BGuthrie Photos: DC -- Donald W. Reynolds Center -- Building

BGuthrie Photos: DC -- Donald W. Reynolds Center -- Building DC -- Donald W. Reynolds Center -- Building:

Bruce Guthrie Photos Home Page: [Click here] to go to Bruce Guthrie Photos home page.

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Copyrights: All pictures were taken by amateur photographer Bruce Guthrie (me!) who retains copyright on them. Free for non-commercial use with attribution. See the [Creative Commons] definition of what this means. "Photos (c) Bruce Guthrie" is fine for attribution. (Commercial use folks including AI scrapers can of course contact me.) Feel free to use in publications and pages with attribution but you don't have permission to sell the photos themselves. A free copy of any printed publication using any photographs is requested. Descriptive text, if any, is from a mixture of sources, quite frequently from signs at the location or from official web sites; copyrights, if any, are retained by their original owners.

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Specific picture descriptions: Photos above with "i" icons next to the bracketed sequence numbers (e.g. "[1] ") are described as follows:
1. SIPGBU_231021_02.JPG: I never thought about it but these are skylights. You walk over them as you walk around the contemporary art section on the third floor.
2. SIPGBU_230721_10.JPG: Brent Glass @ Donald Reynolds Center. He said he would be traveling to Vietnam a week later to help with an exhibit at their military museum. Brent Glass From Wikipedia, the free encyclopedia Brent D. Glass is a public historian who pioneered influential oral history and material culture studies and was Elizabeth MacMillan Director of the Smithsonian's National Museum of American History from 2002-2011. He is an author and international speaker on cultural diplomacy and museum management. He writes on topics ranging from state-of-the-museum blogs to public memory, historic literacy, historic preservation, and industrial history.
3. SIPGBU_230405_04.JPG: The following pictures are from the page 2023_DC_SIPG_Bldg DC -- Donald W. Reynolds Center -- Building (8 photos from 2023)
4. SIPGBU_220706_21.JPG: Flags half-staff again, this time in Honor of Victims of Shooting in Highland Park, IL
5. SIPGBU_220703_01.JPG: The following pictures are from the page 2022_DC_SIPG_Bldg DC -- Donald W. Reynolds Center -- Building (8 photos from 2022)
6. SIPGBU_220703_16.JPG: Welcome to the Creative Content Center, where visitors of all ages can explore and create portraiture.
7. SIPGBU_210829_01.JPG: Open Wed. - Sun. 11:30am - 7:00pm Free Closed December 25
8. SIPGBU_210820_03.JPG: In-person staffing of the information booth. She said she was a paid Smithsonian employee but worked for the Air and Space Museum, not the Donald Reynolds Center.
9. SIPGBU_210820_06.JPG: The public storage lockers have been closed since the pandemic started.
10. SIPGBU_210820_09.JPG: No paper fliers because of COVID-19.
11. SIPGBU_210728_04.JPG: Remote assistance is provided.
12. SIPGBU_210728_15.JPG: Wear a face covering if you are not fully vaccinated for COVID-19. [The Smithsonian stopped requiring masks for fully vaccinated people on June 28. It reversed course due to CDC guidance in the light of the delta variant on July 30.]
13. SIPGBU_210723_04.JPG: This entrance is temporarily closed. Please enter at 8th and G Streets. Open Wednesday through Sunday 11:30am - 7pm
14. SIPGBU_210723_12.JPG: Staffing the information desk during COVID was sometimes problematic.
15. SIPGBU_210514_08.JPG: On-site docents were still not available and staff provided visitor assistance from their homes.
16. SIPGBU_210514_10.JPG: Open Wed. - Sun. 11:30am - 7:00pm Free Closed December 25 Most museums weren't replacing their permanent "Museum hours" signs -- they were just using sandwich boards to announce their current schedule. But the Donald Reynolds Center had replaced their sign.
