diego, 2022
RENEW_221202_075.JPG: Natalie Abrams Untitled 12.20.2012
RENEW_221202_081.JPG: Natalie Abrams Untitled 12.23.2012
RENEW_221202_086.JPG: Robert Stackhouse Ghost Dance, 1974 Ghost Dance – a nearly five-foot-tall, semicircular, vertical structure made of consecutive slats of recycled, industrial-grade wood – marks the focal point of Renewal. On the adjacent wall, a display of Stackhouse’s watercolor renderings of the sculpture and detailed instructions for its original construction in 1974 accompany the structure. Stackhouse first unveiled Ghost Dance nearly 40 years ago, drawing inspiration from the 19th-century Native American movement among the Nevada Northern Paiute to restore ownership of their land and way of life. Stackhouse and his wife, Carol Mickett, who are artistic collaborators, unveiled the opening of their exhibit with a reception and a lecture last week titled “Where we’ve been, where we are, where we’re going.” Babette Pendleton, Corcoran’s exhibition and programming associate, said the slogan encapsulates the exhibition, which centers around the restoration of the work of art. The sculpture explores themes of renewal, rebirth and sustainability through its use of recycled materials and now through its rebirth as part of a new exhibition. The spiritual movement of Ghost Dance emerged after European settlers brought a period of devastating disease to the Paiute people in Nevada who wished to cleanse their land of the European settlers and sustain its natural beauty. Pendleton said after sitting in the gallery’s storage for over a decade, Ghost Dance was in need of restoration. Visible disrepair on the wood and metal screws left Stackhouse and Mickett to decide between modernizing the construction or maintaining its original appearance, Stackhouse said. The above was from https://www.gwhatchet.com/2022/09/19/art-preview-corcoran-unveils-exhibits-featuring-sculpture-immersive-projection-this-month/
RENEW_221202_087.JPG: Robert Stackhouse Facsimile of Instructions for "Ghost Dance", 1974
RENEW_221202_093.JPG: Robert Stackhouse Facsimile of Drawing of Ghost Dance, 1974
RENEW_221202_101.JPG: The Corcoran Gallery of Art was established in 1869 and expanded in 1880 to include the Corcoran College of Art and Design. In 2014, the Corcoran transferred the college and gallery building to the George Washington University and distributed the works from its Collection to museums and institutions in Washington, DC.
RENEW_221202_105.JPG: Gayle Friedman Adventure Jumbo, 2020
RENEW_221202_110.JPG: Keith Krueger Check My Brain, 2021
RENEW_221202_113.JPG: Jennifer Noda Almost Midnight, 2022
RENEW_221202_125.JPG: Mike Shaffer Too Tall Tower Ten, 2021
RENEW_221202_130.JPG: Dan Hildt Everything, Everywhere (Tout Partout), 2022
RENEW_221202_138.JPG: Caroline MacKinnon Pebbles: Lost in Time, 2022
RENEW_221202_148.JPG: Michelle Marcuse The remaining rumors live here, 2022
RENEW_221202_162.JPG: Sharon Pierce McCullough Scattered Thoughts, 2021
RENEW_221202_167.JPG: Chee Keong Kung Slow Light VIII, 2020
RENEW_221202_170.JPG: Chee Keong Kung Slow Light IX, 2020
RENEW_221202_174.JPG: Barbara Januszkiewicz Fire, Inspired by Jimi Hendrix, 2022
REPAR_221202_01.JPG: Over 7,000 indigenous people were killed and forced to leave from where you are standing. For indigenous people only... (Source page: 2022_12_02B5_Corc_Reparations)
REPAR_221202_04.JPG: For Indigenous People Only Encountering the Other: Indigenous Reparations, Rematriation, & Reconciliation Survey rematriation English Etymology -- Based on repatriation. Noun rematriation (uncountable): A return to a spiritual way of life with respect for Mother Earth.
REPAR_221202_11.JPG: For Black People Only Encountering the Other: Black Reparations, Rematriation, & Reconciliation Survey
REPAR_221202_17.JPG: More than 60,000 Black people have been economically displaced out of Washington DC as a result of Gentrification
REPAR_221202_20.JPG: More than 10,000 Latin people seeking asylum have been forcibly bussed to Washington DC by US governors
REPAR_221202_24.JPG: Don't forget the Genocide
REPAR_221202_30.JPG: Pay Black People
REPAR_221202_34.JPG: For South Asian People Only Encountering the Other: South Asian Reparations, Rematriation, & Reconciliation Survey
REPAR_221202_38.JPG: For Latin People Only Encountering the Other: Latin Reparations, Rematriation, & Reconciliation Survey
SENSES_221202_01.JPG: View Into the Senses (Source page: 2022_12_02B7_Corc_Senses)
