BGuthrie Photos: Merge Same Event: DC_Katzen

BGuthrie Photos: Merge Same Event: DC_Katzen_2018C Merge Same Event: DC_Katzen_2018C:

Bruce Guthrie Photos Home Page: [Click here] to go to Bruce Guthrie Photos home page.

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Copyrights: All pictures were taken by amateur photographer Bruce Guthrie (me!) who retains copyright on them. Free for non-commercial use with attribution. See the [Creative Commons] definition of what this means. "Photos (c) Bruce Guthrie" is fine for attribution. (Commercial use folks including AI scrapers can of course contact me.) Feel free to use in publications and pages with attribution but you don't have permission to sell the photos themselves. A free copy of any printed publication using any photographs is requested. Descriptive text, if any, is from a mixture of sources, quite frequently from signs at the location or from official web sites; copyrights, if any, are retained by their original owners.

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[302] KATST4_180811_334.JPG Medium (Email) (Bigger?)	[303] KATST4_180811_337.JPG Medium (Email) (Bigger?)	[304] KATST4_180811_342.JPG Medium (Email) (Bigger?)
[305] KATST4_180811_346.JPG Medium (Email) (Bigger?)	[306] KATST4_180811_357.JPG Medium (Email) (Bigger?)	[307] KATST4_180811_361.JPG Medium (Email) (Bigger?)
[308] KATST4_180811_365.JPG Medium (Email) (Bigger?)	[309] KATST5_180811_004.JPG Medium (Email) (Bigger?)	[310] KATST5_180811_010.JPG Medium (Email) (Bigger?)
[311] KATST5_180811_011.JPG Medium (Email) (Bigger?)	[312] KATST5_180811_022.JPG Medium (Email) (Bigger?)	[313] KATST5_180811_026.JPG Medium (Email) (Bigger?)
[314] KATST5_180811_030.JPG Medium (Email) (Bigger?)	[315] KATST5_180811_035.JPG Medium (Email) (Bigger?)	[316] KATST5_180811_038.JPG Medium (Email) (Bigger?)
[317] KATST5_180811_046.JPG Medium (Email) (Bigger?)	[318] KATST5_180811_050.JPG Medium (Email) (Bigger?)	[319] KATST5_180811_058.JPG Medium (Email) (Bigger?)
[320] KATST5_180811_060.JPG Medium (Email) (Bigger?)	[321] KATST5_180811_072.JPG Medium (Email) (Bigger?)	[322] KATST5_180811_078.JPG Medium (Email) (Bigger?)
[323] KATST5_180811_081.JPG Medium (Email) (Bigger?)	[324] KATST5_180811_084.JPG Medium (Email) (Bigger?)	[325] KATST5_180811_089.JPG Medium (Email) (Bigger?)
[326] KATST5_180811_091.JPG Medium (Email) (Bigger?)	[327] KATST5_180811_094.JPG Medium (Email) (Bigger?)	[328] KATST5_180811_099.JPG Medium (Email) (Bigger?)
[329] KATST5_180811_105.JPG Medium (Email) (Bigger?)	[330] KATST5_180811_108.JPG Medium (Email) (Bigger?)	[331] KATST5_180811_111.JPG Medium (Email) (Bigger?)
[332] KATST5_180811_118.JPG Medium (Email) (Bigger?)	[333] KATST5_180811_127.JPG Medium (Email) (Bigger?)	[334] KATST5_180811_130.JPG Medium (Email) (Bigger?)
[335] KATST5_180811_132.JPG Medium (Email) (Bigger?)	[336] KATST5_180811_140.JPG Medium (Email) (Bigger?)	[337] KATST5_180811_143.JPG Medium (Email) (Bigger?)
[338] KATST5_180811_145.JPG Medium (Email) (Bigger?)	[339] KATST5_180811_147.JPG Medium (Email) (Bigger?)	[340] KATST5_180811_149.JPG Medium (Email) (Bigger?)
[341] KATST5_180811_150.JPG Medium (Email) (Bigger?)	[342] KATST5_180811_157.JPG Medium (Email) (Bigger?)	[343] KATST5_180811_161.JPG Medium (Email) (Bigger?)
[344] KATST5_180811_164.JPG Medium (Email) (Bigger?)	[345] KATST5_180811_198.JPG Medium (Email) (Bigger?)	[346] KATST5_180811_224.JPG Medium (Email) (Bigger?)
[347] KATST5_180811_227.JPG Medium (Email) (Bigger?)	[348] KATST5_180811_231.JPG Medium (Email) (Bigger?)	[349] KATST5_180811_235.JPG Medium (Email) (Bigger?)
[350] KATST5_180811_238.JPG Medium (Email) (Bigger?)	[351] KATST5_180811_242.JPG Medium (Email) (Bigger?)	[352] KATST5_180811_248.JPG Medium (Email) (Bigger?)
[353] KATST5_180811_252.JPG Medium (Email) (Bigger?)	[354] KATST5_180811_256.JPG Medium (Email) (Bigger?)	[355] KATST5_180811_258.JPG Medium (Email) (Bigger?)
[356] KATST5_180811_266.JPG Medium (Email) (Bigger?)	[357] KATST5_180811_271.JPG Medium (Email) (Bigger?)	[358] KATST5_180811_281.JPG Medium (Email) (Bigger?)
[359] KATST5_180811_285.JPG Medium (Email) (Bigger?)	[360] KATST5_180811_288.JPG Medium (Email) (Bigger?)	[361] KATST5_180811_299.JPG Medium (Email) (Bigger?)
[362] KATST5_180811_305.JPG Medium (Email) (Bigger?)	[363] KATST5_180811_311.JPG Medium (Email) (Bigger?)	[364] KATST5_180811_321.JPG Medium (Email) (Bigger?)
[365] KATST5_180811_325.JPG Medium (Email) (Bigger?)	[366] KATST5_180811_341.JPG Medium (Email) (Bigger?)	[367] KATST5_180811_346.JPG Medium (Email) (Bigger?)
[368] KATST5_180811_354.JPG Medium (Email) (Bigger?)	[369] KATST5_180811_359.JPG Medium (Email) (Bigger?)	[370] KATST5_180811_363.JPG Medium (Email) (Bigger?)
[371] KATST5_180811_367.JPG Medium (Email) (Bigger?)	[372] KATST5_180811_374.JPG Medium (Email) (Bigger?)	[373] KATST5_180811_382.JPG Medium (Email) (Bigger?)
[374] KATST5_180811_389.JPG Medium (Email) (Bigger?)	[375] KATST5_180811_392.JPG Medium (Email) (Bigger?)	[376] KATST5_180811_398.JPG Medium (Email) (Bigger?)
[377] KATST5_180811_401.JPG Medium (Email) (Bigger?)	[378] KATST5_180811_404.JPG Medium (Email) (Bigger?)	[379] KATST5_180811_410.JPG Medium (Email) (Bigger?)
[380] KATST5_180811_434.JPG Medium (Email) (Bigger?)	[381] KATST5_180811_440.JPG Medium (Email) (Bigger?)	[382] KATST5_180811_441.JPG Medium (Email) (Bigger?)
[383] KATST5_180811_445.JPG Medium (Email) (Bigger?)	[384] KATST5_180811_447.JPG Medium (Email) (Bigger?)	[385] KATST5_180811_450.JPG Medium (Email) (Bigger?)
[386] KATST5_180811_453.JPG Medium (Email) (Bigger?)	[387] KATST5_180811_456.JPG Medium (Email) (Bigger?)	[388] KATST5_180811_463.JPG Medium (Email) (Bigger?)
[389] KATST5_180811_468.JPG Medium (Email) (Bigger?)	[390] KATST5_180811_479.JPG Medium (Email) (Bigger?)	[391] KATST5_180811_493.JPG Medium (Email) (Bigger?)
[392] KATST5_180811_496.JPG Medium (Email) (Bigger?)	[393] KATST5_180811_501.JPG Medium (Email) (Bigger?)	[394] KATST5_180811_505.JPG Medium (Email) (Bigger?)
[395] KATST5_180811_513.JPG Medium (Email) (Bigger?)	[396] KATST5_180811_521.JPG Medium (Email) (Bigger?)	[397] KATST5_180811_528.JPG Medium (Email) (Bigger?)
[398] KATST5_180811_533.JPG Medium (Email) (Bigger?)	[399] KATST5_180811_535.JPG Medium (Email) (Bigger?)	[400] KATST5_180811_537.JPG Medium (Email) (Bigger?)
[401] KATST5_180811_541.JPG Medium (Email) (Bigger?)	[402] KATST5_180811_546.JPG Medium (Email) (Bigger?)	[403] KATST5_180811_550.JPG Medium (Email) (Bigger?)
[404] KATST5_180811_557.JPG Medium (Email) (Bigger?)	[405] KATST5_180811_561.JPG Medium (Email) (Bigger?)	[406] KATST5_180811_569.JPG Medium (Email) (Bigger?)
[407] KATST5_180811_572.JPG Medium (Email) (Bigger?)	[408] KATST5_180811_580.JPG Medium (Email) (Bigger?)	[409] KATST5_180811_584.JPG Medium (Email) (Bigger?)
[410] KATST5_180811_587.JPG Medium (Email) (Bigger?)	[411] KATST5_180811_589.JPG Medium (Email) (Bigger?)	[412] KATST5_180811_596.JPG Medium (Email) (Bigger?)
[413] KATST5_180811_604.JPG Medium (Email) (Bigger?)	[414] KATST5_180811_608.JPG Medium (Email) (Bigger?)	[415] KATST5_180811_613.JPG Medium (Email) (Bigger?)
[416] KATST5_180811_614.JPG Medium (Email) (Bigger?)	[417] KATST5_180811_617.JPG Medium (Email) (Bigger?)	[418] KATST5_180811_622.JPG Medium (Email) (Bigger?)
[419] KATST5_180811_625.JPG Medium (Email) (Bigger?)	[420] KATST5_180811_628.JPG Medium (Email) (Bigger?)	[421] KATST5_180811_635.JPG Medium (Email) (Bigger?)
[422] KATST5_180811_638.JPG Medium (Email) (Bigger?)	[423] KATST5_180811_642.JPG Medium (Email) (Bigger?)	[424] KATST5_180811_643.JPG Medium (Email) (Bigger?)
[425] KATST5_180811_664.JPG Medium (Email) (Bigger?)	[426] KATST6_180811_009.JPG Medium (Email) (Bigger?)	[427] KATST6_180811_015.JPG Medium (Email) (Bigger?)
[428] KATST6_180811_018.JPG Medium (Email) (Bigger?)	[429] KATST6_180811_024.JPG Medium (Email) (Bigger?)	[430] KATST6_180811_030.JPG Medium (Email) (Bigger?)
[431] KATST6_180811_033.JPG Medium (Email) (Bigger?)	[432] KATST6_180811_035.JPG Medium (Email) (Bigger?)	[433] KATST6_180811_040.JPG Medium (Email) (Bigger?)
[434] KATST6_180811_053.JPG Medium (Email) (Bigger?)	[435] KATST6_180811_055.JPG Medium (Email) (Bigger?)	[436] KATST6_180811_060.JPG Medium (Email) (Bigger?)
[437] KATST6_180811_075.JPG Medium (Email) (Bigger?)	[438] KATST6_180811_078.JPG Medium (Email) (Bigger?)	[439] KATST6_180811_083.JPG Medium (Email) (Bigger?)
[440] KATST6_180811_088.JPG Medium (Email) (Bigger?)	[441] KATST6_180811_094.JPG Medium (Email) (Bigger?)	[442] KATST6_180811_096.JPG Medium (Email) (Bigger?)
[443] KATST6_180811_099.JPG Medium (Email) (Bigger?)	[444] KATST6_180811_102.JPG Medium (Email) (Bigger?)	[445] KATST6_180811_108.JPG Medium (Email) (Bigger?)
[446] KATST6_180811_112.JPG Medium (Email) (Bigger?)	[447] KATST6_180811_118.JPG Medium (Email) (Bigger?)	[448] KATST6_180811_127.JPG Medium (Email) (Bigger?)
[449] KATST6_180811_133.JPG Medium (Email) (Bigger?)	[450] KATST6_180811_167.JPG Medium (Email) (Bigger?)	[451] KATST6_180811_178.JPG Medium (Email) (Bigger?)
[452] KATST6_180811_193.JPG Medium (Email) (Bigger?)	[453] KATST6_180811_196.JPG Medium (Email) (Bigger?)	[454] KATST6_180811_204.JPG Medium (Email) (Bigger?)
[455] KATST6_180811_208.JPG Medium (Email) (Bigger?)	[456] KATST6_180811_218.JPG Medium (Email) (Bigger?)	[457] KATST6_180811_225.JPG Medium (Email) (Bigger?)
[458] KATST6_180811_233.JPG Medium (Email) (Bigger?)	[459] KATST6_180811_240.JPG Medium (Email) (Bigger?)	[460] KATST6_180811_250.JPG Medium (Email) (Bigger?)
[461] KATST6_180811_255.JPG Medium (Email) (Bigger?)	[462] KATST6_180811_266.JPG Medium (Email) (Bigger?)	[463] KATST6_180811_270.JPG Medium (Email) (Bigger?)
[464] KATST6_180811_283.JPG Medium (Email) (Bigger?)	[465] KATST6_180811_287.JPG Medium (Email) (Bigger?)	[466] KATST6_180811_299.JPG Medium (Email) (Bigger?)
[467] KATST6_180811_317.JPG Medium (Email) (Bigger?)	[468] KATST6_180811_321.JPG Medium (Email) (Bigger?)	[469] KATST6_180811_323.JPG Medium (Email) (Bigger?)
[470] KATST6_180811_334.JPG Medium (Email) (Bigger?)	[471] KATST6_180811_340.JPG Medium (Email) (Bigger?)	[472] KATST6_180811_359.JPG Medium (Email) (Bigger?)
[473] KATST6_180811_369.JPG Medium (Email) (Bigger?)	[474] KATST6_180811_378.JPG Medium (Email) (Bigger?)	[475] KATST6_180811_381.JPG Medium (Email) (Bigger?)
[476] KATST6_180811_383.JPG Medium (Email) (Bigger?)	[477] KATST6_180811_396.JPG Medium (Email) (Bigger?)	[478] KATST6_180811_406.JPG Medium (Email) (Bigger?)
[479] FLYDOG_180706_002.JPG Medium (Email) (Bigger?)	[480] FLYDOG_180706_008.JPG Medium (Email) (Bigger?)	[481] FLYDOG_180706_015.JPG Medium (Email) (Bigger?)
[482] FLYDOG_180706_019.JPG Medium (Email) (Bigger?)	[483] FLYDOG_180706_026.JPG Medium (Email) (Bigger?)	[484] FLYDOG_180706_028.JPG Medium (Email) (Bigger?)
[485] FLYDOG_180706_035.JPG Medium (Email) (Bigger?)	[486] FLYDOG_180706_038.JPG Medium (Email) (Bigger?)	[487] FLYDOG_180706_042.JPG Medium (Email) (Bigger?)
[488] FLYDOG_180706_048.JPG Medium (Email) (Bigger?)	[489] FLYDOG_180706_055.JPG Medium (Email) (Bigger?)	[490] FLYDOG_180706_058.JPG Medium (Email) (Bigger?)
[491] FLYDOG_180706_068.JPG Medium (Email) (Bigger?)	[492] FLYDOG_180706_071.JPG Medium (Email) (Bigger?)	[493] FLYDOG_180706_075.JPG Medium (Email) (Bigger?)
[494] FLYDOG_180706_083.JPG Medium (Email) (Bigger?)	[495] FLYDOG_180706_086.JPG Medium (Email) (Bigger?)	[496] FLYDOG_180706_091.JPG Medium (Email) (Bigger?)
[497] FLYDOG_180706_099.JPG Medium (Email) (Bigger?)	[498] FLYDOG_180706_108.JPG Medium (Email) (Bigger?)	[499] FLYDOG_180706_110.JPG Medium (Email) (Bigger?)
[500] FLYDOG_180706_113.JPG Medium (Email) (Bigger?)	[501] FLYDOG_180706_126.JPG Medium (Email) (Bigger?)	[502] FLYDOG_180706_129.JPG Medium (Email) (Bigger?)
[503] FLYDOG_180706_132.JPG Medium (Email) (Bigger?)	[504] FLYDOG_180706_136.JPG Medium (Email) (Bigger?)	[505] FLYDOG_180706_139.JPG Medium (Email) (Bigger?)
[506] FLYDOG_180706_143.JPG Medium (Email) (Bigger?)	[507] FLYDOG_180706_146.JPG Medium (Email) (Bigger?)	[508] FLYDOG_180706_150.JPG Medium (Email) (Bigger?)
[509] FLYDOG_180706_152.JPG Medium (Email) (Bigger?)	[510] FLYDOG_180706_156.JPG Medium (Email) (Bigger?)	[511] FLYDOG_180706_159.JPG Medium (Email) (Bigger?)
[512] FLYDOG_180706_162.JPG Medium (Email) (Bigger?)	[513] FLYDOG_180706_166.JPG Medium (Email) (Bigger?)	[514] FLYDOG_180706_169.JPG Medium (Email) (Bigger?)
[515] FLYDOG_180706_173.JPG Medium (Email) (Bigger?)	[516] FLYDOG_180706_177.JPG Medium (Email) (Bigger?)	[517] FLYDOG_180706_188.JPG Medium (Email) (Bigger?)
[518] FLYDOG_180706_192.JPG Medium (Email) (Bigger?)	[519] FLYDOG_180706_199.JPG Medium (Email) (Bigger?)	[520] FLYDOG_180706_205.JPG Medium (Email) (Bigger?)
[521] FLYDOG_180706_214.JPG Medium (Email) (Bigger?)	[522] FLYDOG_180706_218.JPG Medium (Email) (Bigger?)	[523] FLYDOG_180706_227.JPG Medium (Email) (Bigger?)
[524] FLYDOG_180706_230.JPG Medium (Email) (Bigger?)	[525] FLYDOG_180706_234.JPG Medium (Email) (Bigger?)	[526] FLYDOG_180706_235.JPG Medium (Email) (Bigger?)
[527] FLYDOG_180706_239.JPG Medium (Email) (Bigger?)	[528] FLYDOG_180706_240.JPG Medium (Email) (Bigger?)	[529] FLYDOG_180706_243.JPG Medium (Email) (Bigger?)
[530] FLYDOG_180706_247.JPG Medium (Email) (Bigger?)	[531] FLYDOG_180706_249.JPG Medium (Email) (Bigger?)	[532] FLYDOG_180706_252.JPG Medium (Email) (Bigger?)
[533] FLYDOG_180706_253.JPG Medium (Email) (Bigger?)	[534] FLYDOG_180706_256.JPG Medium (Email) (Bigger?)	[535] FLYDOG_180706_263.JPG Medium (Email) (Bigger?)
[536] FLYDOG_180706_264.JPG Medium (Email) (Bigger?)	[537] FLYDOG_180706_268.JPG Medium (Email) (Bigger?)	[538] FLYDOG_180706_273.JPG Medium (Email) (Bigger?)
[539] FLYDOG_180706_277.JPG Medium (Email) (Bigger?)	[540] FLYDOG_180706_282.JPG Medium (Email) (Bigger?)	[541] FLYDOG_180706_286.JPG Medium (Email) (Bigger?)