17. SIPGBU_210327_01.JPG: The following pictures are from the page 2021_DC_SIPG_Bldg DC -- Donald W. Reynolds Center -- Building (18 photos from 2021)
  The Chinese Hackberry Tree Witnessing a Century of Change This tree has seen many changes. Planted around 1905 on the grounds of what was then the U.S. Patent Office Building, it has slowly grown as the city has developed and transformed around it. A rare, large, local specimen of a Chinese hackberry (Celtis sinensis), it has witnessed the relocation of Chinatown from its original site on Pennsylvania Avenue; rioting, looting, and burning during the 1968 riots; the opening of the Smithsonian's National Portrait Gallery and American Art Museum; the rise of Chinatown as a major entertainment and sports destination; and many other momentous events in the history of our nation's capital. About the Chinese Hackberry The Chinese hackberry (Celtis sinensis) is native to China, Korea, and Japan, where it is often found on forested slopes. It is a member of the hemp family (Cannabaceae), along with marijuana and hops. About Smithsonian Gardens Smithsonian Gardens is a vital and vibrant part of the Smithsonian Institution and an American Alliance of Museums–accredited museum. Our gardens are outdoor gallery spaces that extend the Smithsonian's museum experience in a public garden setting. A Living Collection This tree is one of nearly 2,000 specimens that form the Smithsonian Gardens Tree Collection, located throughout Smithsonian museum grounds and gardens. "One of the prettiest shade trees in Japan, suitable for avenues or private gardens, parks, etc. . . . It should be tried in the Southwest as a shade tree." -- David Fairchild, Agricultural Explorer, U.S. Department of Agriculture, 1903 Washington, D.C. in 1905 * Teddy Roosevelt was president. * D.C. had a population of around 300,000 people (compared to around 700,000 people in 2019). * Automobiles had only been on the streets for a few years. * Much of the city was still lit by gas lamps. * Many commuters got around by streetcar. ca. 1910 The U.S. Patent Office Building, built in 1836, was one of the first federal buildings in Washington, D.C. The Chinese hackberry is pictured on the left. ca. 1920 The building served as the U.S. Patent Office until 1932. The Chinese hackberry is pictured at center. ca. 1971 The Smithsonian acquired the former Patent Office Building in 1962. After extensive interior renovation, the National Portrait Gallery and the Smithsonian American Art Museum opened to the public in 1968. The Chinese hackberry is pictured at center. Today At more than 115 years old, the Chinese hackberry remains healthy and strong, with a trunk diameter of nearly four feet. Who knows what it will witness in years to come? Left: Looking west down F Street from the Patent Office Building, circa 1909, showing gas lamps and streetcars.
18. SIPGBU_201015_01.JPG: During Covid, guest services workers operated remotely to answer your questions.
19. SIPGBU_200918_09.JPG: Timed-entry passes are required for entry Reserve your passes online or visit www.si.edu/tickets
20. SIPGBU_200918_12.JPG: Line Starts Here 2 people permitted at a time OR Limit to one household or group at a time
21. SIPGB4_200826_003.JPG: The following pictures are from the page 2020_DC_SIPG_4Ward DC -- Donald W. Reynolds Center -- Forward Into Light (15 photos from 2020)
22. SIPGBU_200314_01.JPG: All of the museums were closed as the Covid-19 crisis spread to the capitol.
23. SIPGBU_200314_06.JPG: Temporary Closure Effective March 14, the Smithsonian museums in Washington, DC, including the National Zoo, and in New York City, have temporarily closed to support the effort to contain the spread of COVID-19. The Smithsonian's priority is to protect the safety and health of its staff, volunteers, and visitors. Please visit si.edu for updates on our operating status.
24. SIPGBU_200214_01.JPG: The following pictures are from the page 2020_DC_SIPG_Bldg DC -- Donald W. Reynolds Center -- Building (13 photos from 2020)
  Roy Lichtenstein Modern Head, 1990 painted stainless steel
25. SIPGBU_191017_14.JPG: During the building's renovation in the early 2000s, workers uncovered this room's ornate ceiling. It is believed that the paint dates from the 1880s.
26. SIPGBU_190730_07.JPG: The Great Hall: Once the largest room in America, the Great Hall was originally conceived to display miniature models required of inventors when the building housed the United States Patent Office. The space also served as the first national museum, and it was here that the Declaration of Independence was publicly displayed between 1841 and 1871. The guests at Abraham Lincoln's second inaugural ball passed through this room to join the receiving line in what is now called the Lincoln Gallery. Following a disastrous fire in 1877, which severely damaged other portraits of the third floor of the building, this area was redone in the American Victorian Renaissance style to which it has now been restored.