SENSES_221202_05.JPG: Clark V. Fox Classic Windows: Washington I, 1982
SENSES_221202_15.JPG: Larry Zox Green Composition, 1980
SENSES_221202_19.JPG: Malcolm Morley Arles/Miami, 1973
SENSES_221202_21.JPG: Kawanishi Hide The Pond, 1957
SENSES_221202_26.JPG: Edgardo Frabceschi Untitled, 1967
SENSES_221202_30.JPG: Paul Reed Thule, 1971
SENSES_221202_35.JPG: Clark V. Fox Los Angeles Windows, 1983
SENSES_221202_39.JPG: Victor Vasarely Tau Ceti, 1967
SENSES_221202_44.JPG: Julian Stanczak Stratified, 1979
SENSES_221202_48.JPG: Victor Vasarely Jerusalem of Gold (Psalm XIX:2), 1984
SENSES_221202_54.JPG: Kawanishi Hide The Pond, 1957
TPCDEN_221202_003.JPG: (Source page: 2022_12_02D_TPC_De_Nittis)
TPCDEN_221202_008.JPG: Approaching Storm ca 1869
TPCDEN_221202_022.JPG: An Italian Impressionist in Paris: Giuseppe De Nittis
TPCDEN_221202_028.JPG: Farmhouse near Naples 1866
TPCDEN_221202_037.JPG: Crossing the Apennines -- Memory 1867
TPCDEN_221202_046.JPG: The Train Passes 1869
TPCDEN_221202_060.JPG: Approaching Storm ca 1869
TPCDEN_221202_065.JPG: Gulf of Naples -- Sunny Reflections ca 1872
TPCDEN_221202_070.JPG: Gulf of Naples -- Sunny Reflections ca 1872
TPCDEN_221202_076.JPG: Landscape Under the Sun 1872
TPCDEN_221202_083.JPG: Caillebotte and De Nettis: A Fruitful Friendship
TPCDEN_221202_088.JPG: The Road from Naples to Brindisi 1872
TPCDEN_221202_093.JPG: Gustave Caillebotte A Road in Naples, ca 1872-75
TPCDEN_221202_096.JPG: Country Road -- Along the Ofanto ca 1874-75
TPCDEN_221202_110.JPG: Mountainous Site, Italy (Torre Annunziata) 1872
TPCDEN_221202_115.JPG: Giorgio Sommer Naples, Eruption of Vesuvius, April 26, 1872
TPCDEN_221202_124.JPG: Eruption of Vesuvius (Study) 1872
TPCDEN_221202_129.JPG: Eruption of Vesuvius 1872
TPCDEN_221202_140.JPG: Vesevius Eruption 1872
TPCDEN_221202_147.JPG: Mount Vesuvius Erupts Violently on April 26, 1872
TPCDEN_221202_154.JPG: Vine Leaves ca 1880-83
TPCDEN_221202_159.JPG: Still Life 1880
TPCDEN_221202_165.JPG: Capricious Nocturnal ca 1880-83
TPCDEN_221202_170.JPG: Figure of a Woman (Leontine) 1880
TPCDEN_221202_179.JPG: Edouard Manet Portrait of a Lady, ca 1879
TPCDEN_221202_188.JPG: Go Deeper Through Empathy Experience works of art through the perspective of other people.
TPCDEN_221202_190.JPG: Personal Choices Create a collection and add it to the gallery
TPCDEN_221202_195.JPG: Share Your Haiku How would you use your words to bring a work of art to life?
TPCDEN_221202_198.JPG: I will never forgive My gaze only looks ahead The wound in too deep
TPCDEN_221202_201.JPG: God bless the artist Ashamed of his own nature Unwilling to paint
TPCDEN_221202_203.JPG: Words Written by: "Nude from the Back" Look away from me Perfect skin is made of paint I could not compare
TPCDEN_221202_206.JPG: A Day at the Races Reminds me of Groucho Marx He takes Me Places
TPCDEN_221202_213.JPG: Between the Screens ca 1879
TPCDEN_221202_219.JPG: The Modern Woman Fashion and Japonisme
TPCDEN_221202_224.JPG: Snow Effect ca 1880
TPCDEN_221202_231.JPG: Nude from the Back 1879/1880
TPCDEN_221202_239.JPG: Under the Viaduct ca 1875
TPCDEN_221202_247.JPG: Clouds on Westminster (Study) 1878
TPCDEN_221202_251.JPG: Westminster Bridge (Study) 1878
TPCDEN_221202_259.JPG: The New Conception of Urban Space -- Paris and London
TPCDEN_221202_262.JPG: The Bridge ca 1876
TPCDEN_221202_270.JPG: The National Gallery and the Church of St. Martin-in-the-Fields (London) 1878
TPCDEN_221202_278.JPG: Edgar Degas Woman Viewed from Behind (Visit to a Museum), ca 1879-85
TPCDEN_221202_286.JPG: Pearl and Shell ca 1879
TPCDEN_221202_296.JPG: Degas and De Nittis A Friendship
TPCDEN_221202_299.JPG: Edgar Degas Portrait of Mme De Nittis, ca 1872
TPCDEN_221202_308.JPG: The Resilience of Paris after the Franco-Prussian War
TPCDEN_221202_311.JPG: The Place de Carrousel: The Ruins of the Tuileries in 1882 1882
TPCDEN_221202_324.JPG: The Place de Pyramides 1875
TPCDEN_221202_341.JPG: The Place des Pyramides (Study) 1875-76
TPCDEN_221202_346.JPG: Parisiennes in the Place de la Concorde ca 1875
TPCDEN_221202_355.JPG: The Parfumerie Violet -- Corner of Boulevard des Capucines and Rue Scribe ca 1880
TPCDEN_221202_364.JPG: The Place de la Madeleine, Paris ca 1877
TPCDEN_221202_371.JPG: The Arc de Triomphe, Paris ca 1876
TPCDEN_221202_383.JPG: The Construction of the Trocadero in 1876 ca 1876
TPCDEN_221202_393.JPG: The Bourgeoisie at the Races in Paris and London
TPCDEN_221202_396.JPG: Edgar Degas Racehorses at Longchamp, 1871, possibly reworked in 1874
TPCDEN_221202_403.JPG: Edouard Manet At the Races, ca 1875