[542]

FLYDOT_180706_001_STITCH.JPG

Medium (Email) (Bigger?)

[543] FLYDOT_180706_003_STITCH.JPG

Medium (Email) (Bigger?)

[544] FLYDOT_180706_012.JPG Medium (Email) (Bigger?)	[545] FLYDOT_180706_018.JPG Medium (Email) (Bigger?)	[546] FLYDOT_180706_024.JPG Medium (Email) (Bigger?)
[547] FLYDOT_180706_027.JPG Medium (Email) (Bigger?)	[548] FLYDOT_180706_031.JPG Medium (Email) (Bigger?)	[549] FLYDOT_180706_033.JPG Medium (Email) (Bigger?)
[550] FLYDOT_180706_035.JPG Medium (Email) (Bigger?)	[551] FLYDOT_180706_038.JPG Medium (Email) (Bigger?)	[552] FLYDOT_180706_040.JPG Medium (Email) (Bigger?)
[553] FLYDOT_180706_043.JPG Medium (Email) (Bigger?)	[554] FLYDOT_180706_045.JPG Medium (Email) (Bigger?)	[555] FLYDOT_180706_048.JPG Medium (Email) (Bigger?)
[556] FLYDOT_180706_051.JPG Medium (Email) (Bigger?)	[557] FLYDOT_180706_057.JPG Medium (Email) (Bigger?)	[558] FLYDOT_180706_058.JPG Medium (Email) (Bigger?)
[559] FLYDOT_180706_059.JPG Medium (Email) (Bigger?)	[560] FLYDOT_180706_060.JPG Medium (Email) (Bigger?)	[561] FLYDOT_180706_063.JPG Medium (Email) (Bigger?)
[562] FLYDOT_180706_067.JPG Medium (Email) (Bigger?)	[563] FLYDOT_180706_074.JPG Medium (Email) (Bigger?)	[564] FLYDOT_180706_078.JPG Medium (Email) (Bigger?)
[565] FLYDOT_180706_081.JPG Medium (Email) (Bigger?)	[566] FLYDOT_180706_086.JPG Medium (Email) (Bigger?)	[567] FLYDOT_180706_088.JPG Medium (Email) (Bigger?)
[568] FLYDOT_180706_091.JPG Medium (Email) (Bigger?)	[569] FLYDOT_180706_094.JPG Medium (Email) (Bigger?)	[570] FLYDOT_180706_096.JPG Medium (Email) (Bigger?)
[571] FLYDOT_180706_100.JPG Medium (Email) (Bigger?)	[572] FLYDOT_180706_102.JPG Medium (Email) (Bigger?)	[573] FLYDOT_180706_111.JPG Medium (Email) (Bigger?)
[574] FLYDOT_180706_114.JPG Medium (Email) (Bigger?)	[575] FLYDOT_180706_119.JPG Medium (Email) (Bigger?)	[576] FLYDOT_180706_128.JPG Medium (Email) (Bigger?)
[577] FLYDOT_180706_130.JPG Medium (Email) (Bigger?)	[578] FLYDOT_180706_132.JPG Medium (Email) (Bigger?)	[579] FLYDOT_180706_135.JPG Medium (Email) (Bigger?)
[580] FLYDOT_180706_138.JPG Medium (Email) (Bigger?)	[581] FLYDOT_180706_145.JPG Medium (Email) (Bigger?)	[582] FLYDOT_180706_146.JPG Medium (Email) (Bigger?)
[583] FLYDOT_180706_148.JPG Medium (Email) (Bigger?)	[584] FLYDOT_180706_150.JPG Medium (Email) (Bigger?)	[585] FLYDOT_180706_152.JPG Medium (Email) (Bigger?)
[586] FLYDOT_180706_158.JPG Medium (Email) (Bigger?)	[587] FLYDOT_180706_162.JPG Medium (Email) (Bigger?)	[588] FLYDOT_180706_169.JPG Medium (Email) (Bigger?)
[589] FLYDOT_180706_173.JPG Medium (Email) (Bigger?)	[590] FLYDOT_180706_176.JPG Medium (Email) (Bigger?)	[591] FLYDOT_180706_180.JPG Medium (Email) (Bigger?)
[592] FLYDOT_180706_181.JPG Medium (Email) (Bigger?)	[593] FLYDOT_180706_193.JPG Medium (Email) (Bigger?)	[594] FLYDOT_180706_196.JPG Medium (Email) (Bigger?)
[595] FLYDOT_180706_200.JPG Medium (Email) (Bigger?)	[596] FLYDOT_180706_205.JPG Medium (Email) (Bigger?)	[597] FLYDOT_180706_209.JPG Medium (Email) (Bigger?)
[598] FLYDOT_180706_213.JPG Medium (Email) (Bigger?)	[599] FLYDOT_180706_216.JPG Medium (Email) (Bigger?)	[600] FLYDOT_180706_218.JPG Medium (Email) (Bigger?)
[601] FLYDOT_180706_219.JPG Medium (Email) (Bigger?)	[602] FLYDOT_180706_222.JPG Medium (Email) (Bigger?)	[603] FLYDOT_180706_226.JPG Medium (Email) (Bigger?)
[604] FLYDOT_180706_229.JPG Medium (Email) (Bigger?)	[605] FLYDOT_180706_232.JPG Medium (Email) (Bigger?)	[606] FLYDOT_180706_239.JPG Medium (Email) (Bigger?)
[607] FLYDOT_180706_241.JPG Medium (Email) (Bigger?)	[608] FLYDOT_180706_245.JPG Medium (Email) (Bigger?)	[609] FLYDOT_180706_251.JPG Medium (Email) (Bigger?)
[610] FLYDOT_180706_254.JPG Medium (Email) (Bigger?)	[611] FLYDOT_180706_256.JPG Medium (Email) (Bigger?)	[612] FLYDOT_180706_258.JPG Medium (Email) (Bigger?)
[613] FLYDOT_180706_261.JPG Medium (Email) (Bigger?)	[614] FLYDOT_180706_264.JPG Medium (Email) (Bigger?)	[615] FLYDOT_180706_268.JPG Medium (Email) (Bigger?)
[616] FLYDOT_180706_273.JPG Medium (Email) (Bigger?)	[617] FLYDOT_180706_275.JPG Medium (Email) (Bigger?)	[618] FLYDOT_180706_277.JPG Medium (Email) (Bigger?)
[619] FLYDOT_180706_290.JPG Medium (Email) (Bigger?)	[620] FLYDOT_180706_293.JPG Medium (Email) (Bigger?)	[621] FLYDOT_180706_299.JPG Medium (Email) (Bigger?)
[622] FLYDOT_180706_303.JPG Medium (Email) (Bigger?)	[623] FLYDOT_180706_307.JPG Medium (Email) (Bigger?)	[624] FLYDOT_180706_310.JPG Medium (Email) (Bigger?)
[625] FLYDOT_180706_312.JPG Medium (Email) (Bigger?)	[626] FLYDOT_180706_315.JPG Medium (Email) (Bigger?)	[627] FLYDOT_180706_317.JPG Medium (Email) (Bigger?)
[628] FLYDOT_180706_321.JPG Medium (Email) (Bigger?)	[629] FLYDOT_180706_323.JPG Medium (Email) (Bigger?)	[630] KATLAT_180630_004.JPG Medium (Email) (Bigger?)
[631] KATLAT_180630_007.JPG Medium (Email) (Bigger?)	[632] KATLAT_180630_013.JPG Medium (Email) (Bigger?)	[633] KATLAT_180630_017.JPG Medium (Email) (Bigger?)
[634] KATLAT_180630_024.JPG Medium (Email) (Bigger?)	[635] KATLAT_180630_032.JPG Medium (Email) (Bigger?)	[636] KATLAT_180630_034.JPG Medium (Email) (Bigger?)
[637] KATLAT_180630_039.JPG Medium (Email) (Bigger?)	[638] KATLAT_180630_044.JPG Medium (Email) (Bigger?)	[639] KATLAT_180630_048.JPG Medium (Email) (Bigger?)
[640] KATLAT_180630_053.JPG Medium (Email) (Bigger?)	[641] KATLAT_180630_058.JPG Medium (Email) (Bigger?)	[642] KATLAT_180630_061.JPG Medium (Email) (Bigger?)
[643] KATLAT_180630_065.JPG Medium (Email) (Bigger?)	[644] KATLAT_180630_076.JPG Medium (Email) (Bigger?)	[645] KATLAT_180630_081.JPG Medium (Email) (Bigger?)
[646] KATLAT_180630_087.JPG Medium (Email) (Bigger?)	[647] KATLAT_180630_094.JPG Medium (Email) (Bigger?)	[648] KATLAT_180630_099.JPG Medium (Email) (Bigger?)
[649] KATLAT_180630_106.JPG Medium (Email) (Bigger?)	[650] KATLAT_180630_113.JPG Medium (Email) (Bigger?)	[651] KATLAT_180630_119.JPG Medium (Email) (Bigger?)
[652] KATLAT_180630_127.JPG Medium (Email) (Bigger?)	[653] KATLAT_180630_132.JPG Medium (Email) (Bigger?)	[654] KATLAT_180630_140.JPG Medium (Email) (Bigger?)
[655] KATLAT_180630_144.JPG Medium (Email) (Bigger?)	[656] KATLAT_180630_150.JPG Medium (Email) (Bigger?)	[657] KATLAT_180630_155.JPG Medium (Email) (Bigger?)
[658] KATLAT_180630_160.JPG Medium (Email) (Bigger?)	[659] KATLAT_180630_166.JPG Medium (Email) (Bigger?)	[660] KATLAT_180630_173.JPG Medium (Email) (Bigger?)
[661] KATLAT_180630_182.JPG Medium (Email) (Bigger?)	[662] KATLAT_180630_188.JPG Medium (Email) (Bigger?)	[663] KATLAT_180630_193.JPG Medium (Email) (Bigger?)
[664] KATLAT_180630_199.JPG Medium (Email) (Bigger?)	[665] KATLAT_180630_209.JPG Medium (Email) (Bigger?)	[666] KATLAT_180630_212.JPG Medium (Email) (Bigger?)
[667] KATLAT_180630_219.JPG Medium (Email) (Bigger?)	[668] KATSTE_180630_04.JPG Medium (Email) (Bigger?)	[669] KATSTE_180630_10.JPG Medium (Email) (Bigger?)
[670] KATSTE_180630_14.JPG Medium (Email) (Bigger?)	[671] KATSTE_180630_17.JPG Medium (Email) (Bigger?)	[672] KATSTE_180630_21.JPG Medium (Email) (Bigger?)
[673] KATSTE_180630_27.JPG Medium (Email) (Bigger?)	[674] KATSTE_180630_34.JPG Medium (Email) (Bigger?)	[675] KATSTE_180630_44.JPG Medium (Email) (Bigger?)
[676] KATSTE_180630_48.JPG Medium (Email) (Bigger?)	[677] KATSTE_180630_59.JPG Medium (Email) (Bigger?)	[678] KATSTE_180630_62.JPG Medium (Email) (Bigger?)
[679] KATSTE_180630_66.JPG Medium (Email) (Bigger?)	[680] KATUNS_180630_01.JPG Medium (Email) (Bigger?)	[681] KATUNS_180630_04.JPG Medium (Email) (Bigger?)
[682] KATUNS_180630_07.JPG Medium (Email) (Bigger?)	[683] KATUNS_180630_14.JPG Medium (Email) (Bigger?)	[684] KATUNS_180630_19.JPG Medium (Email) (Bigger?)
[685] KATUNS_180630_23.JPG Medium (Email) (Bigger?)