27. SIPGBU_190730_14.JPG: Robert Fulton From Wikipedia, the free encyclopedia Robert Fulton (November 14, 1765 – February 25, 1815) was an American engineer and inventor who is widely credited with developing a commercially successful steamboat; the first was called North River Steamboat (later Clermont). In 1807 that steamboat traveled on the Hudson River with passengers, from New York City to Albany and back again, a round trip of 300 miles (480 km), in 62 hours. The success of his steamboat changed river traffic and trade on major American rivers. In 1800, Fulton had been commissioned by Napoleon Bonaparte, leader of France, to attempt to design a submarine; he produced Nautilus, the first practical submarine in history. Fulton is also credited with inventing some of the world's earliest naval torpedoes for use by the British Royal Navy. Fulton became interested in steam engines and the idea of steamboats in 1777 when he was around age 12 and visited state delegate William Henry of Lancaster, Pennsylvania, who was interested in this topic. Henry had learned about inventor James Watt and his Watt steam engine on an earlier visit to England.
28. SIPGBU_190730_17.JPG: Benjamin Franklin From Wikipedia, the free encyclopedia Benjamin Franklin FRS FRSA FRSE (January 17, 1706 [O.S. January 6, 1705] – April 17, 1790) was an American polymath and one of the Founding Fathers of the United States. Franklin was a leading writer, printer, political philosopher, politician, Freemason, postmaster, scientist, inventor, humorist, civic activist, statesman, and diplomat. As a scientist, he was a major figure in the American Enlightenment and the history of physics for his discoveries and theories regarding electricity. As an inventor, he is known for the lightning rod, bifocals, and the Franklin stove, among other inventions. He founded many civic organizations, including the Library Company, Philadelphia's first fire department and the University of Pennsylvania. Franklin earned the title of "The First American" for his early and indefatigable campaigning for colonial unity, initially as an author and spokesman in London for several colonies. As the first United States Ambassador to France, he exemplified the emerging American nation. Franklin was foundational in defining the American ethos as a marriage of the practical values of thrift, hard work, education, community spirit, self-governing institutions, and opposition to authoritarianism both political and religious, with the scientific and tolerant values of the Enlightenment. In the words of historian Henry Steele Commager, "In a Franklin could be merged the virtues of Puritanism without its defects, the illumination of the Enlightenment without its heat." To Walter Isaacson, this makes Franklin "the most accomplished American of his age and the most influential in inventing the type of society America would become." Franklin became a successful newspaper editor and printer in Philadelphia, the leading city in the colonies, publishing the Pennsylvania Gazette at the age of 23. He became wealthy publishing this and Poor Richard's Almanack, which he authored under the pseudonym "Richard Saunders". After 1767, he was associated with the Pennsylvania Chronicle, a newspaper that was known for its revolutionary sentiments and criticisms of British policies. He pioneered and was the first president of Academy and College of Philadelphia which opened in 1751 and later became the University of Pennsylvania. He organized and was the first secretary of the American Philosophical Society and was elected president in 1769. Franklin became a national hero in America as an agent for several colonies when he spearheaded an effort in London to have the Parliament of Great Britain repeal the unpopular Stamp Act. An accomplished diplomat, he was widely admired among the French as American minister to Paris and was a major figure in the development of positive Franco-American relations. His efforts proved vital for the American Revolution in securing shipments of crucial munitions from France. He was promoted to deputy postmaster-general for the British colonies in 1753, having been Philadelphia postmaster for many years, and this enabled him to set up the first national communications network. During the revolution, he became the first United States Postmaster General. He was active in community affairs and colonial and state politics, as well as national and international affairs. From 1785 to 1788, he served as governor of Pennsylvania. He initially owned and dealt in slaves but, by the late 1750s, he began arguing against slavery and became an abolitionist. His life and legacy of scientific and political achievement, and his status as one of America's most influential Founding Fathers, have seen Franklin honored more than two centuries after his death on coinage and the $100 bill, warships, and the names of many towns, counties, educational institutions, and corporations, as well as countless cultural references.