TPCDEN_221202_410.JPG: Edouard Manet The Races at Londchamg, 1866
TPCDEN_221202_417.JPG: Edgar Degas At the Races: The Start, ca 1860-62
TPCDEN_221202_425.JPG: The Races at Auteuil -- Next to the Stove 1880-81
TPCDEN_221202_432.JPG: The Races at Longchamp (Completed Study) 1883
TPCDEN_221202_438.JPG: Return from the Races ca 1875
TPCDEN_221202_446.JPG: The Races at Auteuil, Paris -- On the Chair ca 1883
TPCDEN_221202_457.JPG: Flirtation, Hyde Park (Flirting Next to the Track) ca 1874
TPCDEN_221202_467.JPG: Return from the Races 1875
TPCDEN_221202_486.JPG: A Special Evening, February 20, 1875
TPCDEN_221202_489.JPG: Printmaking as Personal Artistic Expression and as Reproduction
TPCDEN_221202_491.JPG: Printmaking as Personal Artistic Expression and as Reproduction
TPCDEN_221202_495.JPG: The Place des Pyramides, Paris ca 1883
TPCDEN_221202_501.JPG: Marcellin-Gilbert Desboutin Degas, 1876
TPCDEN_221202_504.JPG: Edgar Degas Alphonse Hirsch
TPCDEN_221202_515.JPG: Portrait of Edgar Degas (right facing) February 20, 1875
TPCDEN_221202_518.JPG: Portrait of Edgar Degas (left facing) February 20, 1875
TPCDEN_221202_525.JPG: View Taken in London ca 1876
TPCDEN_221202_530.JPG: The Dancer Holoke-GO-Zen 1873
TPCDEN_221202_533.JPG: Elegant Young Woman Seen from Behind ca 1875
TPCDEN_221202_540.JPG: Trees ca 1879/1880
TPCDEN_221202_546.JPG: Edgar Degas The Road, ca 1878/1880
TPCDEN_221202_556.JPG: Leisure in the City and the Suburbs
TPCDEN_221202_559.JPG: Next to the Pond in the Luxembourg Gardens, Paris 1875
TPCDEN_221202_569.JPG: Suzanne and Madeleine Boussod in the Garden ca 1874
TPCDEN_221202_576.JPG: Edouard Manet In the Garden, 1870
TPCDEN_221202_583.JPG: In the Wheat Field 1873
TPCDEN_221202_594.JPG: Winter Walk 1879
TPCDEN_221202_603.JPG: Leontine in a Boat 1874
TPCDEN_221202_619.JPG: Leontine Skating ca 1875
TPCDEN_221202_626.JPG: De Nittis's Last Works -- Interiors and Plein-Air Scenes
TPCDEN_221202_629.JPG: Trains Passing 1884
TPCDEN_221202_637.JPG: Field of Wheat Sheaves ca 1880
TPCDEN_221202_646.JPG: In the Hammock II 1884
TPCDEN_221202_653.JPG: Spring ca 1879
TPCDEN_221202_662.JPG: Breakfast in the Garden 1884
TPCDEN_221202_672.JPG: Princess Mathilde Bonaparte
TPCDEN_221202_676.JPG: The Salon of Princess Mathilde 1883
TPCDEN_221202_690.JPG: In Fashionable Society 1883
TRAN20_221202_001.JPG: Ryoto Unno A ship groping through the dark, 2022 (Source page: 2022_12_02B3_Corc_Transformer20)
TRAN20_221202_019.JPG: Martha Wilson I'm Going to Die, 2014
TRAN20_221202_024.JPG: Jenny Walton Radiance, 2022
TRAN20_221202_030.JPG: Naoko Wowsugi new moon, 2022
TRAN20_221202_034.JPG: Antonia Tricarico Me, My Eyes, and I series 03, 2014
TRAN20_221202_039.JPG: Kelly Towles The Observer, 2022
TRAN20_221202_044.JPG: Lisa Marie Thalhammer LOVE in Rainbow Glow, 2022
TRAN20_221202_049.JPG: Scott Szegeski koji scales, 2022
TRAN20_221202_053.JPG: Tang Untitled, 2022
TRAN20_221202_057.JPG: Banner Sale Troubled Magic All I see is a stranger, 2021
TRAN20_221202_068.JPG: Hannah Spector midnight language, 2022
TRAN20_221202_072.JPG: Christine Buckton Tillman bunting and betty cooke, 2020
TRAN20_221202_077.JPG: Zach Storm Swell, 2022
TRAN20_221202_083.JPG: Jay Stuckey Ship, 2020
TRAN20_221202_100.JPG: Molly Springfield On Being Ill, 2022
TRAN20_221202_108.JPG: Farrah Skeiky Club Angel, 2021
TRAN20_221202_113.JPG: Johab Silva Orange and Yellow Flowers: After Ellsworth Kelly, 2022
TRAN20_221202_118.JPG: Joaquin Segura G8 (United States of America), 2012-2022
TRAN20_221202_124.JPG: Sheldon Scott I.a.d.c.a.f. (Pink Glitter), 2018
TRAN20_221202_130.JPG: MichaelAngelo Rodriguez Aca Se Ve Claro, 2021
TRAN20_221202_133.JPG: Lauren Rice Time is a Sunset, 2022
TRAN20_221202_138.JPG: Alanno Reeves We're Not Going to Make it Back, 2020
TRAN20_221202_142.JPG: Alanna Reeves Ackee (In Green), 2020
TRAN20_221202_147.JPG: Vesna Pavlovic Ceiling Systems, From "Sites of Memory" series, 2019
TRAN20_221202_152.JPG: Andrea Polichetti Untitled, 2021
TRAN20_221202_157.JPG: Ryan Carroll Nelson Bouffant, 2022
TRAN20_221202_162.JPG: Joseph Orzal (Joseph Orzal x Chiha Poster and Katie Pettit) Statehood Now, 2019
TRAN20_221202_168.JPG: Piero Passacantando Abstract Reflection, 2022
TRAN20_221202_189.JPG: 2013
TRAN20_221202_195.JPG: 2014
TRAN20_221202_197.JPG: 2015
TRAN20_221202_201.JPG: 2016
TRAN20_221202_202.JPG: 2017
TRAN20_221202_205.JPG: 2018
TRAN20_221202_208.JPG: 2019
TRAN20_221202_211.JPG: 2020
TRAN20_221202_214.JPG: 2021
TRAN20_221202_220.JPG: 2022
TRAN20_221202_227.JPG: Siren Arts