[686]

STEADS_180630_004_STITCH.JPG

Medium (Email) (Bigger?)

[687] STEADS_180630_009.JPG Medium (Email) (Bigger?)	[688] STEADS_180630_013.JPG Medium (Email) (Bigger?)	[689] STEADS_180630_022.JPG Medium (Email) (Bigger?)
[690] STEADS_180630_024.JPG Medium (Email) (Bigger?)	[691] STEADS_180630_031.JPG Medium (Email) (Bigger?)	[692] STEADS_180630_035.JPG Medium (Email) (Bigger?)
[693] STEADS_180630_039.JPG Medium (Email) (Bigger?)	[694] STEADS_180630_049.JPG Medium (Email) (Bigger?)	[695] STEADS_180630_051.JPG Medium (Email) (Bigger?)
[696] STEADS_180630_053.JPG Medium (Email) (Bigger?)	[697] STEADS_180630_057.JPG Medium (Email) (Bigger?)	[698] STEADS_180630_060.JPG Medium (Email) (Bigger?)
[699] STEADS_180630_063.JPG Medium (Email) (Bigger?)	[700] STEADS_180630_074.JPG Medium (Email) (Bigger?)	[701] STEADS_180630_082.JPG Medium (Email) (Bigger?)
[702] STEADS_180630_086.JPG Medium (Email) (Bigger?)	[703] STEADS_180630_089.JPG Medium (Email) (Bigger?)	[704] STEADS_180630_094.JPG Medium (Email) (Bigger?)
[705] STEADS_180630_106.JPG Medium (Email) (Bigger?)	[706] STEADS_180630_109.JPG Medium (Email) (Bigger?)	[707] STEADS_180630_114.JPG Medium (Email) (Bigger?)
[708] STEADS_180630_117.JPG Medium (Email) (Bigger?)	[709] STEADS_180630_125.JPG Medium (Email) (Bigger?)	[710] STEADS_180630_129.JPG Medium (Email) (Bigger?)
[711] STEADS_180630_132.JPG Medium (Email) (Bigger?)	[712] STEADS_180630_139.JPG Medium (Email) (Bigger?)	[713] STEADS_180630_145.JPG Medium (Email) (Bigger?)
[714] STEADS_180630_152.JPG Medium (Email) (Bigger?)	[715] STEADS_180630_154.JPG Medium (Email) (Bigger?)	[716] STEADS_180630_161.JPG Medium (Email) (Bigger?)
[717] STEADS_180630_181.JPG Medium (Email) (Bigger?)	[718] STEADS_180630_199.JPG Medium (Email) (Bigger?)	[719] STEADS_180630_230.JPG Medium (Email) (Bigger?)
[720] STEADS_180630_242.JPG Medium (Email) (Bigger?)	[721] STEADS_180630_245.JPG Medium (Email) (Bigger?)	[722] STEADS_180630_251.JPG Medium (Email) (Bigger?)
[723] STEADS_180630_268.JPG Medium (Email) (Bigger?)	[724] STEADS_180630_303.JPG Medium (Email) (Bigger?)	[725] STEADS_180630_308.JPG Medium (Email) (Bigger?)
[726] STEADS_180630_331.JPG Medium (Email) (Bigger?)	[727] STEADS_180630_332.JPG Medium (Email) (Bigger?)	[728] STEADS_180630_335.JPG Medium (Email) (Bigger?)
[729] STEADS_180630_345.JPG Medium (Email) (Bigger?)	[730] STEADS_180630_373.JPG Medium (Email) (Bigger?)	[731] STEADS_180630_381.JPG Medium (Email) (Bigger?)
[732] STEADS_180630_399.JPG Medium (Email) (Bigger?)	[733] STEADS_180630_401.JPG Medium (Email) (Bigger?)	[734] STEADS_180630_409.JPG Medium (Email) (Bigger?)
[735] STEADS_180630_419.JPG Medium (Email) (Bigger?)	[736] STEADS_180630_420.JPG Medium (Email) (Bigger?)	[737] 4NGREA_180621_01.JPG Medium (Email) (Bigger?)
[738] 4NGREA_180621_02.JPG Medium (Email) (Bigger?)	[739] 4NGREA_180621_05.JPG Medium (Email) (Bigger?)	[740] 4NGREA_180621_13.JPG Medium (Email) (Bigger?)
[741] KATFIG_180621_01.JPG Medium (Email) (Bigger?)	[742] KATFIG_180621_07.JPG Medium (Email) (Bigger?)	[743] KATFIG_180621_13.JPG Medium (Email) (Bigger?)
[744] KATFIG_180621_18.JPG Medium (Email) (Bigger?)	[745] KATFIG_180621_26.JPG Medium (Email) (Bigger?)	[746] KATFIG_180621_34.JPG Medium (Email) (Bigger?)
[747] KATFIG_180621_37.JPG Medium (Email) (Bigger?)	[748] KATFIG_180621_39.JPG Medium (Email) (Bigger?)	[749] KATFIG_180621_46.JPG Medium (Email) (Bigger?)
[750] KATFIG_180621_50.JPG Medium (Email) (Bigger?)	[751] KATFIG_180621_54.JPG Medium (Email) (Bigger?)	[752] KATSTE_180621_001.JPG Medium (Email) (Bigger?)
[753] KATSTE_180621_005.JPG Medium (Email) (Bigger?)	[754] KATSTE_180621_012.JPG Medium (Email) (Bigger?)	[755] KATSTE_180621_014.JPG Medium (Email) (Bigger?)
[756] KATSTE_180621_017.JPG Medium (Email) (Bigger?)	[757] KATSTE_180621_022.JPG Medium (Email) (Bigger?)	[758] KATSTE_180621_026.JPG Medium (Email) (Bigger?)
[759] KATSTE_180621_034.JPG Medium (Email) (Bigger?)	[760] KATSTE_180621_036.JPG Medium (Email) (Bigger?)	[761] KATSTE_180621_038.JPG Medium (Email) (Bigger?)
[762] KATSTE_180621_041.JPG Medium (Email) (Bigger?)	[763] KATSTE_180621_043.JPG Medium (Email) (Bigger?)	[764] KATSTE_180621_046.JPG Medium (Email) (Bigger?)
[765] KATSTE_180621_049.JPG Medium (Email) (Bigger?)	[766] KATSTE_180621_052.JPG Medium (Email) (Bigger?)	[767] KATSTE_180621_056.JPG Medium (Email) (Bigger?)
[768] KATSTE_180621_059.JPG Medium (Email) (Bigger?)	[769] KATSTE_180621_066.JPG Medium (Email) (Bigger?)	[770] KATSTE_180621_067.JPG Medium (Email) (Bigger?)
[771] KATSTE_180621_072.JPG Medium (Email) (Bigger?)	[772] KATSTE_180621_077.JPG Medium (Email) (Bigger?)	[773] KATSTE_180621_081.JPG Medium (Email) (Bigger?)
[774] KATSTE_180621_084.JPG Medium (Email) (Bigger?)	[775] KATSTE_180621_087.JPG Medium (Email) (Bigger?)	[776] KATSTE_180621_090.JPG Medium (Email) (Bigger?)
[777] KATSTE_180621_093.JPG Medium (Email) (Bigger?)	[778] KATSTE_180621_097.JPG Medium (Email) (Bigger?)	[779] KATSTE_180621_100.JPG Medium (Email) (Bigger?)
[780] KATSTE_180621_103.JPG Medium (Email) (Bigger?)	[781] KATSTE_180621_105.JPG Medium (Email) (Bigger?)	[782] KATSTE_180621_109.JPG Medium (Email) (Bigger?)
[783] KATSTE_180621_110.JPG Medium (Email) (Bigger?)	[784] KATSTE_180621_113.JPG Medium (Email) (Bigger?)	[785] KATSTE_180621_117.JPG Medium (Email) (Bigger?)
[786] KATSTE_180621_121.JPG Medium (Email) (Bigger?)	[787] KATSTE_180621_123.JPG Medium (Email) (Bigger?)	[788] KATSTE_180621_126.JPG Medium (Email) (Bigger?)
[789] KATSTE_180621_129.JPG Medium (Email) (Bigger?)	[790] KATSTE_180621_132.JPG Medium (Email) (Bigger?)	[791] KATSTE_180621_135.JPG Medium (Email) (Bigger?)
[792] KATSTE_180621_137.JPG Medium (Email) (Bigger?)	[793] KATSTE_180621_140.JPG Medium (Email) (Bigger?)	[794] KATSTE_180621_144.JPG Medium (Email) (Bigger?)
[795] KATSTE_180621_147.JPG Medium (Email) (Bigger?)	[796] KATSTE_180621_150.JPG Medium (Email) (Bigger?)	[797] KATSTE_180621_153.JPG Medium (Email) (Bigger?)
[798] KATSTE_180621_156.JPG Medium (Email) (Bigger?)	[799] KATSTE_180621_159.JPG Medium (Email) (Bigger?)	[800] KATSTE_180621_162.JPG Medium (Email) (Bigger?)
[801] KATSTE_180621_164.JPG Medium (Email) (Bigger?)	[802] KATSTE_180621_166.JPG Medium (Email) (Bigger?)	[803] KATSTE_180621_172.JPG Medium (Email) (Bigger?)
[804] KATSTE_180621_177.JPG Medium (Email) (Bigger?)	[805] KATSTE_180621_180.JPG Medium (Email) (Bigger?)	[806] KATSTE_180621_183.JPG Medium (Email) (Bigger?)
[807] KATSTE_180621_187.JPG Medium (Email) (Bigger?)	[808] KATSTE_180621_191.JPG Medium (Email) (Bigger?)	[809] KATSTE_180621_192.JPG Medium (Email) (Bigger?)
[810] KATSTE_180621_196.JPG Medium (Email) (Bigger?)	[811] KATSTE_180621_201.JPG Medium (Email) (Bigger?)	[812] KATSTE_180621_204.JPG Medium (Email) (Bigger?)
[813] KATSTE_180621_206.JPG Medium (Email) (Bigger?)	[814] KATSTE_180621_210.JPG Medium (Email) (Bigger?)	[815] KATSTE_180621_213.JPG Medium (Email) (Bigger?)