29. SIPGBU_190730_24.JPG: Eli Whitney From Wikipedia, the free encyclopedia Eli Whitney (December 8, 1765 – January 8, 1825) was an American inventor best known for inventing the cotton gin. This was one of the key inventions of the Industrial Revolution and shaped the economy of the Antebellum South. Whitney's invention made upland short cotton into a profitable crop, which strengthened the economic foundation of slavery in the United States. Despite the social and economic impact of his invention, Whitney lost many profits in legal battles over patent infringement for the cotton gin. Thereafter, he turned his attention into securing contracts with the government in the manufacture of muskets for the newly formed United States Army. He continued making arms and inventing until his death in 1825.
30. SIPGBU_190730_62.JPG: New information desk!
31. SIPGBU_190707_01.JPG: Where Pollinators Meet Plants Urban Habitat This meadow garden features a variety of perennials, grasses, and shrubs. This variety provides multi-seasonal interest as well as habitat for birds, small mammals, insects, bees, and other pollinators. The use of greenspace like this in urban environments helps to cool cities, filter pollution, lower noise, and improve well-being.
32. SIPGBU_190622_06.JPG: Luis Jim�nez Vaquero, modeled 1980/cast 1990 acrylic urethane, fiberglass, steel armature
33. SIPGBU_190118_02.JPG: The following pictures are from the page 2019_DC_SIPG_Bldg DC -- Donald W. Reynolds Center -- Building (37 photos from 2019)
  All Smithsonian museums and the National Zoo are closed today due to the government shutdown. We apologize for the inconvenience. Smithsonian
34. SIPGBU_190118_32.JPG: They're trying to repair the fence.
35. SIPGBU_190118_41.JPG: I wasn't sure why there was a catering truck parked in the museum's lot. Staff later said there were no events that were allowed to occur during the shutdown so the caterers wouldn't have a role.
36. SIPGBU_181211_01.JPG: During the building's renovation in the early 2000s, workers uncovered this room's ornate ceiling. It is believed that the paint dates from the 1880s.
37. SIPGVM_181201_008.JPG: They're reinstalling this piece: Luis Jim�nez Vaquero, modeled 1980/cast 1990 acrylic urethane, fiberglass, steel armature
38. SIPGVM_181201_170.JPG: Luis Jim�nez Vaquero, modeled 1980/cast 1990 acrylic urethane, fiberglass, steel armature
39. SIPGVM_181130_04.JPG: They're working on refurbishing this piece: Luis Jim�nez Vaquero, modeled 1980/cast 1990 acrylic urethane, fiberglass, steel armature
40. SIPGVM_181130_14.JPG: They've removed this piece: Alexander Calder Tableau Noir (The Blackboard), 1970
41. SIPGVM_181129_01.JPG: The following pictures are from the page 2018_DC_SIPG_Vaquero_Move DC -- Donald W. Reynolds Center -- Building -- Vaquero statue reinstall (33 photos from 2018)
42. SIPGBU_180327_01.JPG: I hadn't noticed that the fence had apparently been hit
43. SIPGBU_180327_04.JPG: Here's a normal part of the fence
44. SIPGBU_180327_09.JPG: But this one has been pushed back and separated
45. SIPGBU_180130_02.JPG: The following pictures are from the page 2018_DC_SIPG_Bldg DC -- Donald W. Reynolds Center -- Building (15 photos from 2018)
  Alexander Calder Tableau Noir (The Blackboard), 1970
46. SIPGBU_171207_01.JPG: Jonathan Borofsky Man with a Briefcase, 1987-88
47. SIPGBU_170502_01.JPG: Jonathan Borofsky Man with a Briefcase, 1987-88
48. SIPGBU_170502_04.JPG: Jonathan Borofsky Man with a Briefcase, 1987-88 Jonathan Borofsky's monumental silhouette of a man carrying a briefcase portrays an urban Everyman. The artist was inspired in 1979 by a newspaper advertisement for men's suits and subsequently made this archetypal office worker a recurring theme in his work. The number on the figure's leg, "3277542," reflects the artist's habit of "signing" his pieces with a number from a continuous sequence.
