BGuthrie Photos: CA -- San Diego -- Public Library

BGuthrie Photos: CA -- San Diego -- Public Library CA -- San Diego -- Public Library:

Bruce Guthrie Photos Home Page: [Click here] to go to Bruce Guthrie Photos home page.

Recognize anyone? If you recognize specific folks (or other stuff) and I haven't labeled them, please identify them for the world. Click the little pencil icon

underneath the file name (just above the picture). Spammers need not apply.

Slide Show: Want to see the pictures as a slide show? [Click here for Slideshow]

Copyrights: All pictures were taken by amateur photographer Bruce Guthrie (me!) who retains copyright on them. Free for non-commercial use with attribution. See the [Creative Commons] definition of what this means. "Photos (c) Bruce Guthrie" is fine for attribution. (Commercial use folks including AI scrapers can of course contact me.) Feel free to use in publications and pages with attribution but you don't have permission to sell the photos themselves. A free copy of any printed publication using any photographs is requested. Descriptive text, if any, is from a mixture of sources, quite frequently from signs at the location or from official web sites; copyrights, if any, are retained by their original owners.

Help? The Medium (Email) links are for screen viewing and emailing. You'll want bigger sizes for printing. [Click here for additional help]

[1]

SDLIBE_220720_001.JPG

[2] SDLIBE_220720_005.JPG

[3]

SDLIBE_220720_007.JPG

[4] SDLIBE_220720_010.JPG

[5]

SDLIBE_220720_014.JPG

[6]

SDLIBE_220720_019.JPG

[7]

SDLIBE_220720_026.JPG

[8]

SDLIBE_220720_031.JPG

[9]

SDLIBE_220720_036.JPG

[10]

SDLIBE_220720_041.JPG

[11] SDLIBE_220720_047.JPG

[12]

SDLIBE_220720_049.JPG

[13]

SDLIBE_220720_056.JPG

[14]

SDLIBE_220720_061.JPG

[15]

SDLIBE_220720_066.JPG

[16]

SDLIBE_220720_071.JPG

[17]

SDLIBE_220720_080.JPG

[18] SDLIBE_220720_085.JPG

[19] SDLIBE_220720_088.JPG

[20] SDLIBE_220720_090.JPG

[21]

SDLIBE_220720_092.JPG

[22]

SDLIBE_220720_098.JPG

[23]

SDLIBE_220720_101.JPG

[24]

SDLIBE_220720_106.JPG

[25]

SDLIBE_220720_114.JPG

[26]

SDLIBE_220720_119.JPG

[27] SDLIBE_220720_123.JPG

[28]

SDLIBE_220720_128.JPG

[29]

SDLIBE_220720_131.JPG

[30] SDLIBE_220720_134.JPG

[31]

SDLIBE_220720_139.JPG

[32]

SDLIBE_220720_144.JPG

[33]

SDLIBE_220720_151.JPG

[34]

SDLIBE_220720_155.JPG

[35] SDLIBE_220720_158.JPG

[36]

SDLIBE_220720_164.JPG

[37]

SDLIBE_220720_170.JPG

[38]

SDLIBE_220720_175.JPG

[39] SDLIBE_220720_178.JPG

[40]

SDLIBE_220720_183.JPG

[41]

SDLIBE_220720_186.JPG

[42] SDLIBE_220720_192.JPG

[43]

SDLIBV_220720_05.JPG

[44] SDLIBV_220720_06.JPG

[45] SDLIBV_220720_09.JPG

[46] SDLIBV_220720_10.JPG

[47] SDLIBV_220720_14.JPG

[48] SDLIBV_220720_18.JPG

[49]

SDLIBV_190716_01.JPG

[50] SDLIBV_190716_04.JPG

[51] SDLIBV_190716_06.JPG

[52] SDLIBV_190716_09.JPG

[53] SDLIBV_190716_14.JPG

[54] SDLIBV_190716_15.JPG

[55] SDLIBV_190716_17.JPG

[56] SDLIBV_190716_21.JPG

[57]

SDLICR_190716_001.JPG

[58]