[816] KATSTE_180621_220.JPG Medium (Email) (Bigger?)	[817] KATSTE_180621_223.JPG Medium (Email) (Bigger?)	[818] KATSTE_180621_226.JPG Medium (Email) (Bigger?)
[819] KATSTE_180621_230.JPG Medium (Email) (Bigger?)	[820] KATSTE_180621_237.JPG Medium (Email) (Bigger?)	[821] KATSTE_180621_242.JPG Medium (Email) (Bigger?)
[822] KATSTE_180621_243.JPG Medium (Email) (Bigger?)	[823] KATSTE_180621_247.JPG Medium (Email) (Bigger?)	[824] KATSTE_180621_250.JPG Medium (Email) (Bigger?)
[825] KATSTE_180621_252.JPG Medium (Email) (Bigger?)	[826] KATSTE_180621_256.JPG Medium (Email) (Bigger?)	[827] KATSTE_180621_260.JPG Medium (Email) (Bigger?)
[828] KATSTE_180621_263.JPG Medium (Email) (Bigger?)	[829] KATSTE_180621_266.JPG Medium (Email) (Bigger?)	[830] KATSTE_180621_268.JPG Medium (Email) (Bigger?)
[831] KATSTE_180621_269.JPG Medium (Email) (Bigger?)	[832] KATSTE_180621_272.JPG Medium (Email) (Bigger?)	[833] KATSTE_180621_274.JPG Medium (Email) (Bigger?)
[834] KATSTE_180621_276.JPG Medium (Email) (Bigger?)	[835] KATSTE_180621_285.JPG Medium (Email) (Bigger?)	[836] KATSTE_180621_288.JPG Medium (Email) (Bigger?)
[837] KATSTE_180621_291.JPG Medium (Email) (Bigger?)	[838] KATSTE_180621_296.JPG Medium (Email) (Bigger?)	[839] KATSTE_180621_297.JPG Medium (Email) (Bigger?)
[840] KATSTE_180621_301.JPG Medium (Email) (Bigger?)	[841] KATSTE_180621_303.JPG Medium (Email) (Bigger?)	[842] KATSTE_180621_308.JPG Medium (Email) (Bigger?)
[843] KATSTE_180621_311.JPG Medium (Email) (Bigger?)	[844] KATSTE_180621_314.JPG Medium (Email) (Bigger?)	[845] KATSTE_180621_316.JPG Medium (Email) (Bigger?)
[846] KATSTE_180621_320.JPG Medium (Email) (Bigger?)	[847] KATSTE_180621_321.JPG Medium (Email) (Bigger?)	[848] KATSTE_180621_323.JPG Medium (Email) (Bigger?)
[849] KATSTE_180621_326.JPG Medium (Email) (Bigger?)	[850] KATSTE_180621_330.JPG Medium (Email) (Bigger?)	[851] KATSTE_180621_332.JPG Medium (Email) (Bigger?)
[852] KATSTE_180621_333.JPG Medium (Email) (Bigger?)	[853] KATSTE_180621_336.JPG Medium (Email) (Bigger?)	[854] KATSTE_180621_338.JPG Medium (Email) (Bigger?)
[855] KATSTE_180621_352.JPG Medium (Email) (Bigger?)	[856] KATSTE_180621_354.JPG Medium (Email) (Bigger?)	[857] KATSTE_180621_356.JPG Medium (Email) (Bigger?)
[858] KATSTE_180621_358.JPG Medium (Email) (Bigger?)	[859] KATSTE_180621_361.JPG Medium (Email) (Bigger?)	[860] KATSTE_180621_364.JPG Medium (Email) (Bigger?)
[861] KATSTE_180621_367.JPG Medium (Email) (Bigger?)	[862] KATSTE_180621_370.JPG Medium (Email) (Bigger?)	[863] KATSTE_180621_373.JPG Medium (Email) (Bigger?)
[864] KATSTE_180621_378.JPG Medium (Email) (Bigger?)	[865] KATSTE_180621_379.JPG Medium (Email) (Bigger?)	[866] KATSTE_180621_381.JPG Medium (Email) (Bigger?)
[867] KATFIG_180616_01.JPG Medium (Email) (Bigger?)	[868] KATFIG_180616_09.JPG Medium (Email) (Bigger?)	[869] KATFIG_180616_14.JPG Medium (Email) (Bigger?)
[870] KATFIG_180616_19.JPG Medium (Email) (Bigger?)	[871] KATFIG_180616_26.JPG Medium (Email) (Bigger?)	[872] KATFIG_180616_32.JPG Medium (Email) (Bigger?)
[873] KATFIG_180616_41.JPG Medium (Email) (Bigger?)	[874] KATFIG_180616_43.JPG Medium (Email) (Bigger?)	[875] KATFIG_180616_48.JPG Medium (Email) (Bigger?)
[876] KATFIG_180616_52.JPG Medium (Email) (Bigger?)	[877] KATLAT_180616_08.JPG Medium (Email) (Bigger?)	[878] KATLAT_180616_12.JPG Medium (Email) (Bigger?)
[879] KATLAT_180616_16.JPG Medium (Email) (Bigger?)	[880] KATLAT_180616_22.JPG Medium (Email) (Bigger?)	[881] KATSTE_180616_001.JPG Medium (Email) (Bigger?)
[882] KATSTE_180616_005.JPG Medium (Email) (Bigger?)	[883] KATSTE_180616_009.JPG Medium (Email) (Bigger?)	[884] KATSTE_180616_013.JPG Medium (Email) (Bigger?)
[885] KATSTE_180616_020.JPG Medium (Email) (Bigger?)	[886] KATSTE_180616_026.JPG Medium (Email) (Bigger?)	[887] KATSTE_180616_028.JPG Medium (Email) (Bigger?)
[888] KATSTE_180616_031.JPG Medium (Email) (Bigger?)	[889] KATSTE_180616_034.JPG Medium (Email) (Bigger?)	[890] KATSTE_180616_039.JPG Medium (Email) (Bigger?)
[891] KATSTE_180616_044.JPG Medium (Email) (Bigger?)	[892] KATSTE_180616_049.JPG Medium (Email) (Bigger?)	[893] KATSTE_180616_055.JPG Medium (Email) (Bigger?)
[894] KATSTE_180616_062.JPG Medium (Email) (Bigger?)	[895] KATSTE_180616_069.JPG Medium (Email) (Bigger?)	[896] KATSTE_180616_077.JPG Medium (Email) (Bigger?)
[897] KATSTE_180616_082.JPG Medium (Email) (Bigger?)	[898] KATSTE_180616_084.JPG Medium (Email) (Bigger?)	[899] KATSTE_180616_092.JPG Medium (Email) (Bigger?)
[900] KATSTE_180616_095.JPG Medium (Email) (Bigger?)	[901] KATSTE_180616_099.JPG Medium (Email) (Bigger?)	[902] KATSTE_180616_102.JPG Medium (Email) (Bigger?)
[903] KATSTE_180616_107.JPG Medium (Email) (Bigger?)	[904] KATSTE_180616_112.JPG Medium (Email) (Bigger?)	[905] KATSTE_180616_116.JPG Medium (Email) (Bigger?)
[906] KATSTE_180616_121.JPG Medium (Email) (Bigger?)	[907] KATSTE_180616_125.JPG Medium (Email) (Bigger?)	[908] KATSTE_180616_129.JPG Medium (Email) (Bigger?)
[909] KATSTE_180616_133.JPG Medium (Email) (Bigger?)	[910] KATSTE_180616_141.JPG Medium (Email) (Bigger?)	[911] KATSTE_180616_143.JPG Medium (Email) (Bigger?)
[912] KATSTE_180616_145.JPG Medium (Email) (Bigger?)	[913] KATSTE_180616_150.JPG Medium (Email) (Bigger?)	[914] KATSTE_180616_153.JPG Medium (Email) (Bigger?)
[915] KATSTE_180616_161.JPG Medium (Email) (Bigger?)	[916] KATSTE_180616_167.JPG Medium (Email) (Bigger?)	[917] KATSTE_180616_172.JPG Medium (Email) (Bigger?)
[918] KATSTE_180616_177.JPG Medium (Email) (Bigger?)	[919] KATSTE_180616_181.JPG Medium (Email) (Bigger?)	[920] KATSTE_180616_184.JPG Medium (Email) (Bigger?)
[921] KATSTE_180616_190.JPG Medium (Email) (Bigger?)	[922] KATSTE_180616_199.JPG Medium (Email) (Bigger?)	[923] KATSTE_180616_202.JPG Medium (Email) (Bigger?)
[924] KATSTE_180616_204.JPG Medium (Email) (Bigger?)	[925] KATSTE_180616_208.JPG Medium (Email) (Bigger?)	[926] KATSTE_180616_212.JPG Medium (Email) (Bigger?)
[927] KATSTE_180616_214.JPG Medium (Email) (Bigger?)	[928] KATSTE_180616_218.JPG Medium (Email) (Bigger?)	[929] KATSTE_180616_225.JPG Medium (Email) (Bigger?)
[930] KATSTE_180616_231.JPG Medium (Email) (Bigger?)	[931] KATSTE_180616_239.JPG Medium (Email) (Bigger?)	[932] KATSTE_180616_243.JPG Medium (Email) (Bigger?)
[933] KATSTE_180616_246.JPG Medium (Email) (Bigger?)	[934] KATSTE_180616_248.JPG Medium (Email) (Bigger?)	[935] KATSTE_180616_250.JPG Medium (Email) (Bigger?)
[936] KATSTE_180616_253.JPG Medium (Email) (Bigger?)	[937] KATSTE_180616_256.JPG Medium (Email) (Bigger?)	[938] KATSTE_180616_259.JPG Medium (Email) (Bigger?)
[939] KATSTE_180616_262.JPG Medium (Email) (Bigger?)	[940] KATSTE_180616_267.JPG Medium (Email) (Bigger?)	[941] KATSTE_180616_270.JPG Medium (Email) (Bigger?)
[942] KATSTE_180616_273.JPG Medium (Email) (Bigger?)	[943] KATSTE_180616_275.JPG Medium (Email) (Bigger?)	[944] KATSTE_180616_279.JPG Medium (Email) (Bigger?)
[945] KATSTE_180616_285.JPG Medium (Email) (Bigger?)