49. SIPGBU_170502_21.JPG: Pardon our appearance while we prepare the site for a Jonathan Borofsky installation.
50. SIPGBU_170502_30.JPG: Vaquero modeled 1980/cast 1990 Luis Jimenez Luis Jimenez began making monumental sculptures in the midst of the Latino civil rights movement. He dedicated himself to contemporary subjects that represented a racially diverse and working class America. Vaquero, which means cowboy in Spanish, is one of his most celebrated works. Jimenez's Vaquero depicts an anonymous Mexican American cowboy in colorful and glossy fiberglass, a material often associated with low riders and hot rods. Jimenez intentionally titled his sculpture Vaquero to emphasize the Spanish and Mexican roots of this classic American icon. "Spaniards brought cattle and horses [to North America]," the artist once stated, "and Mexicans developed the whole notion of being cowboys." The artist thought it was especially fitting that Vaquero came to permanently reside in the nation's capital, a city known for its abundant equestrian public sculpture.
51. SIPGBU_170125_03.JPG: The following pictures are from the page 2017_DC_SIPG_Bldg DC -- Donald W. Reynolds Center -- Building (12 photos from 2017)
  Roy Lichtenstein Modern Head, 1990 painted stainless steel
52. SIPGBU_161210_013.JPG: Luis Jim�nez Vaquero, modeled 1980/cast 1990 acrylic urethane, fiberglass, steel armature
53. SIPGBU_161210_023.JPG: Jonathan Borofsky Man with a Briefcase, 1987-88
54. SIPGBU_161210_072.JPG: Vaquero modeled 1980/cast 1990 Luis Jimenez Luis Jimenez began making monumental sculptures in the midst of the Latino civil rights movement. He dedicated himself to contemporary subjects that represented a racially diverse and working class America. Vaquero, which means cowboy in Spanish, is one of his most celebrated works. Jimenez's Vaquero depicts an anonymous Mexican American cowboy in colorful and glossy fiberglass, a material often associated with low riders and hot rods. Jimenez intentionally titled his sculpture Vaquero to emphasize the Spanish and Mexican roots of this classic American icon. "Spaniards brought cattle and horses [to North America]," the artist once stated, "and Mexicans developed the whole notion of being cowboys." The artist thought it was especially fitting that Vaquero came to permanently reside in the nation's capital, a city known for its abundant equestrian public sculpture.
55. SIPGBU_161210_111.JPG: Roy Lichtenstein Modern Head, 1990 painted stainless steel
56. SIPGBU_161103_03.JPG: Jonathan Borofsky Man with a Briefcase, 1987-88
57. SIPGBU_160911_11.JPG: Jonathan Borofsky Man with a Briefcase, 1987-88
58. SIPGBU_160818_18.JPG: Roy Lichtenstein Modern Head, 1990 painted stainless steel
59. SIPGBU_160606_19.JPG: This open lawn where a new SAAM piece would be installed in a bit
60. SIPGBU_160516_01.JPG: Roy Lichtenstein Modern Head, 1990 painted stainless steel
61. SIPGBU_160516_54.JPG: It's better without the bird poop
62. SIPGBU_160516_65.JPG: The moon through the eye of Roy Lichtenstein's "Modern Head" piece outside of the Donald Reynolds Center. The piece was originally installed at the World Trade Center in New York and survived the 9/11 attacks with only minor damage.