SDLICR_190716_008.JPG

[59] SDLICR_190716_012.JPG

[60] SDLICR_190716_014.JPG

[61] SDLICR_190716_016.JPG

[62] SDLICR_190716_018.JPG

[63] SDLICR_190716_021.JPG

[64]

SDLICR_190716_023.JPG

[65] SDLICR_190716_025.JPG

[66] SDLICR_190716_033.JPG

[67]

SDLICR_190716_037.JPG

[68]

SDLICR_190716_049.JPG

[69] SDLICR_190716_053.JPG

[70] SDLICR_190716_056.JPG

[71]

SDLICR_190716_058.JPG

[72] SDLICR_190716_063.JPG

[73] SDLICR_190716_065.JPG

[74]

SDLICR_190716_069.JPG

[75] SDLICR_190716_072.JPG

[76] SDLICR_190716_074.JPG

[77]

SDLICR_190716_081.JPG

[78] SDLICR_190716_084.JPG

[79] SDLICR_190716_086.JPG

[80]

SDLICR_190716_088.JPG

[81]

SDLICR_190716_094.JPG

[82] SDLICR_190716_101.JPG

[83]

SDLICR_190716_102.JPG

[84]

SDLICR_190716_109.JPG

[85]

SDLICR_190716_114.JPG

[86]

SDLICR_190716_119.JPG

[87]

SDLICR_190716_125.JPG

[88]

SDLICR_190716_131.JPG

[89]

SDLICR_190716_135.JPG

[90] SDLICR_190716_141.JPG

[91] SDLICR_190716_143.JPG

[92]

SDLICR_190716_147.JPG

[93]

SDLICR_190716_154.JPG

[94] SDLICR_190716_159.JPG

[95] SDLICR_190716_162.JPG

[96] SDLICR_190716_165.JPG

[97]

SDLIEX_190716_001.JPG

[98]

SDLIEX_190716_003.JPG

[99]

SDLIEX_190716_006.JPG

[100]

SDLIEX_190716_010.JPG

[101]

SDLIEX_190716_013.JPG

[102]

SDLIEX_190716_016.JPG

[103]

SDLIEX_190716_019.JPG

[104]

SDLIEX_190716_022.JPG

[105]

SDLIEX_190716_024.JPG

[106] SDLIEX_190716_027.JPG

[107]

SDLIEX_190716_031.JPG

[108] SDLIEX_190716_034.JPG

[109] SDLIEX_190716_035.JPG

[110] SDLIEX_190716_038.JPG

[111] SDLIEX_190716_040.JPG

[112] SDLIEX_190716_042.JPG

[113] SDLIEX_190716_045.JPG

[114] SDLIEX_190716_048.JPG

[115] SDLIEX_190716_050.JPG

[116] SDLIEX_190716_053.JPG

[117] SDLIEX_190716_056.JPG

[118] SDLIEX_190716_059.JPG

[119] SDLIEX_190716_061.JPG

[120] SDLIEX_190716_063.JPG

[121] SDLIEX_190716_065.JPG

[122] SDLIEX_190716_071.JPG

[123] SDLIEX_190716_073.JPG

[124] SDLIEX_190716_076.JPG

[125] SDLIEX_190716_077.JPG

[126] SDLIEX_190716_079.JPG

[127] SDLIEX_190716_082.JPG

[128] SDLIEX_190716_085.JPG

[129] SDLIEX_190716_088.JPG

[130] SDLIEX_190716_090.JPG

[131] SDLIEX_190716_092.JPG

[132] SDLIEX_190716_094.JPG

[133] SDLIEX_190716_096.JPG

[134] SDLIEX_190716_098.JPG

[135] SDLIEX_190716_100.JPG

[136] SDLIEX_190716_102.JPG

[137] SDLIEX_190716_104.JPG

[138] SDLIEX_190716_106.JPG

[139] SDLIEX_190716_108.JPG

[140]

SDLIEX_190716_110.JPG

[141] SDLIEX_190716_113.JPG

[142] SDLIEX_190716_116.JPG

[143] SDLIEX_190716_119.JPG

[144] SDLIEX_190716_122.JPG

[145]