TRAN20_221202_230.JPG: J. Morrison (Homocats) We Are Tired of Homophobia, 2014
TRAN20_221202_235.JPG: Carolina Mayorga Fungus Gnat Southwest, from the series Kelly's Plants, 2022
TRAN20_221202_240.JPG: Taylor McKimens Kiss Me, 2022
TRAN20_221202_245.JPG: Jameson Magrogan Cobble V, 2019
TRAN20_221202_250.JPG: Jennifer Wen Ma In Furious Bloom III, 2016
TRAN20_221202_255.JPG: Hatnim Lee Woman dressed as Union Jack at Queen Elizabeth II's funeral, September 19th, 2022
TRAN20_221202_258.JPG: Sandra Luckett Aqua Pura, 2021
TRAN20_221202_261.JPG: Marissa Long Ben with Flowers, 2022
TRAN20_221202_265.JPG: Nilay Lawson Chef Feo's Big Bowl of Black Beans and Rice, 2022
TRAN20_221202_271.JPG: Carolina Mayorga Building 1 __ Fun with Cardboard May 2022, 2022
TRAN20_221202_276.JPG: Victor Koroma Black Flowers: "SAMO
User comment: @ IS DEAD" VANITAS, 2022

High (Print)

Specific picture descriptions: Photos above with "i" icons next to the bracketed sequence numbers (e.g. "[1]

") are described as follows:

BEING_221202_001.JPG: Imprinting Dimensional States of Being A Mural by Joerael Numina (Source page: 2022_12_02B4_Corc_Being)
BEING_221202_004.JPG: imprinting dimensional states of being WASHINGTON, DC 2018 Discover details of Joerael's epic mural at The Corcoran School of the Arts and Design. This mural spans the length of 2,052 square feet and artistically shares the history of the local Piscataway Tribe. The Piscataway are the people where the rivers bend and call the DC Bay Area their homeland. The mural is large, colorful, and unapologetically descriptive of story. This work was created in collaboration with members of the Piscataway Tribe. The mural is in honor of the Piscataway people whose ancestral land is currently the United States capital. This work touches upon the complexities and histories of indigenous activism in the DC bay area. Joerael took his time and made sure to hold himself accountable to in-depth research and interviews with the tribe Sebi and Gabrielle Tayac of the Piscataway tribe. Joerael developed relations and learned about the tribe's roots in activism. Joerael also included in each design the diversity of the tribe and the resilience of survival. A deep bow of gratitude for Piscataway Tribal members Sebi Tayac and Gabrielle Tayac. Their contributions, time, and stories supported manifesting the mural to reality. The above was from https://www.joerael.com/imprinting-dimensional-states-of-being
BEING_221202_014.JPG: Sebi Tayac, Great grandson of Turkey Tayac
BEING_221202_016.JPG: Gabriel’s father and Vetran Joe Tayac
BEING_221202_019.JPG: Gabriel Tayac, grandaugter of Turkey Tayac.
BEING_221202_027.JPG: A wild turkey
BEING_221202_031.JPG: Dennis Banks, American Indian Movement
BEING_221202_035.JPG: An expression of the Tree at Piscataway Park “Mayoane” emerging and growing into the 27 hereditary chiefs buried underneath.
BEING_221202_045.JPG: Turkey Tayac and Alcatraz AIM Graffiti
BEING_221202_060.JPG: A visualization of the word Piscataway “confluence of waters” is two waters falls pouring into the same body. At the base of this body of water is Turkey Tayac’s hands holding a tobacco bundle.
BEING_221202_062.JPG: One of Roberta's famous slogans Roberta Blackgoat became friends of the Piscataway when she would travel to protest and do speaking engagements in DC. She was protesting an executive order to remove Dine’ & Hopi residents from black mesa in Arizona. The force removal forced 14,000 Navajo and several hundred Hopi to move, however along with several hundred Roberta stayed and fought for her right to live out her life on her ancestral land. The removal was to expand the Peabody coal mining operation. Under Black Mesa 20 billion tons of low sulfur coal was discovered. Activist like Roberta Blackgoat were highly influential to the Piscataway and their activism in Washington DC.
BEING_221202_070.JPG: The Longest Walk poster 1978
BEING_221202_078.JPG: Here is a portrait of Chief Turkey Tayac the 27th Hereditary Chief of the Piscataway and on both sides of him are depictions of Living Solid Face.
CONNOL_221202_01.JPG: (Source page: 2022_12_02C2_ConnAve_Overlook)
CONNOL_221202_20.JPG: Gldn+ Arts Welcome to the Connecticut Avenue Overlook -- a pocket park where everyone is invited to gather and connect. This large concrete area has been transformed with greenery, seating, and public art for the community. Take a picture enjoying the space and share on social media using #GoldenTriangleDC and tag @goldentriangledc.