63. SIPGBU_160331_01.JPG: Marion B. Dunlevy on reproduction of Great Hall medallions In 1829, Anne Newport Royall was convicted as a "common scold" in Washington, DC, after exposing government corruption in her political writing. This term refers to a gender-based misdemeanor offense historically used to silence "outspoken" women. Surprisingly, not until 1972 was the first American woman -- Marion B. Dunlevy of New Jersey -- exonerated of that same indictment. Dunlevy's case was part of a neighborhood dispute. The medallion hanging above recognizes her fight to protect free speech for all women. It was placed here as part of The Mouth of the Scold, J.J. McCracken's performance about gender and speech in the Portrait Gallery's series "IDENTIFY: Performance Art as Portraiture." J.J. McCracken Gypsum cement and paint on foam, 2016 Courtesy CONNERSMITH
64. SIPGBU_160331_05.JPG: Franklin
65. SIPGBU_160331_23.JPG: Fulton
66. SIPGBU_160331_49.JPG: Whitney
67. SIPGBU_160331_51.JPG: Jefferson
68. SIPGBU_160331_69.JPG: The Great Hall: Once the largest room in America, the Great Hall was originally conceived to display miniature models required of inventors when the building housed the United States Patent Office. The space also served as the first national museum, and it was here that the Declaration of Independence was publicly displayed between 1841 and 1871. The guests at Abraham Lincoln's second inaugural ball passed through this room to join the receiving line in what is now called the Lincoln Gallery. Following a disastrous fire in 1877, which severely damaged other portraits of the third floor of the building, this area was redone in the American Victorian Renaissance style to which it has now been restored.
69. SIPGBU_160121_005.JPG: The following pictures are from the page 2016_DC_SIPG_Bldg DC -- Donald W. Reynolds Center -- Building (79 photos from 2016)
70. SIPGBU_160121_031.JPG: Alexander Calder Tableau Noir (The Blackboard), 1970
71. SIPGBU_160121_038.JPG: The calm before the storm. Mostly full moon outside the Donald Reynolds Center on Thursday night before the snow hit DC.
72. SIPGBU_160121_044.JPG: Alexander Calder Tableau Noir (The Blackboard), 1970
73. SIPGBU_150420_04.JPG: Luis Jim�nez Vaquero, modeled 1980/cast 1990 acrylic urethane, fiberglass, steel armature
74. SIPGBU_150224_02.JPG: The following pictures are from the page 2015_DC_SIPG_Bldg DC -- Donald W. Reynolds Center -- Building (28 photos from 2015)
75. SIPGBU_150224_08.JPG: Luis Jim�nez Vaquero, modeled 1980/cast 1990 acrylic urethane, fiberglass, steel armature
76. SIPGBU_141014_02.JPG: Freedom is life, and freedom is rooted in democracy; and we owe it to our children and grandchildren to pass on this love of freedom and the means to preserve it. -- Paul Peck This gallery is named in honor of Paul Peck -- who has long appreciated how crucial civic engagement is to our democracy -- to commend his service and generosity to the National Portrait Gallery.
77. SIPGBU_140504_01.JPG: Garrett Peck had mentioned earlier in the day that I should see the graffiti preserved at the portrait gallery building. So I did!
78. SIPGBU_140406_01.JPG: The Great Hall: Once the largest room in America, the Great Hall was originally conceived to display miniature models required of inventors when the building housed the United States Patent Office. The space also served as the first national museum, and it was here that the Declaration of Independence was publicly displayed between 1841 and 1871. The guests at Abraham Lincoln's second inaugural ball passed through this room to join the receiving line in what is now called the Lincoln Gallery. Following a disastrous fire in 1877, which severely damaged other portraits of the third floor of the building, this area was redone in the American Victorian Renaissance style to which it has now been restored.
79. SIPGBU_140116_12.JPG: The following pictures are from the page 2014_DC_SIPG_Bldg DC -- Donald W. Reynolds Center -- Building (11 photos from 2014)
80. SIPGBU_131013_06.JPG: All Smithsonian museums and the National Zoo are closed today due to the government shutdown. We apologize for the inconvenience.