SDLIEX_190716_123.JPG

[146] SDLIEX_190716_125.JPG

[147] SDLIEX_190716_128.JPG

[148] SDLIEX_190716_130.JPG

[149] SDLIEX_190716_135.JPG

[150]

SDLIEX_190716_137.JPG

[151] SDLIEX_190716_140.JPG

[152] SDLIEX_190716_143.JPG

[153] SDLIEX_190716_146.JPG

[154] SDLIEX_190716_150.JPG

[155]

SDLIBR_180718_001.JPG

[156] SDLIBR_180718_004.JPG

[157]

SDLIBR_180718_007.JPG

[158] SDLIBR_180718_012.JPG

[159] SDLIBR_180718_014.JPG

[160] SDLIBR_180718_018.JPG

[161]

SDLIBR_180718_022.JPG

[162] SDLIBR_180718_027.JPG

[163] SDLIBR_180718_029.JPG

[164]

SDLIBR_180718_034.JPG

[165] SDLIBR_180718_036.JPG

[166] SDLIBR_180718_039.JPG

[167]

SDLIBR_180718_043.JPG

[168] SDLIBR_180718_048.JPG

[169] SDLIBR_180718_052.JPG

[170] SDLIBR_180718_056.JPG

[171]

SDLIBR_180718_060.JPG

[172] SDLIBR_180718_064.JPG

[173] SDLIBR_180718_067.JPG

[174]

SDLIBR_180718_070.JPG

[175] SDLIBR_180718_073.JPG

[176] SDLIBR_180718_078.JPG

[177]

SDLIBR_180718_080.JPG

[178] SDLIBR_180718_085.JPG

[179]

SDLIBR_180718_090.JPG

[180]

SDLIBR_180718_096.JPG

[181]

SDLIBR_180718_099.JPG

[182]

SDLIBR_180718_103.JPG

[183] SDLIBR_180718_108.JPG

[184]

SDLIBR_180718_111.JPG

[185]

SDLIBR_180718_114.JPG

[186]

SDLIBR_180718_126.JPG

[187] SDLIBR_180718_133.JPG

[188]

SDLIBR_180718_137.JPG

[189] SDLIBR_180718_140.JPG

[190]

SDLIBR_180718_147.JPG

[191]

SDLIBR_180718_150.JPG

[192] SDLIBR_180718_155.JPG

[193] SDLIBR_180718_158.JPG

[194] SDLIBR_180718_162.JPG

[195] SDLIBR_180718_165.JPG

[196]

SDLIBR_180718_167.JPG

[197]

SDLIBR_180718_169.JPG

[198] SDLIBR_180718_172.JPG

[199] SDLIBR_180718_173.JPG

[200] SDLIBR_180718_176.JPG

[201] SDLIBR_180718_179.JPG

[202] SDLIBR_180718_180.JPG

[203]

SDLIBR_180718_181.JPG

[204] SDLIBR_180718_184.JPG

[205] SDLIBR_180718_185.JPG

[206]

SDLIBV_180718_01.JPG

[207] SDLIBV_180718_03.JPG

[208] SDLIBV_180718_05.JPG

[209] SDLIBV_180718_13.JPG

[210] SDLIBV_180718_29.JPG

[211] SDLIBV_180718_33.JPG

[212] SDLIBV_180718_35.JPG

[213] SDLIBV_180718_37.JPG

[214] SDLIBV_180718_43.JPG

[215]

SDLIBX_180718_01.JPG

[216]

SDLIBX_180718_04.JPG

[217] SDLIBX_180718_07.JPG

[218] SDLIBX_180718_10.JPG

[219] SDLIBX_180718_12.JPG

[220]

SDLIBX_180718_15.JPG

[221]

SDLIBX_180718_18.JPG

[222]

SDLIBX_180718_23.JPG

[223]

SDLIBX_180718_26.JPG

[224]

SDLIBX_180718_29.JPG

[225]

SDLIBX_180718_35.JPG

[226] SDLIBX_180718_37.JPG

[227] SDLIBX_180718_39.JPG

[228] SDLIBX_180718_42.JPG

[229] SDLIBX_180718_45.JPG

[230]