CORC_221202_04.JPG: The Corcoran Gallery of Art Established and endowed by William Wilson Corcoran For the purpose of encouraging American genius in the production and preservation of works pertaining to the fine arts and kindred objects by deed of gift dated May Tenth 1869 to the original board of trustees... (Source page: 2022_12_02B1_Corc_School)
CORC_221202_16.JPG: Andre is an artist
ENCOUN_221202_002.JPG: Encounters at 500 17th St NW (Source page: 2022_12_02B2_Corc_Encounters)
ENCOUN_221202_006.JPG: Welcome to 500 17th Street NW
ENCOUN_221202_017.JPG: A New Vision
ENCOUN_221202_031.JPG: Chronicles of Corcoran
ENCOUN_221202_033.JPG: Emily Snyder Chronicals [sic] of Corcoran Shawn Shafner Consider the Acorn Tina Villadolid Healing Ritual for the Evening of June 4th, 1904
ENCOUN_221202_037.JPG: Consider the Acorn
ENCOUN_221202_053.JPG: Healing Ritual for the Evening of June 4th, 1904
ENCOUN_221202_064.JPG: Crescendo (<)
ENCOUN_221202_067.JPG: Martina Maya-Callen 931 Steps from the White House Vanessa Chen Crescendo (<)
ENCOUN_221202_070.JPG: Hypervisibility
ENCOUN_221202_076.JPG: 931 Steps from the White House
ENCOUN_221202_087.JPG: Tyler Andrew Lackey Encountering the Namesake Andee Berberich The Social Body
ENCOUN_221202_092.JPG: Restful Encounters
ENCOUN_221202_099.JPG: The Social Body: A Study of Accessibility in 500 17th Street NW
HBF_221202_006.JPG: (Source page: 2022_12_02A_WHHA_Book_Fair)
HBF_221202_012.JPG: Artist Peter Waddell is copying two of his own works, "Tiber Creek: The Bathers, John Quincy Adams Takes a Deadly Chance" and "A Vision Takes Form: the White House Under Construction, 1796".
HBF_221202_039.JPG: John Hutton (left)
HBF_221202_087.JPG: Rocco Smirne is the six-year old with his dad. He was here promoting his book "Rocco Travels With The Presidents!" The book is described on the WHHA site as: Every president of the United States has to travel to attend important events and to meet people around the world. For more than two hundred years, the presidents have taken journeys on horses, trains, ships, cars, airplanes, and helicopters. Sometimes, just for fun, they have also used bicycles, golf carts, and even parachutes! Rocco is six years old, but he already knows a great deal about the White House and the presidents and the places he would like to go too, so he created this book to share some of the adventures he would have if he could travel with the presidents! Rocco travels through time and around the world to ride horses with Abraham Lincoln and bicycles with Jimmy Carter. He boards trains for a trip out west with Grover Cleveland and a New York jaunt with Franklin Roosevelt. He has fun riding in Lyndon Johnson's Amphicar and Joe Biden's Corvette. He ends the book with his favorite trip of all: a flight on Marine One. This title is the fourth in a continuing series of children's books launched by the White House Historical Association in 2020 with A White House Alphabet and Presidents Play! About the Author Rocco Smirne is an elementary school student in Fairfax County Virginia. He loves to travel to new places with his family. He is also the author of A White House Alphabet. About the Illustrator John Hutton is a professor of art history at Salem College, and the illustrator of a series of children’s books published by the White House Historical Association. He lives in Winston Salem, North Carolina.
HBF_221202_089.JPG: Peter Waddell
HBF_221202_096.JPG: John Hutton
HBF_221202_102.JPG: Peter Waddell and Bill Barker ("Becoming Jefferson: My Life as a Founding Father")
HBF_221202_116.JPG: Mac Keith Griswold
HBF_221202_119.JPG: Wayne Smith (right)
HBF_221202_121.JPG: Matthew Wendel ("Recipes from the President’s Ranch: Food People Like to Eat")
HBF_221202_125.JPG: Chef Mark Ramsdell (books co-authored with the late Chef Roland Mesnier: "Creating the Sweet World of White House Desserts: A Pastry Chef’s Secrets" and "The White House in Gingerbread".
HBF_221202_127.JPG: Alex Prud'homme (signing his foreword to "The White House Family Cookbook by White House Executive Chef Henry Haller" and his article "Julia Child Goes Behind the Scenes at the White House" in White House History Quarterly)
HBF_221202_149.JPG: Rebecca Youngblood Vaughn (signing her introduction to her father's memoir "20 Years in the Secret Service: My Life with Five Presidents"; and, from the White House History Quarterly issue "Protecting the Presidents: The History of the United States Secret Service," she will sign her article "Growing Up a Secret Service Agent’s Daughter: Life with My Father Rufus W. Youngblood")
HBF_221202_213.JPG: Knight Kiplinger, Matthew Costello
HBF_221202_219.JPG: Peter Waddell, Knight Kiplinger, Matthew Costello
HBF_221202_262.JPG: Peter Waddell, John Hutton
HBF_221202_301.JPG: Bruce M. White
HBF_221202_311.JPG: Christina Ewald (right)
HBF_221202_317.JPG: Matthew Costello
JINCBF_221202_01.JPG: (Source page: 2022_12_02C1_JICC_NCBF2023)
JINCBF_221202_09.JPG: National Cherry Blossom Festival 2023 National Cherry Blossom Festival Official Artwork by Orlando Quevedo
JINCBF_221202_13.JPG: About the National Cherry Blossom Festival
LEGACY_221202_001.JPG: (Source page: 2022_12_02B8_Corc_Legacy)