81. SIPGBU_130504_03.JPG: Interesting to see the sculptures boxed up for protection
82. SIPGBU_130216_02.JPG: Alexander Calder Tableau Noir (The Blackboard), 1970
83. SIPGBU_130216_17.JPG: Alexander Calder Tableau Noir (The Blackboard), 1970
84. SIPGBU_130129_03.JPG: The following pictures are from the page 2013_DC_SIPG_Bldg DC -- Donald W. Reynolds Center -- Building (29 photos from 2013)
85. SIPGBU_121103_02.JPG: The MacMillan Education Center comes closer to completion
86. SIPGBU_120404_02.JPG: Roy Lichtenstein Modern Head, 1990 painted stainless steel
87. SIPGBU_120404_47.JPG: Modern Head conceived 1974, fabricated 1989-1990 by Lippincott, Inc., Roy Lichtenstein. Roy Lichtenstein began creating his Modern Head series in the late 1960s with the idea that man can be made to look like a machine and the image manufactured by an industrial source. This concept pervaded the artist's work throughout his career. In Modern Head he referenced the flat planes, precision, and abstract geometric forms associated with the 1930s art deco architecture and design. Modern Head was installed in 1996 in Battery Park City, only block from the World Trade Center, by the Public Art Fund of New York City. The sculpture survived the destruction of 9/11 with only surface scratched and became a memo board for the FBI during its ensuing investigations. ... The sculpture was removed on November 9, 2001, for its protection.
88. SIPGBU_120121_01.JPG: The following pictures are from the page 2012_DC_SIPG_Bldg DC -- Donald W. Reynolds Center -- Building (20 photos from 2012)
89. SIPGBU_111221_16.JPG: Back when they liked me, I volunteered at SAAM. Some of the staff had mentioned they wanted some pictures of people looking at pieces in the museum. Only afterward did I realize they wanted pictures of them looking at SAAM pieces and the photos I took were all of folks admiring National Portrait Gallery pieces so they weren't useful to them. Sigh.
90. SIPGBU_111022_02.JPG: New sign in the Kogon Courtyard: The Robert and Arlene Kogod Courtyard: This courtyard, at 28,000 square feet, is one of Washington's largest indoor public spaces. First designed as an open-air courtyard, this area provided natural light and air to the surrounding galleries and offices. In 2007, a steel and glass canopy of 864 panels designed by architect by Norman Foster enclosed the space. Landscape architect Kathryn Gustafson designed the planted and water scrims. The Kogod Courtyard has been called one of the "new architectural wonders of the world." Parents are responsible for the safety of their children as they enjoy the water scrims.
91. SIPGBU_111022_06.JPG: New sign in the Kogod Courtyard: The Historical Patent Office Building: This building, originally the nation's Patent Office, was the third public building constructed in Washington, after the White House and Capitol. It was intended for the public display of the patent models for American inventions. Three important nineteenth-century American architects contributed to its Greek Revival design, including Robert Mills and Thomas U Walter. Adolf Cluss created some of the grand third-floor spaces. The building became home to the Smithsonian American Art Museum and National Portrait Gallery in 1968. A major renovation was completed in 2006, restoring many historic features. Parents are responsible for the safety of their children as they enjoy the water scrims.
92. SIPGBU_110908_002.JPG: The following pictures are from the page 2011_DC_SIPG_Bldg DC -- Donald W. Reynolds Center -- Building (17 photos from 2011)
  Earthquake damage
93. SIPGBU_100109_07.JPG: The following pictures are from the page 2010_DC_SIPG_Bldg DC -- Donald W. Reynolds Center -- Building (14 photos from 2010)
94. SIPGBU_090503_03.JPG: Destroyed by fire September, 1877 Reconstructed AD 1879-80 Board of Supervision H.E. Paine, Edward Clark, Thos. L. Casey Cluss & Schulze, Architects Carl Schurz, Secretary of the Interior Alonzo Bell, Assistant Secretary D.M. Lockwood, Chief Clerk E.M.Marble Commissioner of Patents
95. SIPGBU_090221_02.JPG: Roy Lichtenstein Modern Head, 1990 painted stainless steel Modern Head stands thirty-one feet tall and is made of stainless steel painted blue. The sculpture is part of a series Lichtenstein began in the late 1960s that explored the idea of creating images of human figures that look like machines. This concept pervaded the artist's work throughout his career. Lichtenstein created the first Modern Head in 1974 out of wood that was painted blue. In 1989 he produced an edition of four in brushed steel. In 1990 the artist painted one a vibrant blue, making the sculpture in American Art's collection a unique work. Silhouetted against the urban skyline, the flat planes and curvilinear geometric forms of the sculpture blend the streamlined industrial style of 1930s art deco architecture and design with references to Picasso and Apollo, the Greek god of the arts. In 1996, Modern Head was installed by the Public Art Fund of New York City in Battery Park City, one block from the World Trade Center. The sculpture survived the September 11, 2001, terrorist attacks with only surface scratches and was temporarily used by the FBI as a message board during its investigations. The sculpture was removed from the site on November 9, 2001, and was subsequently on view at the Nassau County Museum of Art in Roslyn Harbor, New York, and at the Fairchild Tropical Botanic Garden in Coral Gables, Florida. The sculpture is installed on the grounds of the Museum's main building at the corner of Ninth and F streets, N.W.