SDLIBX_180718_51.JPG

[231] SDLIBX_180718_53.JPG

[232]

SDLIBX_180718_57.JPG

[233] SDLIBX_180718_58.JPG

[234] SDLIBX_180718_61.JPG

[235]

SDLIBX_180718_64.JPG

[236]

SDLIBX_180718_70.JPG

[237] SDLIBX_180718_72.JPG

[238] SDLIBX_180718_76.JPG

[239]

SDLIBX_180718_77.JPG

[240] SDLIBX_180718_84.JPG

[241] SDLIBX_180718_87.JPG

[242] SDLIBX_180718_90.JPG

[243]

SDLIBS_170719_001.JPG

[244]

SDLIBS_170719_003.JPG

[245]

SDLIBS_170719_007.JPG

[246]

SDLIBS_170719_010.JPG

[247] SDLIBS_170719_014.JPG

[248] SDLIBS_170719_019.JPG

[249] SDLIBS_170719_022.JPG

[250] SDLIBS_170719_025.JPG

[251]

SDLIBS_170719_029.JPG

[252]

SDLIBS_170719_030.JPG

[253]

SDLIBS_170719_032.JPG

[254] SDLIBS_170719_034.JPG

[255]

SDLIBS_170719_037.JPG

[256]

SDLIBS_170719_039.JPG

[257] SDLIBS_170719_041.JPG

[258]

SDLIBS_170719_045.JPG

[259]

SDLIBS_170719_047.JPG

[260] SDLIBS_170719_053.JPG

[261] SDLIBS_170719_056.JPG

[262] SDLIBS_170719_060.JPG

[263] SDLIBS_170719_063.JPG

[264]

SDLIBS_170719_065.JPG

[265]

SDLIBS_170719_068.JPG

[266]

SDLIBS_170719_071.JPG

[267]

SDLIBS_170719_074.JPG

[268] SDLIBS_170719_077.JPG

[269] SDLIBS_170719_082.JPG

[270] SDLIBS_170719_085.JPG

[271]

SDLIBS_170719_087.JPG

[272]

SDLIBS_170719_089.JPG

[273] SDLIBS_170719_091.JPG

[274] SDLIBS_170719_094.JPG

[275] SDLIBS_170719_097.JPG

[276] SDLIBS_170719_100.JPG

[277]

SDLIBS_170719_103.JPG

[278]

SDLIBS_170719_109.JPG

[279] SDLIBS_170719_117.JPG

[280] SDLIBS_170719_118.JPG

[281]

SDLIBS_170719_120.JPG

[282]

SDLIBS_170719_123.JPG

[283] SDLIBS_170719_126.JPG

[284] SDLIBS_170719_129.JPG

[285] SDLIBS_170719_133.JPG

[286]

SDLIBS_170719_136.JPG

[287]

SDLIBS_170719_138.JPG

[288] SDLIBS_170719_141.JPG

[289] SDLIBS_170719_144.JPG

[290]

SDLIBS_170719_148.JPG

[291]

SDLIBS_170719_150.JPG

[292] SDLIBS_170719_153.JPG

[293] SDLIBS_170719_156.JPG

[294]

SDLIBS_170719_162.JPG

[295] SDLIBS_170719_165.JPG

[296] SDLIBS_170719_170.JPG

[297]

SDLIBS_170719_173.JPG

[298]

SDLIBS_170719_175.JPG

[299] SDLIBS_170719_177.JPG

[300] SDLIBS_170719_179.JPG

[301] SDLIBS_170719_182.JPG

[302]

SDLIBV_170718_01.JPG

[303] SDLIBV_170718_04.JPG

[304] SDLIBV_170718_07.JPG

[305] SDLIBV_170718_10.JPG

[306] SDLIBV_170718_13.JPG

[307] SDLIBV_170718_16.JPG

[308] SDLIBV_170718_19.JPG

[309] SDLIBV_170718_25.JPG

[310] SDLIBV_170718_28.JPG

[311] SDLIBV_170718_32.JPG

[312] SDLIBV_170718_45.JPG

[313] SDLIBV_170718_47.JPG

[314] SDLIBV_170718_53.JPG

[315] SDLIBV_170718_58.JPG

[316] SDLIBV_170718_60.JPG

[317] SDLIBV_170718_64.JPG

[318] SDLIBV_170718_68.JPG

[319] SDLIBV_170718_70.JPG

[320] SDLIBV_170718_72.JPG

[321] SDLIBV_170718_83.JPG

[322] SDLIBV_170718_86.JPG

[323] SDLIBV_170718_90.JPG

[324]