LEGACY_221202_006.JPG: Legacy: 50 Years Dance on the Edge
LEGACY_221202_042.JPG: Maida Withers
NIGHTS_221202_001_STITCH.JPG: (Source page: 2022_12_02E_Nightsiren)
NIGHTS_221202_027.JPG: Natalia Germani, Tereza Nvotová
NIGHTS_221202_039.JPG: Abbie Algar (AFI)
NIGHTS_221202_042.JPG: Radovan Javorčík, the Ambassador Extraordinary and Plenipotentiary of the Slovak Republic to the United States of America, and Michelle Joanne Javorčíková
NIGHTS_221202_061.JPG: Javier Chavez (AFI), Tereza Nvotová, Natalia Germani
NIGHTS_221202_091.JPG: Tereza Nvotová
NIGHTS_221202_101.JPG: Natalia Germani
NIGHTS_221202_561.JPG: Natalia Germani, Ambassador Radovan Javorčík, Tereza Nvotová, Michelle Joanne Javorčíková
NIGHTS_221202_583.JPG: Natalia Germani, Tereza Nvotová
RENEW_221202_001.JPG: (Source page: 2022_12_02B6_Corc_Renewal)
RENEW_221202_008.JPG: Kanika Sircar Elegy for a Coral Reef, 2021
RENEW_221202_011.JPG: Jayne Shatz Rising from the Sea, 2021
RENEW_221202_016.JPG: Lexi Arrietta Reliquary/Relinquish, 2021
RENEW_221202_021.JPG: Pat Alexander Out of Range, 2022
RENEW_221202_026.JPG: C.l. bigelow quiet orb, 2022
RENEW_221202_030.JPG: George Lorio Split, 2021
RENEW_221202_035.JPG: Lisa Rosenstein Inner Light, 2020/2022
RENEW_221202_040.JPG: Patte Ormsby Land Sea Sky, 2019
RENEW_221202_044.JPG: Marilyn Geldzahler Rebuilding, 2022
RENEW_221202_057.JPG: Sally Canzoneri Architecture of Water; DC Water Headquarters, 2022
RENEW_221202_062.JPG: Maggie Gourlay Growth Rings Installation, 2021
RENEW_221202_069.JPG: Patte Ormsby Our Lady of Guadalupe & Her Pal Juan Diego, 2022
RENEW_221202_075.JPG: Natalie Abrams Untitled 12.20.2012
RENEW_221202_081.JPG: Natalie Abrams Untitled 12.23.2012
RENEW_221202_086.JPG: Robert Stackhouse Ghost Dance, 1974 Ghost Dance – a nearly five-foot-tall, semicircular, vertical structure made of consecutive slats of recycled, industrial-grade wood – marks the focal point of Renewal. On the adjacent wall, a display of Stackhouse’s watercolor renderings of the sculpture and detailed instructions for its original construction in 1974 accompany the structure. Stackhouse first unveiled Ghost Dance nearly 40 years ago, drawing inspiration from the 19th-century Native American movement among the Nevada Northern Paiute to restore ownership of their land and way of life. Stackhouse and his wife, Carol Mickett, who are artistic collaborators, unveiled the opening of their exhibit with a reception and a lecture last week titled “Where we’ve been, where we are, where we’re going.” Babette Pendleton, Corcoran’s exhibition and programming associate, said the slogan encapsulates the exhibition, which centers around the restoration of the work of art. The sculpture explores themes of renewal, rebirth and sustainability through its use of recycled materials and now through its rebirth as part of a new exhibition. The spiritual movement of Ghost Dance emerged after European settlers brought a period of devastating disease to the Paiute people in Nevada who wished to cleanse their land of the European settlers and sustain its natural beauty. Pendleton said after sitting in the gallery’s storage for over a decade, Ghost Dance was in need of restoration. Visible disrepair on the wood and metal screws left Stackhouse and Mickett to decide between modernizing the construction or maintaining its original appearance, Stackhouse said. The above was from https://www.gwhatchet.com/2022/09/19/art-preview-corcoran-unveils-exhibits-featuring-sculpture-immersive-projection-this-month/
RENEW_221202_087.JPG: Robert Stackhouse Facsimile of Instructions for "Ghost Dance", 1974
RENEW_221202_093.JPG: Robert Stackhouse Facsimile of Drawing of Ghost Dance, 1974
RENEW_221202_101.JPG: The Corcoran Gallery of Art was established in 1869 and expanded in 1880 to include the Corcoran College of Art and Design. In 2014, the Corcoran transferred the college and gallery building to the George Washington University and distributed the works from its Collection to museums and institutions in Washington, DC.
RENEW_221202_105.JPG: Gayle Friedman Adventure Jumbo, 2020
RENEW_221202_110.JPG: Keith Krueger Check My Brain, 2021
RENEW_221202_113.JPG: Jennifer Noda Almost Midnight, 2022
RENEW_221202_125.JPG: Mike Shaffer Too Tall Tower Ten, 2021
RENEW_221202_130.JPG: Dan Hildt Everything, Everywhere (Tout Partout), 2022
RENEW_221202_138.JPG: Caroline MacKinnon Pebbles: Lost in Time, 2022
RENEW_221202_148.JPG: Michelle Marcuse The remaining rumors live here, 2022
RENEW_221202_162.JPG: Sharon Pierce McCullough Scattered Thoughts, 2021
RENEW_221202_167.JPG: Chee Keong Kung Slow Light VIII, 2020
RENEW_221202_170.JPG: Chee Keong Kung Slow Light IX, 2020
RENEW_221202_174.JPG: Barbara Januszkiewicz Fire, Inspired by Jimi Hendrix, 2022
REPAR_221202_01.JPG: Over 7,000 indigenous people were killed and forced to leave from where you are standing. For indigenous people only... (Source page: 2022_12_02B5_Corc_Reparations)
REPAR_221202_04.JPG: For Indigenous People Only Encountering the Other: Indigenous Reparations, Rematriation, & Reconciliation Survey rematriation English Etymology -- Based on repatriation. Noun rematriation (uncountable): A return to a spiritual way of life with respect for Mother Earth.