96. SIPGBU_090221_43.JPG: Luis Jim�nez Vaquero, modeled 1980/cast 1990 acrylic urethane, fiberglass, steel armature
97. SIPGBU_090118_02.JPG: The following pictures are from the page 2009_DC_SIPG_Bldg DC -- Donald W. Reynolds Center -- Building (44 photos from 2009)
  These Inauguration Merchandise booths were set up outside of the Smithsonian museums to try to capitalize on the inaugural frenzy.
98. SIPGBU_081221_05.JPG: These new artsy benches were added the previous week. People seem to enjoy them.
99. SIPGBU_081215_02.JPG: A quickie of new benches in the lobby
100. SIPGBU_080810_02.JPG: The following pictures are from the page 2008_DC_SIPG_Bldg DC -- Donald W. Reynolds Center -- Building (31 photos from 2008)
101. SIPGBU_070305_01.JPG: The following pictures are from the page 2007_DC_SIPG_Bldg DC -- Donald W. Reynolds Center -- Building (23 photos from 2007)
102. SIPGBU_060703_33.JPG: This is Lawrence Small, secretary of the Smithsonian Institution, who happened to be touring the facility while I was there.
103. SIPGBU_060703_80.JPG: Luis Jim�nez Vaquero, modeled 1980/cast 1990 acrylic urethane, fiberglass, steel armature
104. SIPGBU_060619_21.JPG: The banners had been hung that afternoon in preparation for a pre-opening that would include Laura Bush. But there had been a storm that afternoon and this piece of insulation was lodged at the top of a column. The piece was directly above the main entry door and might have fallen. I asked one of the guys in charge what it was doing there and he looked up and said "Oh sh..." I suggested that this was Gallery Place and there was probably someone with a gun nearby who could shoot it down. When I came back later in the evening, it was gone. It might have been removed manually or knocked off by another storm.
105. SIPGBU_060619_38.JPG: This guy got on the intercom after I told him about the insulation
106. SIPGBU_060619_55.JPG: It's later in the day, the lights are on, visitors are in, and the insulation is gone.
107. SIPGBU_060616_06.JPG: The following pictures are from the page 2006_DC_SIPG_Bldg DC -- Donald W. Reynolds Center -- Building (65 photos from 2006)
108. SIPGBU_050801_01.JPG: The National Portrait Gallery, currently closed for renovations
109. SIPGBU_050613_02.JPG: The following pictures are from the page 2005_DC_SIPG_Bldg DC -- Donald W. Reynolds Center -- Building (2 photos from 2005)
110. SIPGBU_000816_01.JPG: The following pictures are from the page 2000_DC_SIPG_Bldg DC -- Donald W. Reynolds Center -- Building (12 photos from 2000)
  Luis Jim�nez Vaquero, modeled 1980/cast 1990 acrylic urethane, fiberglass, steel armature
111. SIPGBU_000816_06.JPG: Luis Jim�nez Vaquero, modeled 1980/cast 1990 acrylic urethane, fiberglass, steel armature
112. SIPGBU_990525_01.JPG: The following pictures are from the page 1999_DC_SIPG_Bldg DC -- Donald W. Reynolds Center -- Building (3 photos from 1999)
  Luis Jim�nez Vaquero, modeled 1980/cast 1990 acrylic urethane, fiberglass, steel armature
113. SIPGBU_970901_01.JPG: Luis Jim�nez Vaquero, modeled 1980/cast 1990 acrylic urethane, fiberglass, steel armature
114. SIPGBU_970805_06.JPG: The following pictures are from the page 1997_DC_SIPG_Bldg DC -- Donald W. Reynolds Center -- Building (9 photos from 1997)
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