[946]

KATZEO_180616_002_STITCH.JPG

Medium (Email) (Bigger?)

[947] KATZEO_180616_005.JPG Medium (Email) (Bigger?)	[948] KATZEO_180616_008.JPG Medium (Email) (Bigger?)	[949] KATZEO_180616_010.JPG Medium (Email) (Bigger?)
[950] KATZEO_180616_014.JPG Medium (Email) (Bigger?)	[951] KATZEO_180616_017.JPG Medium (Email) (Bigger?)	[952] KATZEO_180616_023.JPG Medium (Email) (Bigger?)
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Specific picture descriptions: Photos above with "i" icons next to the bracketed sequence numbers (e.g. "[1] ") are described as follows:
1. FLYDOG_181125_26.JPG: We'll show you ours if you show us yours
2. KATST1_180811_003_STITCH.JPG: The following pictures are from the page 2018_DC_KatzenX_2018C_Steadman DC -- American University -- Katzen Arts Center -- 2018C Summer Exhibit: Ralph Steadman: A Retrospective (654 photos from 2018)
3. KATST1_180811_215.JPG: Bruce Guthrie
4. KATST1_180811_278.JPG: Her outfit matched the painting
5. KATST1_180811_289.JPG: Michael Cavna inspecting pieces
6. KATST1_180811_315.JPG: Michael Cavna
7. KATST1_180811_320.JPG: Michael Cavna
8. KATST1_180811_330.JPG: Buy the Ticket Take the Ride!!
9. KATST2_180811_12.JPG: The American University Museum at the Katzen Arts Center is honored to present: Ralph Steadman: A Retrospective Ralph STEADman cannot be summed up. Not in a few sentences or in this USA Retrospective exhibition which features a selection of original artworks and prints from the past 65 years of Steadman's career. The depth and breadth of Ralph's contributions to the world are immense and his prolific art-making practice twists, turns, and jostles while taking us on a white-knuckle ride. STEADman brings to light the absurdity of societal norms and protests the status quo. With a sardonic eye, splashes of ink, and the whip of his pen, Ralph Steadman turns towards the viewer; he asks us to do better, be wary of propaganda, and to be better. In a time of division and suppression, Washington, DC could use STEADman's pointed truth. Ralph Steadman: A Retrospective was originally curated by Anita O'Brien at the Cartoon Museum, London, in 2013 to mark Ralph's 77th Birthday. Later, the art traveled to The Artworks in Halifax, England (2014), and soon after the Retrospective was reorganized to travel throughout the USA by Sadie Williams, Ralph STEADman Art Collection Executive Director. The organization of this tour was realized through her passion and the generous support of our sponsors and friends. The USA Retrospective was first presented in the Big Apple, New York City, at the Society of Illustrators (2016) where it received rave reviews. The American University Museum at the Katzen Arts Center in Washington DC is our current presenting venue. From the American University Museum the Retrospective will travel to the unbridled state of Kentucky to the University of Kentucky Art Museum in Lexington (also home of the Kentucky Derby), then on to the majestic Northwest to the Jordan Schnitzer Art Museum at the University of Oregon, Eugene, and onward until Fall 2020 when the Retrospective will travel home to England. We would like to thank our amazing collaborators and presenting partners at the American University Museum, Jack Rasmussen, Director & Curator and Steadman fan, Kristi-Anne Shear, Associate Director and guiding force, Kevin Runyon, Preparator and Steadman fan (who encouraged AU to host this exhibition), Rebecca Basu and Elizabeth Cowgill, museum marketing and public relations, for their help with the artist talk and so much more. None of these exhibitions would be possible without the unerring support and belief of our sponsors and friends at United Therapeutics, Flying Dog Brewery, and Audible. Special thanks go out to Martine Rothblatt CEO, Bill Rock, Creative Director, and Paul Mahon, GC at United Therapeutics. Also, cheers and many thanks to Jim Caruso, CEO, Meghan Hessler, and Erin Weston at Flying Dog Brewery and bravo (with applause sound) to Don Katz CEO, Katja Lindemann, Chelsea Adams, Chris Harris, Kari Helgason, and Michael Epstein at Audible. Special thanks to actor and friend Tim Robbins for his contribution to the Audible exhibition tour and thank you to Andrea Harris, Ralph STEADman Art Collection Exhibition Coordinator for all of her efforts towards realizing this USA Retrospective tour. Finally and most importantly, thank you Ralph for your generosity, sharp wit and unrelenting courage. We appreciate you taking us on this ride of a lifetime.
10. KATST2_180811_16.JPG: Vintage Dr. Gonzo Sculpted by Jud Bergeron Furtherrr, 2015 In 2015, San Franciscan sculptor Jud Bergeron created a limited edition bronze of a fleeing HST, after Steadman's classic Fear and Loathing portrait, complete with cigarette holder, Hawaiian shirt, white bucket hat and "medicine" spilling from his kit-bag. The Vintage Dr. Gonzo sculpture was unveiled at Steadman's 2015 print show, Printin' Backwuds, at Lazarides Editions, Upper Ground, London. Each of the fifty numbered and dated copies is signed by Steadman.
11. KATST2_180811_81.JPG: A Proper Blot
12. KATST3_180811_009.JPG: Image Drawn by Ralph During Recording, 2018 During the creation of the Audible Accompaniment to the Retrospective, director, Michael Epstein asked Ralph to demonstrate some of his signature techniques, including starting a picture with a blot, the mouth atomizer, use of compass and malleable ruler and cross-hatch drawing with ink and nib. The artwork he produced is the Audible Flower.
13. KATST3_180811_032.JPG: Ralph's Last Supper While researching his 1983 book "I, Leonardo," Steadman created a copy of Leonardo's Last Supper on a bedroom wall of his house in Kent.
14. KATST3_180811_034.JPG: Ralph and automobile
15. KATST3_180811_036.JPG: Ralph aged 14 or 15
16. KATST3_180811_038.JPG: "Nasser? Who's He?" Manchester Evening Chronicle, 25 July 1956 Newspaper cutting This was Steadman's first published cartoon. It was, he later acknowledged, "a Giles in all but name."
17. KATST3_180811_042.JPG: Cartoon Sketch Daily Sketch, 11 September 1961 Newspaper cutting In the 1950s, cartoonists had short punchy named like "Giles," "Low," "JAK," and "Trog." So Steadman decided he should become "STEAD." "It was my mother who wondered if I was ashamed of my full name. I hadn't given it a thought until then. I was merely looking for an identity with a short sharp name that everyone would remember." His mother's comment made him think again: from autumn 1961 his cartoons were signed "STEADman."
18. KATST3_180811_052.JPG: Men in a London Pub Early c. 1960s
19. KATST3_180811_060.JPG: Freedom of the Individual c 1960-61 In the early 1960s, Ralph, still signed his name "STEAD" had begun a series of cartoons using a tramp as a central character. This is one of about 20 pieces in the collection but the set has never been published.
20. KATST3_180811_068.JPG: Angler Fish Early c. 1960s
21. KATST3_180811_099.JPG: Engine at the Science Museum, London Early 1960s
22. KATST3_180811_103.JPG: Cast Room Victoria and Albert Museum Early c 1960s
23. KATST3_180811_108.JPG: It's a Free Country Private Eye No. 30, 18 February 1963
24. KATST3_180811_143.JPG: Bureau of Missing Persons Rough drawing for cartoon published in Punch, 24 August 1960 Steadman started sending his cartoons to Punch in 1957. For three years he received a succession of rejection slips from the art editor, Bill Hewison. This rough drawing was returned with the following note: 'I'm passing the "Bureau" in spite of the boxing boots, but I would stress the inadvisability of straining for effect.' Some things were changed -- the chair and the desk became fancier -- but the boxing boots stayed.
25. KATST3_180811_148.JPG: Mr. Punch Unpublished, 1960s
26. KATST3_180811_168.JPG: Punch Cover Punch, 17 March 1965 In 1961, Steadman began studying at the London College of Printing and Graphic Arts. In the early 1960s he purchased the complete contents of a printer's studio, including a printing press, for the princely sum of �75. Over the year he has made extensive use of the printing blocks and type, which occupy one whole room in his studio.
27. KATST3_180811_178.JPG: Hogarth '65: Taste in High Life 1 Private Eye, 1965
28. KATST3_180811_192.JPG: Hogarth '65: Taste in High Life 2 Private Eye, 1965
29. KATST3_180811_198.JPG: Hogarth '65: Taste in High Life 2 Private Eye, 6 April 1965
30. KATST3_180811_250.JPG: Hogarth '65: Marriage a la Mode: Breakfast Scene Private Eye, 30 April 1965
31. KATST3_180811_282.JPG: Weekend at West Wittering "Our visual reporter captures the dramatic moment when our gallant men in blue leap into the room and apprehend the miscreants." Private Eye, 21 July 1967 On 12 February 1967, police raided a house-party at Redlands, Keith Richards' manor house at West Wittering, near Chichester, on a tip-off from the News of the World. The police took away some Ambre Solaire suntan lotion, a quantity of Earl Grey tea, joss sticks and a minute amount of cannabis resin. In May 1967, Mick Jagger was charged with possession of two mild amphetamines (in fact, travel sickness pills bought in Italy), Richards with permitting his house to be used for the smoking of cannabis, and a friend, the art dealer Robert Faiser, with the possession of heroin. (Fraser, in glasses, is shown sitting next to the antique dealer and fellow dandy Christopher Gibbs.) On 27 July all three were found guilty at Chichester Crown Court: Richards was sentenced to one year in jail, Fraser to six months and Jagger to three months. Jagger was later conditionally discharged and Richards' sentence was quashed on appeal. Also present at Steadman's soiree is Jagger's girlfriend, Marianne Faithful ("the girl in the fur rug"). George Harrison and Pattie Boyd can be spied in the mirror; the West Sussex constabulary discreetly waited for the Beatle to leave before they pounced.
32. KATST3_180811_304.JPG: Seventeen Years On... c. 1968
33. KATST3_180811_329.JPG: New London Cries No. 1 "Non-Stop Strip Club!" Private Eye, 12 November 1965
34. KATST3_180811_346.JPG: New London Cries No. 2 The Taxi Driver Private Eye, 26 November 1965
35. KATST3_180811_366.JPG: New London Cries No. 4 The Waiter Private Eye, 24 November 1965
36. KATST3_180811_380.JPG: New London Cries No. 6 "Don't 'e look queer?" Private Eye, 21 January 1966
37. KATST3_180811_400.JPG: New London Cries No. 9 "I'll Sue the Bastards!!" Private Eye, 4 February 1966
38. KATST3_180811_426.JPG: New London Cries No. 18 "This Filthy Bleedin' Bunny Idea" Private Eye, 8 July 1966
39. KATST3_180811_443.JPG: The Butcher and the Beaver from The Hunting of the Snark by Lewis Carroll Michael Dempsey, 1975 He came as a Butcher: but gravely declared, -- When the ship had been sailing a week, He could only kill Beavers. The Bellman looked scared, -- And was almost too frightened to speak: But at length he explained, in a tremulous tone, -- There was only one Beaver on board; And that was a tame one he had of his own, -- Whose death would be deeply deplored. ... Yet still, ever after that sorrowful day, -- Whenever the Butcher was by, The Beaver kept looking the opposite way, -- And appeared unaccountably shy. The last to join the crew was the Butcher.
40. KATST3_180811_459.JPG: A Mad Tea Party from Alice in Wonderland by Lewis Carroll Dennis Dobson, 1967
41. KATST3_180811_484.JPG: The White Knight and the Red Knight from Through the Looking-Glass, and What Alice Found There by Lewis Carroll MacGibbon & Kee, 1972 "This time it was a White Knight. He drew up at Alice's side, and tumbled off his horse just as the Red Knight had done: then he got on again, and the two Knights sat and looked at each other for some time without speaking. Alice looked from one to the other in some bewilderment."
42. KATST3_180811_494.JPG: Wool and Water from Through the Looking-Glass, and What Alice Found There by Lewis Carroll MacGibbon & Kee, 1972 "So the boat was left to drift down the stream as it would, till it glided gently in among the waving rushes. And then the little sleeves were carefully rolled up, and the little arms were plunged in elbow-deep to get the rushes a good long way down before breaking them off--and for a while Alice forgot all about the Sheep and the knitting, as she bent over the side of the boat, with just the ends of her tangled hair dipping into the water--while with bright eager eyes she caught at one bunch after another of the darling scented rushes."
43. KATST3_180811_512.JPG: The White Rabbit from Alice in Wonderland by Lewis Carroll Dennis Dobson, 1967 "... but when the Rabbit actually took a watch out of its waistcoat-pocket, and looked at it, and then hurried on, Alice started to her feet, for it flashed across her mind that she had never before seen a rabbit with either a waistcoat-pocket, or a watch to take out of it, and burning with curiosity, she ran across the field after it, and fortunately was just in time to see it pop down a large rabbit-hole under the hedge. "
44. KATST3_180811_523.JPG: The Landing from The Hunting of the Snark by Lewis Carroll Michael Dempsey, 1975 "Just the place for a Snark!" the Bellman cried, As he landed his crew with care; Supporting each man on the top of the tide By a finger entwined in his hair. "Just the place for a Snark! I have said it twice: That alone should encourage the crew. Just the place for a Snark! I have said it thrice: What I tell you three times is true."
45. KATST3_180811_547.JPG: The Dream of Reason Produces Monsters Ralph Steadman dreams after Goya Town, January 1968 1968 proved to be a turbulent year. Among Steadman's baleful progeny are from left to right: * the Black Power activist Stokely Carmichael; * US President Lyndon B. Johnson (grinning) * Labour prime minister Harold Wilson (forked tongue flicking); * communication theorist Marshall McLuhan (in academic cap); * Israeli defense minister General Moshe Dayan (in eye patch) next to... * Egyptian president Gamal Abdel Nasser (two protagonists of the June 1967 Six Day War); * Beat poet Allen Ginsberg (glasses and beard); * "Mercenary" (in beret and goggles); * Mike Jagger (lips); * "Red Guard" (in Mao cap); * Labor foreign secretary George Brown (biggest bat); and * fluttering high above, the Maharishi Mahesh Yogi and his new recruits, George, John, Paul and Ringo.