REPAR_221202_11.JPG: For Black People Only Encountering the Other: Black Reparations, Rematriation, & Reconciliation Survey
REPAR_221202_17.JPG: More than 60,000 Black people have been economically displaced out of Washington DC as a result of Gentrification
REPAR_221202_20.JPG: More than 10,000 Latin people seeking asylum have been forcibly bussed to Washington DC by US governors
REPAR_221202_24.JPG: Don't forget the Genocide
REPAR_221202_30.JPG: Pay Black People
REPAR_221202_34.JPG: For South Asian People Only Encountering the Other: South Asian Reparations, Rematriation, & Reconciliation Survey
REPAR_221202_38.JPG: For Latin People Only Encountering the Other: Latin Reparations, Rematriation, & Reconciliation Survey
SENSES_221202_01.JPG: View Into the Senses (Source page: 2022_12_02B7_Corc_Senses)
SENSES_221202_05.JPG: Clark V. Fox Classic Windows: Washington I, 1982
SENSES_221202_15.JPG: Larry Zox Green Composition, 1980
SENSES_221202_19.JPG: Malcolm Morley Arles/Miami, 1973
SENSES_221202_21.JPG: Kawanishi Hide The Pond, 1957
SENSES_221202_26.JPG: Edgardo Frabceschi Untitled, 1967
SENSES_221202_30.JPG: Paul Reed Thule, 1971
SENSES_221202_35.JPG: Clark V. Fox Los Angeles Windows, 1983
SENSES_221202_39.JPG: Victor Vasarely Tau Ceti, 1967
SENSES_221202_44.JPG: Julian Stanczak Stratified, 1979
SENSES_221202_48.JPG: Victor Vasarely Jerusalem of Gold (Psalm XIX:2), 1984
SENSES_221202_54.JPG: Kawanishi Hide The Pond, 1957
TPCDEN_221202_003.JPG: (Source page: 2022_12_02D_TPC_De_Nittis)
TPCDEN_221202_008.JPG: Approaching Storm ca 1869
TPCDEN_221202_022.JPG: An Italian Impressionist in Paris: Giuseppe De Nittis
TPCDEN_221202_028.JPG: Farmhouse near Naples 1866
TPCDEN_221202_037.JPG: Crossing the Apennines -- Memory 1867
TPCDEN_221202_046.JPG: The Train Passes 1869
TPCDEN_221202_060.JPG: Approaching Storm ca 1869
TPCDEN_221202_065.JPG: Gulf of Naples -- Sunny Reflections ca 1872
TPCDEN_221202_070.JPG: Gulf of Naples -- Sunny Reflections ca 1872
TPCDEN_221202_076.JPG: Landscape Under the Sun 1872
TPCDEN_221202_083.JPG: Caillebotte and De Nettis: A Fruitful Friendship
TPCDEN_221202_088.JPG: The Road from Naples to Brindisi 1872
TPCDEN_221202_093.JPG: Gustave Caillebotte A Road in Naples, ca 1872-75
TPCDEN_221202_096.JPG: Country Road -- Along the Ofanto ca 1874-75
TPCDEN_221202_110.JPG: Mountainous Site, Italy (Torre Annunziata) 1872
TPCDEN_221202_115.JPG: Giorgio Sommer Naples, Eruption of Vesuvius, April 26, 1872
TPCDEN_221202_124.JPG: Eruption of Vesuvius (Study) 1872
TPCDEN_221202_129.JPG: Eruption of Vesuvius 1872
TPCDEN_221202_140.JPG: Vesevius Eruption 1872
TPCDEN_221202_147.JPG: Mount Vesuvius Erupts Violently on April 26, 1872
TPCDEN_221202_154.JPG: Vine Leaves ca 1880-83
TPCDEN_221202_159.JPG: Still Life 1880
TPCDEN_221202_165.JPG: Capricious Nocturnal ca 1880-83
TPCDEN_221202_170.JPG: Figure of a Woman (Leontine) 1880
TPCDEN_221202_179.JPG: Edouard Manet Portrait of a Lady, ca 1879
TPCDEN_221202_188.JPG: Go Deeper Through Empathy Experience works of art through the perspective of other people.
TPCDEN_221202_190.JPG: Personal Choices Create a collection and add it to the gallery
TPCDEN_221202_195.JPG: Share Your Haiku How would you use your words to bring a work of art to life?
TPCDEN_221202_198.JPG: I will never forgive My gaze only looks ahead The wound in too deep
TPCDEN_221202_201.JPG: God bless the artist Ashamed of his own nature Unwilling to paint
TPCDEN_221202_203.JPG: Words Written by: "Nude from the Back" Look away from me Perfect skin is made of paint I could not compare
TPCDEN_221202_206.JPG: A Day at the Races Reminds me of Groucho Marx He takes Me Places
TPCDEN_221202_213.JPG: Between the Screens ca 1879
TPCDEN_221202_219.JPG: The Modern Woman Fashion and Japonisme
TPCDEN_221202_224.JPG: Snow Effect ca 1880
TPCDEN_221202_231.JPG: Nude from the Back 1879/1880
TPCDEN_221202_239.JPG: Under the Viaduct ca 1875
TPCDEN_221202_247.JPG: Clouds on Westminster (Study) 1878
TPCDEN_221202_251.JPG: Westminster Bridge (Study) 1878
TPCDEN_221202_259.JPG: The New Conception of Urban Space -- Paris and London
TPCDEN_221202_262.JPG: The Bridge ca 1876
TPCDEN_221202_270.JPG: The National Gallery and the Church of St. Martin-in-the-Fields (London) 1878
TPCDEN_221202_278.JPG: Edgar Degas Woman Viewed from Behind (Visit to a Museum), ca 1879-85
TPCDEN_221202_286.JPG: Pearl and Shell ca 1879
TPCDEN_221202_296.JPG: Degas and De Nittis A Friendship
TPCDEN_221202_299.JPG: Edgar Degas Portrait of Mme De Nittis, ca 1872
TPCDEN_221202_308.JPG: The Resilience of Paris after the Franco-Prussian War
TPCDEN_221202_311.JPG: The Place de Carrousel: The Ruins of the Tuileries in 1882 1882