SDLIBR_160720_001.JPG

[325]

SDLIBR_160720_004.JPG

[326] SDLIBR_160720_013.JPG

[327]

SDLIBR_160720_019.JPG

[328] SDLIBR_160720_022.JPG

[329]

SDLIBR_160720_025.JPG

[330] SDLIBR_160720_026.JPG

[331] SDLIBR_160720_030.JPG

[332] SDLIBR_160720_034.JPG

[333]

SDLIBR_160720_040.JPG

[334] SDLIBR_160720_044.JPG

[335]

SDLIBR_160720_046.JPG

[336] SDLIBR_160720_054.JPG

[337]

SDLIBR_160720_057.JPG

[338]

SDLIBR_160720_069.JPG

[339]

SDLIBR_160720_076.JPG

[340]

SDLIBR_160720_081.JPG

[341]

SDLIBR_160720_084.JPG

[342]

SDLIBR_160720_092.JPG

[343]

SDLIBR_160720_097.JPG

[344] SDLIBR_160720_105.JPG

[345] SDLIBR_160720_108.JPG

[346]

SDLIBV_160720_01_STITCH.JPG

[347] SDLIBV_160720_02_STITCH.JPG

[348] SDLIBV_160720_03.JPG

[349] SDLIBV_160720_08.JPG

[350] SDLIBV_160720_10.JPG

[351] SDLIBV_160720_13.JPG

[352] SDLIBV_160720_15.JPG

[353] SDLIBV_160720_18.JPG

[354] SDLIBV_160720_21.JPG

[355] SDLIBV_160720_23.JPG

[356] SDLIBV_160720_26.JPG

[357] SDLIBV_160720_29.JPG

[358] SDLIBV_160720_34.JPG

[359] SDLIBV_160720_39.JPG

[360] SDLIBV_160720_40.JPG

[361] SDLIBV_160720_43.JPG

[362] SDLIBV_160720_46.JPG

[363] SDLIBV_160720_49.JPG

[364] SDLIBV_160720_55.JPG

[365] SDLIBV_160720_60.JPG

[366] SDLIBV_160720_64.JPG

[367] SDLIBV_160720_70.JPG

[368] SDLIBV_160720_75.JPG

[369] SDLIBV_160720_76.JPG

[370] SDLIBV_150709_001_STITCH.JPG

[371] SDLIBV_150709_004.JPG

[372] SDLIBV_150709_007.JPG

[373] SDLIBV_150709_012.JPG

[374] SDLIBV_150709_015.JPG

[375] SDLIBV_150709_021.JPG

[376] SDLIBV_150709_027.JPG

[377] SDLIBV_150709_031.JPG

[378] SDLIBV_150709_040.JPG

[379] SDLIBV_150709_046.JPG

[380] SDLIBV_150709_048.JPG

[381] SDLIBV_150709_052.JPG

[382] SDLIBV_150709_061.JPG

[383] SDLIBV_150709_072.JPG

[384] SDLIBV_150709_101.JPG

[385] SDLIBV_150709_106.JPG

[386] SDLIBV_150709_113.JPG

[387] SDLIBV_150709_129.JPG

[388] SDLIBV_150709_135.JPG

[389] SDLIBV_150709_149.JPG

[390]

SDLIBV_150708_02_STITCH.JPG

[391] SDLIBV_150708_03.JPG

[392] SDLIBV_150708_06.JPG

[393] SDLIBV_150708_09.JPG

[394] SDLIBV_150708_12.JPG

[395] SDLIBV_150708_15.JPG

[396] SDLIBV_150708_17.JPG

[397] SDLIBV_150708_20.JPG

[398] SDLIBV_150708_23.JPG

[399] SDLIBV_150708_27.JPG

[400] SDLIBV_150708_31.JPG

[401]

