BGuthrie Photos: Merge Same Event: DC_Katzen

BGuthrie Photos: Merge Same Event: DC_Katzen_2018E Merge Same Event: DC_Katzen_2018E:

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Copyrights: All pictures were taken by amateur photographer Bruce Guthrie (me!) who retains copyright on them. Free for non-commercial use with attribution. See the [Creative Commons] definition of what this means. "Photos (c) Bruce Guthrie" is fine for attribution. (Commercial use folks including AI scrapers can of course contact me.) Feel free to use in publications and pages with attribution but you don't have permission to sell the photos themselves. A free copy of any printed publication using any photographs is requested. Descriptive text, if any, is from a mixture of sources, quite frequently from signs at the location or from official web sites; copyrights, if any, are retained by their original owners.

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Specific picture descriptions: Photos above with "i" icons next to the bracketed sequence numbers (e.g. "[1] ") are described as follows:
1. KATJEH_181110_07.JPG: Lisa Gilotty Colored pencil and ink on paper
2. KATJEH_181110_26.JPG: Philip Barlow, 2006
3. KATTRI_181110_001.JPG: Hassan Haijaj
4. KATTRI_181110_016.JPG: Al-Moutasim Al-Maskery Tree of Life, 2016
5. KATTRI_181110_022.JPG: Jassim Al Awadhi Abandoned restaurant from the 1970s on the way to Hatta, 2013
6. KATTRI_181110_032.JPG: Steve Sabella Sinopia
7. KATTRI_181110_041.JPG: Wafaa Bilal Chair, from The Ashes series, 2003-2013
8. KATTRI_181110_047.JPG: Jalal Bin Thaneya Oil and Gas Field 6 from the series Industry, 2016
9. KATTRI_181110_052.JPG: Amina Benbouchta Chrysalis VI, 2015
10. KATTRI_181110_056.JPG: Psychological Projections A few artists have used a variety of techniques to express the psychological feelings and personal aspirations or emotions, not only of themselves, but also of others within Arab society. Identity, societal constrictions and cultural tradition are some of the issues addressed by these artists. At times artists have developed innovative techniques, including of superimposing images or improvising with developing processes, to create particularly evocative images. Some of the projects address traditional roles of both men and women, from portraiture to the performative.
11. KATTRI_181110_060.JPG: Ibi Ibrahim Girl Moment from the series Sitara, 2012 Ibi Ibrahim Habibi Tala from the series Sitara, 2012-14
12. KATTRI_181110_064.JPG: Amana Alshaali Naive, 2014
13. KATTRI_181110_068.JPG: Maha Alasakar Undisclosed, 2013
14. KATTRI_181110_073.JPG: Manal Aldowayan I am a Saudi Citizen, 2005-2007
15. KATTRI_181110_078.JPG: Ziad Antar Burj Khalifa I, Dubai from the series Expired, 2011
16. KATTRI_181110_090.JPG: Tarek Al_Ghoussein Al Sawaber Series, 2017
17. KATTRI_181110_095.JPG: Nora Alissa Untitled from the series Ephiphamania revisited, 2012
18. KATTRI_181110_100.JPG: Ritual and Emotion As active members of different Arab communities, many artists use photography to evoke their perspectives on rituals and emotional constructs that operate within, as well as constitute, important aspects of their culture. These include images that capture aspects of religious ritual as well as those that visually evoke profound religious concepts. At times, these photographs become visual expressions of personally held beliefs. Some works focus on the individuals, architectural elements and objects that are found in religiously charged spaces. Other photographs aim to visually convey emotions themselves, at times using an abstract visual language.
19. KATTRI_181110_104.JPG: Hassan Meer Untitled from series Beyond the Hills, 20081
20. KATTRI_181110_116.JPG: Sama Alshaibi Silsila (Link) from the series Silsila, 2013
21. KATTRI_181110_123.JPG: Evoking Space and Place Given the long history of conflict, migration and economic changes, certain places, be they in private homes or public spaces, evoke communal and cultural memories. These include ruins, economically charged urban spaces as well as culturally resonant landscapes, that at times also foreground a sense of political, personal or cultural loss. Some photographers focus on buildings that have traces of those who once lived or used them while others capture sites abandoned along the history of economic development beginning with the oil boom. Images of ruins from recent conflicts also evoke the memory of places that have now been destroyed yet others capture the shimmer of new metropolises that continuously grow in other parts of the Arab world. Landscapes, including trees and vegetation used in local traditions, also generate a sense of place tied to cultural heritage.
22. KATTRI_181110_130.JPG: Ammar al Attar Sibeel Water VII, 2015
23. KATTRI_181110_143.JPG: Mustapha Azeroual Untitled from the Resurgence #2 series, 2016