46. KATST3_180811_624.JPG: Francis Bacon's Christmas Party c 1966-68
47. KATST3_180811_671.JPG: An Afternoon on the Serpentine after Georges Seurat Town, October 1967
48. KATST3_180811_700.JPG: The Man Who Touched a Sunny after H.M. Bateman Private Eye, 17 February 1967
49. KATST3_180811_726.JPG: Bedlam 1967
50. KATST3_180811_776.JPG: Buttons and Dials Illustration to Noam Chomsky "The Welfare / Warfare Intellectuals" New Society, 3 July 1969
51. KATST3_180811_793.JPG: "Er, I want to marry your daughter, sir/" c 1968
52. KATST4_180811_003.JPG: The Kentucky Derby is Decadent and Depraved Scanlan's Monthly, June 1970 The Kentucky Derby of May 1970 was Steadman and Hunter S. Thompson's first assignment together and inspired the first genuine piece of "Gonzo" journalism. Armed with a few felt-tip pens and some borrowed Revlon lipsticks and eyebrow pencil -- he had left his inks and colors in the taxi on the way to the airport -- the artist was dispatched by Scanlan's Monthly from New York to Louisville, Thompson's old home town. Thompson met Steadman in the press box and explained that their focus was not on the horses but the Kentucky people. As soon as the race began the artist turned away from the course to sketch the excited faces in the crowd. "Turn around, you hairy freak!" bawled a voice from somewhere in the boxes. Steadman returned to New York and dropped off his drawings, only to be awoken by the co-founder/editor of Scanlan's, Warren Hinckle III, who wanted to know why none of the drawings featured horses. Steadman told him a horse was on its way. Unlike the other Kentucky Derby pictures this one was drawn with proper ink and watercolor. A few weeks later the artist returned to London, his drawings having been taken to San Francisco by the publisher "for safety." For more than thirty-five years he mourned their loss, until this picture was returned to him by an American collector a few years ago.
53. KATST4_180811_030.JPG: Journey to Las Vegas from "Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream" by Raoul Duke (Hunter S. Thompson) Rolling Stone, Issue no. 95, 11 November 1971
54. KATST4_180811_058.JPG: Spirit of Gonzo 1978 Here a likeness of the artist sits astride a huge Gonzotic bat. Ralph is powerless to guide his own course, simply taken along for the ride as so often happened in his adventures with Hunter.
55. KATST4_180811_098.JPG: Lizard Lounge from "Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream" by Raoul Duke (Hunter S. Thompson) Rolling Stone, Issue no. 95, 11 November 1971
56. KATST4_180811_128.JPG: "It didn't make sense until the old herb lady of Basalt told me that Hunter S. Thompson was born with Five Hearts" 1996
57. KATST4_180811_145.JPG: Hunter S. Thompson and Johnny Depp The Independent, 2011
58. KATST4_180811_167.JPG: Hunter S. Thompson, 1937-2005 Rolling Stone, 24 March 2005
59. KATST4_180811_186.JPG: Hunter's Memorial signed, 20 August 2005 In 1978, the BBC filmed Hunter Thompson at his ranch, Owl Farm in Woody Creek, outside Aspen, Colorado for an Omnibus documentary, Fear and Loathing on the Way to Hollywood. Thompson told the director Nigel Finch of his funeral plans: "There's gonna be a pile of rocks, about a hundred feet tall, then a sort of giant chrome cylinder, conical, sort of round and tapering down to the top, 150 feet tall, hollow inside, with on top of the sort of big arm a fist with a double thumb -- the symbol... Oh yes, it's in the will... After the cremation we put the ashes in a canister and shoot it out of the top of the first over the valley -- about 500 feet up. It explodes and the ashes drift down all over it. That's it. That's my funeral." Steadman put the designs down on paper. Six months after his death in February 2005, Thompson's dream was realized. 250 friends and family witnessed Hunter's spectacular send-off at Owl Farm. His ashes were indeed shot out of a 153-foot-tall cannon over the valley in a riotous explosion of red, white and blue fireworks. On top of the column was a two-thumbed red fist with a peyote button -- the Gonzo fist. Among the signatories of Steadman's print are Hunter's widow, Anita, his former girlfriend Laila Nabulsi, Bill Murray, and, next to the skull, Johnny Depp.
60. KATST4_180811_205.JPG: Ralph Steadman We did good, didn't we -- and bought Out Town (???) AP The War Room
61. KATST4_180811_211.JPG: Hunter's Liver on Holiday Liverpool, England 1996
62. KATST4_180811_233.JPG: Ernest Hemingway c 1993
63. KATST4_180811_257.JPG: Religion, Revolution, Rational, Redemption, Reach from The Devil's Dictionary by Ambrose Bierce Bloomsbury, 2003
64. KATST4_180811_272.JPG: Religion, Revolution, Rational, Redemption, Reach from The Devil's Dictionary by Ambrose Bierce Bloomsbury, 2003
65. KATST4_180811_291.JPG: Peages Independent Saturday Magazine, 11 October 2003 PsychoGeography #2 reprinted in PsychoGeography words by Will Self, pictures by Ralph Steadman Bloomsbury, 2007
66. KATST4_180811_313.JPG: Hopeful Cartoons No. 1 The Plague Demon's Lament Independent, 10 December 1999
67. KATST4_180811_328.JPG: Fear and Loathing at the End of the Line Rolling Stone, Issue no. 144, 27 Sept. 1973
68. KATST4_180811_342.JPG: Richard Nixon c. 1974
69. KATST4_180811_357.JPG: Richard Nixon and Spiro Agnew First published in Private Eye, 5 December 1969 reprinted in Rolling Stone, 28 September 1972
70. KATST5_180811_004.JPG: Overcoat from Sigmund Freud Paddington Press, 1979
71. KATST5_180811_011.JPG: The Secret of Dreams is Revealed to Sigmund Freud from Sigmund Freud Paddington Press, 1979
72. KATST5_180811_038.JPG: "The Peacekeepers Are Coming! The Peacekeepers Are Coming!" 1983 In October 1983, thousands of US troops and helicopter gunships invaded the tiny Caribbean island of Grenada after a left-wing coup. Reagan's incursion into Grenada, a Commonwealth country, was the only occasion on which Margaret Thatcher and the US president had a serious falling out. Steadman shows how new forms can spring from a few gouts of ink.
73. KATST5_180811_060.JPG: Free John McCarthy Campaign 1970
74. KATST5_180811_072.JPG: The Police 1983 On 14 January 1983, 26-year-old film editor Stephen Waldorf was mistakenly shot five times in the head and body by the Metropolitan Police in Earls Court, West London. The police thought he was an escaped prisoner, David Martin. In 1983, two officers were put on trial for attempted murder; they were both acquitted.
75. KATST5_180811_084.JPG: The Will to Live 1982 During the early 1980s, Steadman created artwork for several charities, including the "Stop Polio Campaign." This was one of several drawings created for the charity, Save the Children.
76. KATST5_180811_099.JPG: Wallace Statue '76 With apologies to Daniel Chester French Sculptor: Lincoln Statue in the Lincoln's Memorial c July 1976
77. KATST5_180811_118.JPG: Reagan's Latest Close-Up New Statesman, 7 March 1980
78. KATST5_180811_132.JPG: Margaret Thatcher The Last Supposition Leonardo da Vinci after Ralph Steadman has had a go at it... New Statesman, 11 October 1985
79. KATST5_180811_157.JPG: Donald Trump -- Porky Pie!! New Statesman, 17 December 2015 This porcine portrait of the real estate billionaire, reality TV game-show host and presidential hopeful Donald J. Trump accompanied an article by Laurie Penny. "There is nothing funny about a Donald Trump rally." "By lying through his teeth," she writes, "he has managed to persuade thousands of people that he is the one truth-teller in American politics... Trump is selling fascism with a cartoon face." In November 2015, the mayor of Jersey City accused Trump of "shameful politicizing" after the Republican made unsubstantiated claims than in 2001 he watched on TV "thousands and thousands" of Arab Americans in New Jersey cheering the attacks on the World Trade Center. "Porky pie," or "porky," is Cockney rhyming slang for "lie".
80. KATST5_180811_224.JPG: Bill Murray in Where the Buffalo Roam 1979
81. KATST5_180811_242.JPG: George Takes a Walk 1974
82. KATST5_180811_258.JPG: Summer Evening Scene in Black Ghetto S.E. of Dallas August 1973 Rolling Stone, 6 December 1973
83. KATST5_180811_271.JPG: Leaving Kinshasa, a bottle of Chivas Regal 31 October 1974 Steadman and Thompson didn't get to see the Ali-Foreman fight after all. Thompson sold their tickets and went to the pool with an ice bucket, a Heineken, a bottle of Glenfiddich and a bag of grass. "This is it, Ralph. An aesthetic experience. F-ck the fight!" Steadman drew the pictures, but Thompson never wrote up the story. "The biggest f-cked-up story in the history of journalism" ended with the journalists leaving Kinshasa voodooed and empty-handed, apart from two elephant tusks Hunter had secreted in his luggage. The tusks still hang above his fireplace at Owl Farm, Woody Creek.
84. KATST5_180811_288.JPG: The Lost Artwork from "Rumble in the Jungle" Mohammed Ali 1974
85. KATST5_180811_311.JPG: Disneyland c 1973 "Alright here for the land of screaming kids and tired feet."
86. KATST5_180811_374.JPG: Good Time Crucifix 1979
87. KATST5_180811_392.JPG: Walking on Eggs -- Secretary of State Published in Rolling Stone, 28 August 1975
88. KATST5_180811_404.JPG: How You Gonna Crucify... c 1969, redated 2008
89. KATST5_180811_440.JPG: David Hockney from Paranoids, Harrap, 1986
90. KATST5_180811_441.JPG: Picasso from Paranoids, Harrap, 1986
91. KATST5_180811_445.JPG: Marilyn from Paranoids, Harrap, 1986
92. KATST5_180811_447.JPG: Woody Allen from Paranoids, Harrap, 1986
93. KATST5_180811_450.JPG: Paul Tortelier from Paranoids, Harrap, 1986
94. KATST5_180811_456.JPG: Breaking Bad: Walter White 2015
95. KATST5_180811_468.JPG: Raging Bitch 2009 Flying Dog Brewery was originally established as a brewpub in 1990 in Aspen, Colorado. The founder and owner, George Stranahan, was a close friend of Hunter S. Thompson, who introduced him to Steadman. In 1995, the artist produced his first original artwork for Flying Dog's beer labels, which have since become an intrinsic part of the company's brand. In 2009, the company commissioned Steadman to create a special label for "Raging Bitch," their 20th anniversary Belgian-style India Pale Ale. Michigan's Liquor Control Commission withheld registration of the label, which they deemed "detrimental to the health, safety and welfare of the general public." Flying Dog sued the Commission of US District Court, claiming that its First Amendment rights to free expression had been violated. In June 2011, three weeks after the company's first hearing before the Federal Court, the Commission decided to lift its ban. Raging Bitch has since become the company's most popular beer.
96. KATST5_180811_493.JPG: Turkey Buzzards Over the Sterling Winery 1990
97. KATST5_180811_513.JPG: Official Portrait: Wine Master Antiquarian Book Collector and Art Dealer Talks Picasso: Sean Thackery 1996 from Untrodden Grapes, Harcourt, 2005
98. KATST5_180811_528.JPG: Marc Colin Duc de Gamay et Saint-Aubin 1994 from Untrodden Grapes, Harcourt, 2005
99. KATST5_180811_541.JPG: Errazuriz, Panquehue Vineyards Aconcagua Valley, Chile 1994 from Untrodden Grapes, Harcourt, 2005
100. KATST5_180811_550.JPG: Cardinal Zin from Untrodden Grapes Harcourt, 2005
101. KATST5_180811_561.JPG: Ardberg Distillery, Islay from Still Life with Bottle, Ebury Press, 1994
102. KATST5_180811_572.JPG: Rats in the Kitchen and he Head Pastrycook's Drinking Problem Became a Daily Occurrence Independent, 14 November 1998
103. KATST5_180811_589.JPG: Monarch of the Glen from Still Life with Bottle, Ebury Press, 1994
104. KATST5_180811_608.JPG: Each Year, Greville Learned to Control His Aversion to Nature and See It for What It Really Is a Golden Opportunity to Wreak Havoc with a Rotovator and Define His Natural Hatred of Garden Experts on TV from Gonzo the Art, 1998
105. KATST5_180811_617.JPG: "Don't draw, Ralph! It's a filthy habit..." HST. Self-Poortrait Stop Smiling -- UK Issue, Issue No. 26, 2006
106. KATST5_180811_643.JPG: Ralph I. Steadman Steadman has been an avid photographer since childhood. Some of the Steadman mug shots are marked with 'F.B.I.' numbers, and ta sticker bears the cryptic message: 'I AM NOURISHING PLACE ME BETWEEN TWO SLICES OF BREAD AND SWALLOW'
107. KATST6_180811_009.JPG: The Revolution from Animal Farm: A Fairy Story by George Orwell Secker & Warburg, 1995
108. KATST6_180811_024.JPG: The Trial from Animal Farm: A Fairy Story by George Orwell Secker & Warburg, 1995
109. KATST6_180811_040.JPG: God and His Wife from The Big I Am Jonathan Cape, 1988
110. KATST6_180811_053.JPG: The Sun from The Big I Am Jonathan Cape, 1988
111. KATST6_180811_088.JPG: Michelangelo and Leonardo from I. Leonardo Jonathan Cape, 1983
112. KATST6_180811_108.JPG: Oddbins' Wine Catalogs Spring/Summer 1993 Summer 1994
113. KATST6_180811_112.JPG: Sketch 1998
114. KATST6_180811_118.JPG: Mouse on a Trolley from Emergency Mouse A story by Bernard Stone Andersen Press, 1978
115. KATST6_180811_127.JPG: Rolling Stone nos. 95 & 96, 11 & 25 November 1971 The "Fear and Loathing in Last Vegas" issues. Hunter S. Thompson's articles were reprinted as a book by Random House in 1972 with a selection of Steadman's drawings.
116. KATST6_180811_133.JPG: No Room to Swing a Cat from No Room to Swing a Cat Andersen Press, 1989 "My room's too small. There's not even room to swing a cat."
117. KATST6_180811_208.JPG: No Room to Swing a Cat Donkey from No Room to Swing a Cat Andersen Press, 1989 "How big do you want it? ... Big enough to swing a donkey, then?" said his mother. "Nope," said Tom.