SDLIBV_150708_33.JPG

[402] SDLIBV_150708_38.JPG

[403] SDLIBV_150708_41.JPG

[404] SDLIBV_150708_46.JPG

[405] SDLIBV_150708_50.JPG

[406] SDLIBV_150708_54.JPG

[407] SDLIBV_150708_59.JPG

[408] SDLIBV_150708_64.JPG

[409] SDLIBV_150708_66.JPG

Specific picture descriptions: Photos above with "i" icons next to the bracketed sequence numbers (e.g. "[1] ") are described as follows:
1. SDLIBE_220720_001.JPG: The following pictures are from the page 2022_CA_SD_Library_Echoes CA -- San Diego -- Public Library -- Exhibit: Echoes of Africa (42 photos from 2022)
  Echos of Africa
2. SDLIBE_220720_007.JPG: It is not taboo to fetch what is at risk of being left behind.
3. SDLIBE_220720_014.JPG: Maxx Moses Benin, 2022
4. SDLIBE_220720_019.JPG: Detelumo (Helmet Mask) Ejagham (Ekoi) people
5. SDLIBE_220720_026.JPG: Jermaine Adeshola Williams
6. SDLIBE_220720_031.JPG: Dihunga - Liganda (Currency Blades) Topooke people
7. SDLIBE_220720_036.JPG: Jermaine Adeshola Williams Original (cosmos) life bringer. The space in between the stars, void, 2019
8. SDLIBE_220720_041.JPG: Angie Jennings Bocio for The Farm, 2022
9. SDLIBE_220720_049.JPG: Christopher Lloyd Tucker Hold Tight, 2021
10. SDLIBE_220720_056.JPG: Christopher Lloyd Tucker Under, 2021
11. SDLIBE_220720_061.JPG: Christopher Lloyd Tucker AGAIN, 2021
12. SDLIBE_220720_066.JPG: Yegue Mask Ku'ngang society, Bamileke People, Cameroon
13. SDLIBE_220720_071.JPG: Christopher Lloyd Tucker Exhaustion, 2021
14. SDLIBE_220720_080.JPG: Christopher Lloyd Tucker Closeknit, 2021
15. SDLIBE_220720_092.JPG: Maxx Moses Nine, 2022
16. SDLIBE_220720_098.JPG: Bwoom (Helmet Mask) Kuba People, Congo
17. SDLIBE_220720_101.JPG: Ntomo Mask Bahama people, Mali
18. SDLIBE_220720_106.JPG: Maxx Moses Brass & the Blood of Kings, 2022
19. SDLIBE_220720_114.JPG: Kifwebe Mask Luba / Songye People, Congo
20. SDLIBE_220720_119.JPG: Maxx Moses Currency, 2022
21. SDLIBE_220720_128.JPG: Andrea Chung Endosymbiotic Theory, 2019
22. SDLIBE_220720_131.JPG: Osanyin (Divination Staff) Yoruba People, Nigeria
23. SDLIBE_220720_139.JPG: Maxx Moses Medicine, 2022
24. SDLIBE_220720_144.JPG: Guere Mask We/Dan People, Ivory Coast/Liberia
25. SDLIBE_220720_151.JPG: Maxx Moses Influential, 2022
26. SDLIBE_220720_155.JPG: Mwaash aMbooy Kuba People, Congo
27. SDLIBE_220720_164.JPG: Christopher Lloyd Tucker Mukyeem, 2021
28. SDLIBE_220720_170.JPG: Kuba Cloth Kuba People, Congo
29. SDLIBE_220720_175.JPG: Christopher Lloyd Tucker B, 2021
30. SDLIBE_220720_183.JPG: Mwana Nyakiti, Mwali (initiate) Tonga / Yoa people, Zimbabwe
31. SDLIBE_220720_186.JPG: Ceremonial Dance Skirt Kuba people, Congo
32. SDLIBV_220720_05.JPG: The following pictures are from the page 2022_CA_SD_LibraryV CA -- San Diego -- Public Library -- Views from... (6 photos from 2022)
33. SDLIBV_190716_01.JPG: The following pictures are from the page 2019_CA_SD_LibraryV CA -- San Diego -- Public Library -- Views from... (8 photos from 2019)
34. SDLICR_190716_001.JPG: The following pictures are from the page 2019_CA_SD_Library_Crafting CA -- San Diego -- Public Library -- Exhibit: Crafting Opportunity (40 photos from 2019)
35. SDLICR_190716_008.JPG: Crafting Opportunity Mid-Century Work from the Collection of Mingei International Museum
36. SDLICR_190716_023.JPG: Eve Gulick Broken Moon, Double Weave, 1964
37. SDLICR_190716_037.JPG: Ellamarie Woolley Untitled, c 1965