24. KATTRI_181110_147.JPG: Imagined Futures Using techniques of collage and image manipulation to promote innovative processes of image making, while developing new narratives, these artists imagine the future, the formation of new identities, nature and locations including changes occurring in contemporary society. Some artists work across media, creating video installations that investigate the construction of a contemporary Arab society which also wants to incorporate references to ancient traditions within newly developing forms of culture. Other artists capture new forms of pleasure enjoyed by women at amusement parks. New experiments, of using photographic processes to create imagery on three dimensional porcelain, as well as of incorporating neon lighting in their work, are additional contributions some artists have made while developing their own artistic practices. JOANNA D
25. KATTRI_181110_149.JPG: Joanna Barakat Pulling up Sleeves in Ramalah, Standing Next to Crates, ICE CREAM and Selling Grapes in Khalil from the series Imposter, 2017
26. KATTRI_181110_159.JPG: Afra Bin Fhaher House of III, from Hymns to a Sleeper, 2015
27. KATTRI_181110_166.JPG: Alaa Edris States, 2015
28. KATTRI_181110_179.JPG: Filwa Nazer Untitled 6 and 7 (The Children series), 2015
29. KATTRI_181110_188.JPG: Farah Salem Kuwaiti Spring from the series In-Between the Skyline of Kuwait City, 2015
30. KATTRI_181110_192.JPG: Camille Zakharia Spring 3 from the series Spring, 2013
31. KATTRI_181110_202.JPG: Camille Zahkaria The Fortune Teller, 2010
32. KATTRI_181110_209.JPG: Arwa Alnaemi Never Never Land, 2013
33. KATTRI_181110_215.JPG: Lamya Gargash Stadium 1, USA Football Association, Zayed Sports City, from the series Documentation of Clubs in Abu Dhabi (ed. 1 of 5), 2015
34. KATTRI_181110_221.JPG: Lamya Gargash Stadium 2, USA Football Association, Zayed Sports City, from the series Documentation of Clubs in Abu Dhabi (ed. 1 of 5), 2015
35. KATTRI_181110_228.JPG: Nermine Hammam From the Upekkha series, 2011
36. KATZEO_181110_005.JPG: The following pictures are from the page 2018_DC_KatzenO_181110 DC -- American University -- Katzen Arts Center -- 2018E Late Fall Opening Reception (Public) (46 photos from 2018)
37. KATZEO_181110_048.JPG: Ian Jehle (right)
38. KATZEO_181110_076.JPG: Ronn Levine
39. KATZEO_181110_119.JPG: This was the couple in the painting behind them
40. KATZEO_181110_140.JPG: Ian Jehle and his family
41. KATZEO_181110_148.JPG: Aneta Georgievska-Shine (right)
42. KATZEO_181110_149.JPG: Laura Roulet (left)
43. KATZEO_181110_207.JPG: Melvin Hardy (center)
44. TRIBE_181110_003.JPG: The following pictures are from the page 2018_DC_KatzenXT_Tribe_181110 DC -- American University -- Katzen Arts Center -- 2018E Late Fall Gallery Talk: Tribe (63 photos from 2018)
  Lamya Gargash
45. TRIBE_181110_015.JPG: Ebtisam Abdulaziz
46. TRIBE_181110_034.JPG: Janet Bellotto and Jack Rasmussen
47. TRIBE_181110_042.JPG: Jack Rasmussen
48. TRIBE_181110_049.JPG: Lamya Gargash, Ebtisam Abdulaziz, Woodman Taylor, Janet Bellotto, Sueraya Shaheen and Jack Rasmussen
49. TRIBE_181110_075.JPG: Sueraya Shaheen
50. TRIBE_181110_078.JPG: Woodman Taylor
51. TRIBE_181110_122.JPG: Janet Bellotto
52. TRIBE_181110_208.JPG: Lamya Gargash
53. TRIBE_181110_230.JPG: Sueraya Shaheen
54. KATJEH_181109_01.JPG: The following pictures are from the page 2018_DC_KatzenX_2018E_Jehle DC -- American University -- Katzen Arts Center -- 2018E Late Fall Exhibit: (Alper) Ian Jehle: Dynamical Systems (18 photos from 2018)
55. KATJEH_181109_16.JPG: Ian Jehle: Dynamical Systems Curated by Laura Roulet
56. KATTRI_181109_02.JPG: The following pictures are from the page 2018_DC_KatzenX_2018E_Tribe DC -- American University -- Katzen Arts Center -- 2018E Late Fall Exhibit: Tribe: Contemporary Photography from the Arab World (51 photos from 2018)
57. KATZEO_181109_02.JPG: The following pictures are from the page 2018_DC_KatzenO_181109 DC -- American University -- Katzen Arts Center -- 2018E Late Fall Opening Reception (Member) (23 photos from 2018)
  Katzen folks and some of the folks from the Tribe exhibit
58. KATZEO_181109_36.JPG: Ian Jehle, Laura Roulet, and ???
59. KATZEO_181109_37.JPG: Ian Jehle
60. KATZEO_181109_46.JPG: Ian Jehle, Laura Roulet
61. KATZEO_181109_54.JPG: Ian Jehle, Laura Roulet
62. KAUFMN_181109_006.JPG: The following pictures are from the page 2018_DC_KatzenXT_Kaufman_181109 DC -- American University -- Katzen Arts Center -- 2018E Late Fall Gallery Talk: Joshua J. Kaufman ("The Art of Deception: Art Fakes and Forgeries") (19 photos from 2018)
63. KAUFMN_181109_020.JPG: Piercing the Facade: A Look Into the World of Fakes and Forgeries Presented by Joshua Kaufman, Esq.
64. KAUFMN_181109_040.JPG: Jack Rasmussen. Joshua J. Kaufman in the back
65. KAUFMN_181109_078.JPG: Joshua J. Kaufman
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