TPCDEN_221202_324.JPG: The Place de Pyramides 1875
TPCDEN_221202_341.JPG: The Place des Pyramides (Study) 1875-76
TPCDEN_221202_346.JPG: Parisiennes in the Place de la Concorde ca 1875
TPCDEN_221202_355.JPG: The Parfumerie Violet -- Corner of Boulevard des Capucines and Rue Scribe ca 1880
TPCDEN_221202_364.JPG: The Place de la Madeleine, Paris ca 1877
TPCDEN_221202_371.JPG: The Arc de Triomphe, Paris ca 1876
TPCDEN_221202_383.JPG: The Construction of the Trocadero in 1876 ca 1876
TPCDEN_221202_393.JPG: The Bourgeoisie at the Races in Paris and London
TPCDEN_221202_396.JPG: Edgar Degas Racehorses at Longchamp, 1871, possibly reworked in 1874
TPCDEN_221202_403.JPG: Edouard Manet At the Races, ca 1875
TPCDEN_221202_410.JPG: Edouard Manet The Races at Londchamg, 1866
TPCDEN_221202_417.JPG: Edgar Degas At the Races: The Start, ca 1860-62
TPCDEN_221202_425.JPG: The Races at Auteuil -- Next to the Stove 1880-81
TPCDEN_221202_432.JPG: The Races at Longchamp (Completed Study) 1883
TPCDEN_221202_438.JPG: Return from the Races ca 1875
TPCDEN_221202_446.JPG: The Races at Auteuil, Paris -- On the Chair ca 1883
TPCDEN_221202_457.JPG: Flirtation, Hyde Park (Flirting Next to the Track) ca 1874
TPCDEN_221202_467.JPG: Return from the Races 1875
TPCDEN_221202_486.JPG: A Special Evening, February 20, 1875
TPCDEN_221202_489.JPG: Printmaking as Personal Artistic Expression and as Reproduction
TPCDEN_221202_491.JPG: Printmaking as Personal Artistic Expression and as Reproduction
TPCDEN_221202_495.JPG: The Place des Pyramides, Paris ca 1883
TPCDEN_221202_501.JPG: Marcellin-Gilbert Desboutin Degas, 1876
TPCDEN_221202_504.JPG: Edgar Degas Alphonse Hirsch
TPCDEN_221202_515.JPG: Portrait of Edgar Degas (right facing) February 20, 1875
TPCDEN_221202_518.JPG: Portrait of Edgar Degas (left facing) February 20, 1875
TPCDEN_221202_525.JPG: View Taken in London ca 1876
TPCDEN_221202_530.JPG: The Dancer Holoke-GO-Zen 1873
TPCDEN_221202_533.JPG: Elegant Young Woman Seen from Behind ca 1875
TPCDEN_221202_540.JPG: Trees ca 1879/1880
TPCDEN_221202_546.JPG: Edgar Degas The Road, ca 1878/1880
TPCDEN_221202_556.JPG: Leisure in the City and the Suburbs
TPCDEN_221202_559.JPG: Next to the Pond in the Luxembourg Gardens, Paris 1875
TPCDEN_221202_569.JPG: Suzanne and Madeleine Boussod in the Garden ca 1874
TPCDEN_221202_576.JPG: Edouard Manet In the Garden, 1870
TPCDEN_221202_583.JPG: In the Wheat Field 1873
TPCDEN_221202_594.JPG: Winter Walk 1879
TPCDEN_221202_603.JPG: Leontine in a Boat 1874
TPCDEN_221202_619.JPG: Leontine Skating ca 1875
TPCDEN_221202_626.JPG: De Nittis's Last Works -- Interiors and Plein-Air Scenes
TPCDEN_221202_629.JPG: Trains Passing 1884
TPCDEN_221202_637.JPG: Field of Wheat Sheaves ca 1880
TPCDEN_221202_646.JPG: In the Hammock II 1884
TPCDEN_221202_653.JPG: Spring ca 1879
TPCDEN_221202_662.JPG: Breakfast in the Garden 1884
TPCDEN_221202_672.JPG: Princess Mathilde Bonaparte
TPCDEN_221202_676.JPG: The Salon of Princess Mathilde 1883
TPCDEN_221202_690.JPG: In Fashionable Society 1883
TRAN20_221202_001.JPG: Ryoto Unno A ship groping through the dark, 2022 (Source page: 2022_12_02B3_Corc_Transformer20)
TRAN20_221202_019.JPG: Martha Wilson I'm Going to Die, 2014
TRAN20_221202_024.JPG: Jenny Walton Radiance, 2022
TRAN20_221202_030.JPG: Naoko Wowsugi new moon, 2022
TRAN20_221202_034.JPG: Antonia Tricarico Me, My Eyes, and I series 03, 2014
TRAN20_221202_039.JPG: Kelly Towles The Observer, 2022
TRAN20_221202_044.JPG: Lisa Marie Thalhammer LOVE in Rainbow Glow, 2022
TRAN20_221202_049.JPG: Scott Szegeski koji scales, 2022
TRAN20_221202_053.JPG: Tang Untitled, 2022
TRAN20_221202_057.JPG: Banner Sale Troubled Magic All I see is a stranger, 2021
TRAN20_221202_068.JPG: Hannah Spector midnight language, 2022
TRAN20_221202_072.JPG: Christine Buckton Tillman bunting and betty cooke, 2020
TRAN20_221202_077.JPG: Zach Storm Swell, 2022
TRAN20_221202_083.JPG: Jay Stuckey Ship, 2020
TRAN20_221202_100.JPG: Molly Springfield On Being Ill, 2022
TRAN20_221202_108.JPG: Farrah Skeiky Club Angel, 2021
TRAN20_221202_113.JPG: Johab Silva Orange and Yellow Flowers: After Ellsworth Kelly, 2022
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TRAN20_221202_189.JPG: 2013
TRAN20_221202_195.JPG: 2014
TRAN20_221202_197.JPG: 2015
TRAN20_221202_201.JPG: 2016
TRAN20_221202_202.JPG: 2017
TRAN20_221202_205.JPG: 2018
TRAN20_221202_208.JPG: 2019
TRAN20_221202_211.JPG: 2020
TRAN20_221202_214.JPG: 2021
TRAN20_221202_220.JPG: 2022
TRAN20_221202_227.JPG: Siren Arts
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User comment: @ IS DEAD" VANITAS, 2022