118. KATST6_180811_225.JPG: Emergency Mouse The Ward from Emergency Mouse. A Story by Bernard Stone Anderson Press, 1978 "Emergency here! Get him to the operating theatre at once!" It was Surgeon Mouse speaking. Champion Mouse, the daredevil cheese-stealer, has been caught in the act at last and he was brought with a mouse-trap firmly caught on his tail." One of Ralph's first published books was a children's book entitled "The Jelly Book" In 1967. Since then he has written and illustrated many more, his latest "Again!" being published by Bloomsbury in 2017, all high-lighting his humour and ability to entertain across all generations.
119. KATST6_180811_255.JPG: Bonobo and Little Guy 2016 from Critical Critters, Bloomsbury, 2017
120. KATST6_180811_270.JPG: My Room's Too Small from No Room to Swing a Cat Andersen Press, 1969
121. KATST6_180811_334.JPG: Teddy! Where Are You? Andersen Press, 1994
122. KATST6_180811_369.JPG: Pallas's Cormorant from Extinct Birds by Ralph Steadman and Ceri Levy Phalacrocorax perspicillatus, 2011 Bloomsbury, 2012
123. KATST6_180811_383.JPG: The Three Parroteers and Parrotlets!! c 2014, from Nextinction, Bloomsbury, 2015
124. FLYDOG_180706_002.JPG: The following pictures are from the page 2018_MD_Flying_Dog MD -- Frederick -- Flying Dog Brewery (79 photos from 2018)
125. FLYDOG_180706_038.JPG: Evacuation
126. FLYDOG_180706_042.JPG: In 2010, the Michigan Liquor Control Commission deemed the original art and poetry for Raging Bitch (both by our genius label artist Ralph Steadman) "detrimental to the health, safety and welfare of the general public" and banned the beer from the state. Citing a violation of our First Amendment rights, we sued. After a six-year legal battle, the United States Court of Appeals ruled that the liquor commissioners had no immunity against being held liable for violating our right to free speech and expression -- a landmark federal ruling. Rage on!
127. FLYDOG_180706_048.JPG: On Monday, June 19, the Supreme Court ruled unanimously that The Slants can trademark their name, ending an 8-year legal battle against the US Patent and Trademark Office. The Slants are heroes in our world for defending the First Amendment against bureaucrats acting as self-appointed thought police. Justice Samuel Alito put it perfectly in that "speech may not be banned on the ground that it expresses ideas that offend." True defenders of free speech understand this dynamic, and large, Supreme Court victories like this remind everyone about all of the different types of speech the First Amendment protects. To Good Beer, No Censorship!
128. FLYDOG_180706_058.JPG: We'll Show You Ours If You Show Us Yours
129. FLYDOG_180706_071.JPG: Where's My Flying Dog?
130. FLYDOG_180706_139.JPG: When You Buy Local Ex. 1: You favor originality and innovation over standardization and outsourcing. Ex. 2: You keep your tax dollars in this city, county and state. Ex. 3: You known that 70% of your money is invested back into this community. Ex. 4: You support a business that partners with dozens of local businesses and contributes to dozens of local causes. Ex. 5: You support artists and artisans who are dedicated to their craft.
131. FLYDOG_180706_169.JPG: Every time you don't recycle, an angel gets its fingers broken
132. FLYDOG_180706_263.JPG: Thank somebody, anybody, everybody, it's Friday
133. FLYDOT_180706_001_STITCH.JPG: The following pictures are from the page 2018_MD_Flying_DogT MD -- Frederick -- Flying Dog Brewery tour (88 photos from 2018)
134. FLYDOT_180706_012.JPG: The First Amendment of the Constitution of United States of America, 1789: Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof; or abridging the freedom of speech, or of the press; or the right of the people peaceably to assemble, and to petition the government for a redress of grievances.
135. FLYDOT_180706_051.JPG: There's an ancient Celtic axiom that says "Good People Drink Good Beer." Which is true, then as now
136. FLYDOT_180706_058.JPG: (1) Look, learn and surrender to the Gospel of Gonzo. The Mural Hallway leading into our brewhouse is a visual is a visual representation of the history and philosophy of Flying Dog and our Gonzo Godfathers (Hunter S. Thompson, Ralph Steadman, and George Stranahan).
137. FLYDOT_180706_059.JPG: Diana Marshall Benjamin F. Gartrell Jessica Sansbury Jan. 2012
138. FLYDOT_180706_063.JPG: Ralph Steadman on the left
139. FLYDOT_180706_067.JPG: Hunter S. Thompson and George Stranahan
140. FLYDOT_180706_226.JPG: (5) Most of the beers we produce are filtered through two types of FILTRATION systems. Some, like our Hefeweizen, are not. Since talking is way more fun than reading, ask your tour guide the difference between filtered and unfiltered beers.
141. FLYDOT_180706_254.JPG: (4) Each and every batch of beer is analyzed throughout the brewing process and once it's packaged. In the world of our QUALITY ASSURANCE LAB, microbiology, chemistry and drinking (for QA sake, of course) ensures a consistent and quality product.
142. FLYDOT_180706_293.JPG: (6) Our BOTTLING LINE filler has 36 filling stations that fill at a rate of 250 bottles per minute. (Laverne and Shirley ain't seen nothing like that.) We also package our Snake Dog IPA and Easy IPA in cans, which involves diverting our bottling line to a can filler.
143. FLYDOT_180706_317.JPG: Ralph drew this on his arm during his visit earlier in the year and he went out to have it tattooed.
144. KATLAT_180630_004.JPG: Latitude: The Washington Women's Art Center
145. KATLAT_180630_007.JPG: Joan Danziger Carousel Frog, 1982
146. KATLAT_180630_013.JPG: Ellen Sinel Sculptor on Vacation, 1980
147. KATLAT_180630_017.JPG: Marie Ringwald #9364, 1984
148. KATLAT_180630_024.JPG: Sharon Moody Gallery, 1980
149. KATLAT_180630_032.JPG: Alice D. Sims Mummy on a Bathroom Floor, 1980
150. KATLAT_180630_034.JPG: Terry Svat Zavedoova, 1981
151. KATLAT_180630_039.JPG: Ellouise Schoettler A Valentine for Granny, 1978
152. KATLAT_180630_044.JPG: Andrea Kraus Women's Tools, 1981
153. KATLAT_180630_048.JPG: Judy Byron Hello Honey, 1979
154. KATLAT_180630_065.JPG: Ai-Wen Kratz She Sings, 1987
155. KATLAT_180630_076.JPG: Nina Muys Sunflower, 1982
156. KATLAT_180630_081.JPG: Laura Weaver Huff Amelia Earheart's Lockheed Vega, 1985
157. KATLAT_180630_087.JPG: Carol Lukitsch Pagoda on the Border, 1983
158. KATLAT_180630_094.JPG: Ronnie Spiewak Relax Steve, 1984
159. KATLAT_180630_099.JPG: Sarna Marcus Seed Atom Breached, 1979
160. KATLAT_180630_106.JPG: Dianne Bugash Tabloid III, 1984
161. KATLAT_180630_113.JPG: Altina The Lovers, 1977
162. KATLAT_180630_119.JPG: Judith Benderson Fire in the Blood, 1982
163. KATLAT_180630_127.JPG: Anne Marchand Dawn, 1985
164. KATLAT_180630_132.JPG: Harriet Lesser Daphne #2, 1980
165. KATLAT_180630_140.JPG: Ann Zahn 100 Views of Home, 1982
166. KATLAT_180630_144.JPG: Sandra Wasko-Flood Goddess of Technology, 1982
167. KATLAT_180630_150.JPG: Suzanne Twyford Hunt Fantasy, 1986
168. KATLAT_180630_155.JPG: Joyce Wellman Bio Soup, 1987
169. KATLAT_180630_160.JPG: Lila Snow Graduation, 1980
170. KATLAT_180630_166.JPG: Terry Braunstein Motherhood, artist book, 1975
171. KATLAT_180630_173.JPG: Joyce Zipperer 3 Days in the Rough Mountains, 1983
172. KATLAT_180630_182.JPG: Gail Watkins House Fragment
173. KATLAT_180630_188.JPG: Bonnie Lee Holland Checkerboard Landscape with Knotted Rainbow, 1983
174. KATLAT_180630_193.JPG: Rachel Sultanik Eclipse of the Moon, 1984
175. KATLAT_180630_199.JPG: Maria-Theresa Fernandes Autumn/Winter Installation USA, 1981
176. KATSTE_180630_10.JPG: Men in a London Pub Early c. 1960s
177. KATSTE_180630_21.JPG: Overcoat from Sigmund Freud Paddington Press, 1979
178. KATSTE_180630_27.JPG: Francis Bacon's Christmas Party c 1966-68
179. KATSTE_180630_66.JPG: Ernest Hemingway c 1993
180. KATUNS_180630_01.JPG: The following pictures are from the page 2018_DC_KatzenX_2018C_Unseen DC -- American University -- Katzen Arts Center -- 2018C Summer Exhibit: Things Unseen: The Fluency of Abstraction (6 photos from 2018)
  Things Unseen: The Fluency of Abstraction Curated by Janell Blackmon Pryor
181. KATUNS_180630_07.JPG: David Smedley Three-Fronted Object (Gender Fluid Alien Robot Muppet), 2018
182. KATUNS_180630_14.JPG: Adrienne Gaither Drift No. 1-9, 2018
183. KATUNS_180630_23.JPG: Allen Jackson It's All About De Mud, Shot 1999
184. STEADS_180630_004_STITCH.JPG: The following pictures are from the page 2018_DC_KatzenXT_SteadS_180630 DC -- American University -- Katzen Arts Center -- 2018C Summer Skype Session with Ralph Steadman and reception (51 photos from 2018)
185. STEADS_180630_051.JPG: Jim Caruso (CEO of Flying Dog)
186. STEADS_180630_181.JPG: Jim Caruso (CEO of Flying Dog)
187. STEADS_180630_268.JPG: Jack Rasmussen, Jim Caruso (CEO of Flying Dog)
188. STEADS_180630_419.JPG: Jack Rasmussen, Jim Caruso
189. 4NGREA_180621_01.JPG: The following pictures are from the page 2018_DC_KatzenXT_4NoGood_180621 DC -- American University -- Katzen Arts Center -- 2018C Summer Screening of "For No Good Reason" documentary (4 photos from 2018)
190. KATFIG_180621_01.JPG: Jo Weiss Collapse, 2018
191. KATFIG_180621_07.JPG: Kiley Ames A Story of Beauty and Blindness, 2017-2018
192. KATFIG_180621_13.JPG: Jo Weiss Green Room, 2017
193. KATFIG_180621_18.JPG: Jo Weiss Lunatics, 2017-2018
194. KATFIG_180621_26.JPG: Jo Weiss Ascension, 2017
195. KATFIG_180621_34.JPG: Jo Weiss Yellow Pushback, 2018
196. KATFIG_180621_39.JPG: Kyle Staver Hero & Leander, 2014
197. KATFIG_180621_46.JPG: Kyle Staver David and Goliath, 2016
198. KATFIG_180621_50.JPG: Jo Weiss Nestled, 2017
199. KATFIG_180621_54.JPG: Figures: Kiley Ames, Janice Nowinski, Kyle Staver, Jo Weiss
200. KATSTE_180621_017.JPG: Bureau of Missing Persons Rough drawing for cartoon published in Punch, 24 August 1960 Steadman started sending his cartoons to Punch in 1957. For three years he received a succession of rejection slips from the art editor, Bill Hewison. This rough drawing was returned with the following note: 'I'm passing the "Bureau" in spite of the boxing boots, but I would stress the inadvisability of straining for effect.' Some things were changed -- the chair and the desk became fancier -- but the boxing boots stayed.
201. KATSTE_180621_022.JPG: It's a Free Country Private Eye No. 30, 18 February 1963
202. KATSTE_180621_026.JPG: Cast Room Victoria and Albert Museum Early c 1960s
203. KATSTE_180621_059.JPG: Ralph I. Steadman Steadman has been an avid photographer since childhood. Some of the Steadman mug shots are marked with 'F.B.I.' numbers, and ta sticker bears the cryptic message: 'I AM NOURISHING PLACE ME BETWEEN TWO SLICES OF BREAD AND SWALLOW'
204. KATSTE_180621_067.JPG: Monarch of the Glen from Still Life with Bottle, Ebury Press, 1994
205. KATSTE_180621_072.JPG: Rats in the Kitchen and the Head Pastrycook's Drinking Problem Became a Daily Occurrence Independent, 14 November 1998
206. KATSTE_180621_077.JPG: Ardbeg Distillery, Islay from Still Life with Bottle, Ebury Press, 1994
207. KATSTE_180621_204.JPG: Joann Moser examining the Ralph Steadman pieces
208. KATSTE_180621_237.JPG: Hunter's Memorial signed, 20 August 2005 In 1978, the BBC filmed Hunter Thompson at his ranch, Owl Farm in Woody Creek, outside Aspen, Colorado for an Omnibus documentary, Fear and Loathing on the Way to Hollywood. Thompson told the director Nigel Finch of his funeral plans: "There's gonna be a pile of rocks, about a hundred feet tall, then a sort of giant chrome cylinder, conical, sort of round and tapering down to the top, 150 feet tall, hollow inside, with on top of the sort of big arm a fist with a double thumb -- the symbol... Oh yes, it's in the will... After the cremation we put the ashes in a canister and shoot it out of the top of the first over the valley -- about 500 feet up. It explodes and the ashes drift down all over it. That's it. That's my funeral." Steadman put the designs down on paper. Six months after his death in February 2005, Thompson's dream was realized. 250 friends and family witnessed Hunter's spectacular send-off at Owl Farm. His ashes were indeed shot out of a 153-foot-tall cannon over the valley in a riotous explosion of red, white and blue fireworks. On top of the column was a two-thumbed red fist with a peyote button -- the Gonzo fist. Among the signatories of Steadman's print are Hunter's widow, Anita, his former girlfriend Laila Nabulsi, Bill Murray, and, next to the skull, Johnny Depp.
209. KATSTE_180621_242.JPG: Ralph -- Much love to a dearest friend Kiss Kiss Deborah
210. KATSTE_180621_243.JPG: Ralph Why do they still lie to us, Ralph? I love you madly. Laila Nabulsi XOXO
211. KATSTE_180621_247.JPG: I love you Ralph, Your sister, Anita Thompson Ralph, You are still amazing. C... Bill Murray
212. KATSTE_180621_250.JPG: Ralph Steadman We did good, didn't we -- and bought Out Town (???) AP The War Room
213. KATFIG_180616_01.JPG: The following pictures are from the page 2018_DC_KatzenX_2018C_Figures DC -- American University -- Katzen Arts Center -- 2018C Summer Exhibit: FIGURES: Kiley Ames, Janice Nowinski, Kyle Staver, Jo Weiss (21 photos from 2018)
  Kiley Ames Siel, 2017
214. KATFIG_180616_09.JPG: Kiley Ames Revelation of Society's Soul, 2017
215. KATFIG_180616_14.JPG: Kiley Ames Startled by Stillness, 2017
216. KATFIG_180616_19.JPG: Kiley Ames With the Force of Reality, 2018
217. KATFIG_180616_26.JPG: Kiley Ames Sky with No Ceiling, 2016-2017
218. KATFIG_180616_32.JPG: Kiley Ames Sanctuary, 2016-2018
219. KATFIG_180616_43.JPG: Kiley Ames This Beautiful Sound, 2017
220. KATFIG_180616_48.JPG: Kiley Ames Reconstruction, 2017
221. KATLAT_180616_08.JPG: The following pictures are from the page 2018_DC_KatzenX_2018C_Latitude DC -- American University -- Katzen Arts Center -- 2018C Summer Exhibit:(Alper) Latitude: The Washington Women's Arts Center 1975-1987 (42 photos from 2018)
222. KATLAT_180616_12.JPG: Marilyn Banner Difficult Birth, 1982-1983
223. KATLAT_180616_16.JPG: Taina Litwak in collaboration with Lisa Ohlin The Party, 1982
224. KATLAT_180616_22.JPG: Ann Langdon Third of 7 Layers Shed, 1979
225. KATSTE_180616_001.JPG: A Retrospective Ralph Steadman United Therapeutics * Fly Dog * Audible * Cartoon Museum
226. KATSTE_180616_005.JPG: The American University Museum at the Katzen Arts Center is honored to present: Ralph Steadman: A Retrospective Ralph STEADman cannot be summed up. Not in a few sentences or in this USA Retrospective exhibition which features a selection of original artworks and prints from the past 65 years of Steadman's career. The depth and breadth of Ralph's contributions to the world are immense and his prolific art-making practice twists, turns, and jostles while taking us on a white-knuckle ride. STEADman brings to light the absurdity of societal norms and protests the status quo. With a sardonic eye, splashes of ink, and the whip of his pen, Ralph Steadman turns towards the viewer; he asks us to do better, be wary of propaganda, and to be better. In a time of division and suppression, Washington, DC could use STEADman's pointed truth. Ralph Steadman: A Retrospective was originally curated by Anita O'Brien at the Cartoon Museum, London, in 2013 to mark Ralph's 77th Birthday. Later, the art traveled to The Artworks in Halifax, England (2014), and soon after the Retrospective was reorganized to travel throughout the USA by Sadie Williams, Ralph STEADman Art Collection Executive Director. The organization of this tour was realized through her passion and the generous support of our sponsors and friends. The USA Retrospective was first presented in the Big Apple, New York City, at the Society of Illustrators (2016) where it received rave reviews. The American University Museum at the Katzen Arts Center in Washington DC is our current presenting venue. From the American University Museum the Retrospective will travel to the unbridled state of Kentucky to the University of Kentucky Art Museum in Lexington (also home of the Kentucky Derby), then on to the majestic Northwest to the Jordan Schnitzer Art Museum at the University of Oregon, Eugene, and onward until Fall 2020 when the Retrospective will travel home to England. We would like to thank our amazing collaborators and presenting partners at the American University Museum, Jack Rasmussen, Director & Curator and Steadman fan, Kristi-Anne Shear, Associate Director and guiding force, Kevin Runyon, Preparator and Steadman fan (who encouraged AU to host this exhibition), Rebecca Basu and Elizabeth Cowgill, museum marketing and public relations, for their help with the artist talk and so much more. None of these exhibitions would be possible without the unerring support and belief of our sponsors and friends at United Therapeutics, Flying Dog Brewery, and Audible. Special thanks go out to Martine Rothblatt CEO, Bill Rock, Creative Director, and Paul Mahon, GC at United Therapeutics. Also, cheers and many thanks to Jim Caruso, CEO, Meghan Hessler, and Erin Weston at Flying Dog Brewery and bravo (with applause sound) to Don Katz CEO, Katja Lindemann, Chelsea Adams, Chris Harris, Kari Helgason, and Michael Epstein at Audible. Special thanks to actor and friend Tim Robbins for his contribution to the Audible exhibition tour and thank you to Andrea Harris, Ralph STEADman Art Collection Exhibition Coordinator for all of her efforts towards realizing this USA Retrospective tour. Finally and most importantly, thank you Ralph for your generosity, sharp wit and unrelenting courage. We appreciate you taking us on this ride of a lifetime.
227. KATSTE_180616_009.JPG: A Proper Blot
228. KATSTE_180616_013.JPG: Mouse on a Trolley from Emergency Mouse A story by Bernard Stone Andersen Press, 1978
229. KATSTE_180616_020.JPG: Emergency Mouse The Ward from Emergency Mouse A Story by Bernard Stone Andersen Press, 1978
230. KATSTE_180616_031.JPG: Teddy! Where Are You? Andersen Press, 1994
231. KATSTE_180616_034.JPG: My Room's Too Small from No Room to Swing a Cat Andersen Press, 1969
232. KATSTE_180616_039.JPG: Bonobo and Little Guy 2016 from Critical Critters, Bloomsbury, 2017
233. KATSTE_180616_044.JPG: Pallas's Cormorant from Extinct Birds by Ralph Steadman and Ceri Levy Phalacrocorax perspicillatus, 2011 Bloomsbury, 2012
234. KATSTE_180616_049.JPG: The Three Parroteers and Parrotlets!! c 2014, from Nextinction, Bloomsbury, 2015
235. KATSTE_180616_055.JPG: Errazuriz, Panquehue, Vineyards Aconcagua Valley, Chile 1994
236. KATSTE_180616_062.JPG: Cardinal Zin from Untrodden Grapes Harcourt, 2005
237. KATSTE_180616_069.JPG: Ardbeg Distillery, Islay from Still Life with Bottle, Ebury Press, 1994
238. KATSTE_180616_077.JPG: The Revolution from Animal Farm: A Fairy Story by George Orwell Secker & Warburg, 1995
239. KATSTE_180616_084.JPG: The Trial from Animal Farm: A Fairy Story by George Orwell Secker & Warburg, 1995
240. KATSTE_180616_092.JPG: Official Portrait: Wine Master Antiquarian Book Collector and Art Dealer Talks Picasso: Sean Thackrey 1996 from Untrodden Grapes, Harcourt, 2005
241. KATSTE_180616_095.JPG: Turkey Buzzards Over the Sterling Winery 1990 from Oddbins Wine Merchants
242. KATSTE_180616_099.JPG: Raging Bitch 2009 Flying Dog Brewery was originally established as a brewpub in 1990 in Aspen, Colorado. The founder and owner, George Stranahan, was a close friend of Hunter S. Thompson, who introduced him to Steadman. In 1995, the artist produced his first original artwork for Flying Dog's beer labels, which have since become an intrinsic part of the company's brand. In 2009, the company commissioned Steadman to create a special label for "Raging Bitch," their 20th anniversary Belgian-style India Pale Ale. Michigan's Liquor Control Commission withheld registration of the label, which they deemed "detrimental to the health, safety and welfare of the general public." Flying Dog sued the Commission of US District Court, claiming that its First Amendment rights to free expression had been violated. In June 2011, three weeks after the company's first hearing before the Federal Court, the Commission decided to lift its ban. Raging Bitch has since become the company's most popular beer.
243. KATSTE_180616_107.JPG: Michelangelo and Leonardo from I. Leonardo Jonathan Cape, 1983
244. KATSTE_180616_116.JPG: "My Dream is to be a Great Bird" from I, Leonardo Jonathan Cape, 1983
245. KATSTE_180616_121.JPG: Vintage Dr. Gonzo Sculpted by Jud Bergeron Furtherrr, 2015 In 2015, San Franciscan sculptor Jud Bergeron created a limited edition bronze of a fleeing HST, after Steadman's classic Fear and Loathing portrait, complete with cigarette holder, Hawaiian shirt, white bucket hat and "medicine" spilling from his kit-bag. The Vintage Dr. Gonzo sculpture was unveiled at Steadman's 2015 print show, Printin' Backwuds, at Lazarides Editions, Upper Ground, London. Each of the fifty numbered and dated copies is signed by Steadman.
246. KATSTE_180616_133.JPG: Donald Trump -- Porky Pie!! New Statesman, 17 December 2015 This porcine portrait of the real estate billionaire, reality TV game-show host and presidential hopeful Donald J. Trump accompanied an article by Laurie Penny. "There is nothing funny about a Donald Trump rally." "By lying through his teeth," she writes, "he has managed to persuade thousands of people that he is the one truth-teller in American politics... Trump is selling fascism with a cartoon face." In November 2015, the mayor of Jersey City accused Trump of "shameful politicizing" after the Republican made unsubstantiated claims than in 2001 he watched on TV "thousands and thousands" of Arab Americans in New Jersey cheering the attacks on the World Trade Center. "Porky pie," or "porky," is Cockney rhyming slang for "lie".
247. KATSTE_180616_141.JPG: George Takes a Walk 1974
248. KATSTE_180616_167.JPG: Overcoat from Sigmund Freud Paddington Press, 1979
249. KATSTE_180616_199.JPG: Hunter's Memorial signed, 20 August 2005 In 1978, the BBC filmed Hunter Thompson at his ranch, Owl Farm in Woody Creek, outside Aspen, Colorado for an Omnibus documentary, Fear and Loathing on the Way to Hollywood. Thompson told the director Nigel Finch of his funeral plans: "There's gonna be a pile of rocks, about a hundred feet tall, then a sort of giant chrome cylinder, conical, sort of round and tapering down to the top, 150 feet tall, hollow inside, with on top of the sort of big arm a fist with a double thumb -- the symbol... Oh yes, it's in the will... After the cremation we put the ashes in a canister and shoot it out of the top of the first over the valley -- about 500 feet up. It explodes and the ashes drift down all over it. That's it. That's my funeral." Steadman put the designs down on paper. Six months after his death in February 2005, Thompson's dream was realized. 250 friends and family witnessed Hunter's spectacular send-off at Owl Farm. His ashes were indeed shot out of a 153-foot-tall cannon over the valley in a riotous explosion of red, white and blue fireworks. On top of the column was a two-thumbed red fist with a peyote button -- the Gonzo fist. Among the signatories of Steadman's print are Hunter's widow, Anita, his former girlfriend Laila Nabulsi, Bill Murray, and, next to the skull, Johnny Depp.
250. KATSTE_180616_225.JPG: The Kentucky Derby is Decadent and Depraved Scanlan's Monthly, June 1970 The Kentucky Derby of May 1970 was Steadman and Hunter S. Thompson's first assignment together and inspired the first genuine piece of "Gonzo" journalism. Armed with a few felt-tip pens and some borrowed Revlon lipsticks and eyebrow pencil -- he had left his inks and colors in the taxi on the way to the airport -- the artist was dispatched by Scanlan's Monthly from New York to Louisville, Thompson's old home town. Thompson met Steadman in the press box and explained that their focus was not on the horses but the Kentucky people. As soon as the race began the artist turned away from the course to sketch the excited faces in the crowd. "Turn around, you hairy freak!" bawled a voice from somewhere in the boxes. Steadman returned to New York and dropped off his drawings, only to be awoken by the co-founder/editor of Scanlan's, Warren Hinckle III, who wanted to know why none of the drawings featured horses. Steadman told him a horse was on its way. Unlike the other Kentucky Derby pictures this one was drawn with proper ink and watercolor. A few weeks later the artist returned to London, his drawings having been taken to San Francisco by the publisher "for safety." For more than thirty-five years he mourned their loss, until this picture was returned to him by an American collector a few years ago.
251. KATSTE_180616_279.JPG: Freedom of the Individual c 1960-61 In the early 1960s, Ralph, still signed his name "STEAD" had begun a series of cartoons using a tramp as a central character. This is one of about 20 pieces in the collection but the set has never been published.
252. KATZEO_180616_002_STITCH.JPG: The following pictures are from the page 2018_DC_KatzenO_180616 DC -- American University -- Katzen Arts Center -- 2018C Summer Opening Reception (Public) (71 photos from 2018)
253. KATZEO_180616_017.JPG: Michael Cavna, Anita O'Brien, ???, Sara Duke
254. KATZEO_180616_027.JPG: Juana Medina
255. KATZEO_180616_032.JPG: Jim Caruso (CEO of Flying Dog)
256. KATZEO_180616_043.JPG: Ralph Steadman
257. KATZEO_180616_045.JPG: Ralph Steadman
258. KATZEO_180616_062.JPG: Matt Wuerker (right)
259. KATZEO_180616_067.JPG: Anita Kunz, Ann Telnaes, Matt Wuerker
260. KATZEO_180616_080.JPG: Mike Rhode, Warren Bernard, Carol Wheatley, Mark Wheatley
261. KATZEO_180616_109.JPG: Warren Hernard, Anita O'Brien, and Ann Telnaes
262. KATZEO_180616_121.JPG: Carol Wheatley, Mark Wheatley, Mike Rhode
263. KATZEO_180616_147.JPG: Rick Banning, Jim Caruso, Matt Wuerker
264. KATZEO_180616_193.JPG: Kiley Ames (center)
265. KATZEO_180616_280.JPG: Mike Rhode photographed Ralph as he was doing an autograph for me
266. KATZEO_180616_284.JPG: The autograph
267. STEAD1_180616_001_STITCH.JPG: The following pictures are from the page 2018_DC_KatzenXT_Stead_180616 DC -- American University -- Katzen Arts Center -- 2018C Summer Artist Talk: Ralph Steadman (103 photos from 2018)
268. STEAD1_180616_034.JPG: Anita O'Brien, Ralph Steadman
269. STEAD1_180616_051.JPG: Jack Rasmussen
270. STEAD1_180616_088.JPG: Anita O'Brien
271. STEAD1_180616_117.JPG: Ralph Steadman
272. STEAD1_180616_152.JPG: My first car c. 1953
273. STEAD1_180616_175.JPG: Ralph Steadman's socks
274. STEAD1_180616_191.JPG: Ralph Steadman @ Katzen Arts Center
275. STEAD1_180616_220.JPG: "Gillray Was Here" 1967
276. STEAD1_180616_281.JPG: "6 of this one, please!"
277. STEAD1_180616_287.JPG: "Teddy & Devil's Own"
278. STEAD1_180616_365.JPG: "Universe" I Leonardo, 1983
279. STEAD1_180616_374.JPG: The artist Ralph Steadman, best known for his collaboration with Hunter S. Thompson, was in town at the Katzen Arts Center for a rare US appearance. His retrospective art exhibit is here through August 12 -- more info: https://www.american.edu/cas/museum/2018/ralph-steadman-retrospective.cfm
280. STEAD1_180616_409.JPG: "Picasso 347 Suite -- Harlequin Screen Print" Peacock Art Prints, Aberdeen
281. STEAD1_180616_433.JPG: "Mountain View"
282. STEAD1_180616_447.JPG: "New York in Sunshine"
283. STEAD1_180616_455.JPG: "In the Desert with Hunter"
284. STEAD1_180616_461.JPG: Showing us the Hunter S. Thompson walk
285. STEAD1_180616_480.JPG: Hunter S. Thompson -- 1937-2005
286. STEAD1_180616_500.JPG: "Hold the Front Page"
287. STEAD2_180616_029.JPG: "A Load of Bankers"
288. STEAD2_180616_037.JPG: "Budget Bums"
289. STEAD2_180616_047.JPG: "CIA World"
290. STEAD2_180616_054.JPG: "Tyrants of Our Age No. 4: Messiahs"
291. STEAD2_180616_063.JPG: "The Floatless Voters"
292. STEAD2_180616_071.JPG: "See That? The Wild Life's Getting Wilder" Animal Behaviourist No. 42
293. STEAD2_180616_076.JPG: "Bird Life in Kent"
294. STEAD2_180616_114.JPG: "Cerberus" Label for Flying Dog Brewery
295. STEAD2_180616_119.JPG: "Nuclear Kid"
296. STEAD2_180616_165.JPG: Self-Poortrait
297. STEAD2_180616_206.JPG: Anthony Bourdain -- Appetites, cookbook
298. STEAD2_180616_357.JPG: "The Statue of Liberty Takers!"
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