38. SDLICR_190716_049.JPG: Kay Whitcomb Untitled, 1969
39. SDLICR_190716_058.JPG: Karen Jones Lidded Jar, 1976
40. SDLICR_190716_069.JPG: Marg Loring Owl, c 1968
41. SDLICR_190716_081.JPG: Beatrice Wood The Superior Masculine Mind, date unknown
42. SDLICR_190716_088.JPG: Jack Lenor Larsen Benin Brocade, 1962
43. SDLICR_190716_094.JPG: Chuck Masters Wall Trays, 1978
44. SDLICR_190716_102.JPG: Maurice Grossman Boot with Japanese Figures, c 1960
45. SDLICR_190716_109.JPG: Larry Hunter Bowl, c 1970
46. SDLICR_190716_114.JPG: Arline M. Fisch Feathers, 1974
47. SDLICR_190716_119.JPG: Arline M. Fisch Belly Warmer, 1973
48. SDLICR_190716_125.JPG: Marcia Lewis Helmet, 1970-71
49. SDLICR_190716_131.JPG: Marcia Lewis Container, 1971
50. SDLICR_190716_135.JPG: Marcia Lewis Cape with Clasp, date unknown
51. SDLICR_190716_147.JPG: Douglas Deeds Chair, 1962
52. SDLICR_190716_154.JPG: Berta Wright Shift, 1950s
53. SDLIEX_190716_001.JPG: The following pictures are from the page 2019_CA_SD_Library_Libris CA -- San Diego -- Public Library -- Exhibit: The Art of Ex Libris (58 photos from 2019)
  The Art of Ex Libris [ from the library of ]
54. SDLIEX_190716_003.JPG: The Art of Ex Libris The role of the bookplate was, is, and always will be to indicate the ownership of a book in which it is placed. A personalized bookplate adhered to the inside cover of a book allows one to proudly claim ownership of that book. The images adorned on bookplates are often representative of its owner and symbolize them in certain ways. The historic use of bookplates has also allowed historians, bibliophiles, collectors and others to establish the provenance of many old tomes.
55. SDLIEX_190716_006.JPG: Before the advent of the mechanical printing press, hand written books were precious and uncommon enough to discourage casual lending, but after the invention of the press, there was a sudden proliferation of books, and lending became more common. The use of a bookplate could help secure the return of the owners prized possession. "Please return this book; I find that though many of my friends are poor mathematicians, they are nearly all good bookkeepers." -- Sir Walter Scott
56. SDLIEX_190716_010.JPG: The origin of the Bookplate dates to mid- to late 15th century Germany, just after Gutenberg's creation of the mechanical printing press. But it was not until the 18th century that the engraving of bookplates entered its golden age; this was reflected in the craftsmanship of bookplates made by the processes of copper and steel engraving, aquatint, mezzotint, lithography, and wood engraving.
57. SDLIEX_190716_013.JPG: Near the turn of the 20th century, the composition of personal bookplates became recognized as a minor branch of fine art. Many of the images adopted a romanticized look with the unmistakable characteristics and styles of bygone days; this heralded an entirely new class of wonderfully varied designs. Thematic trend can be seen running through many collections: animals, bucolic setting, men and women in private repose with a book...
58. SDLIEX_190716_016.JPG: Yet finding value attached to bookplates -- other than as an object of purely personal interest -- is comparatively modern. While there is a high interest in collecting bookplates as pieces of vintage decorative art, there is also an interest in collecting them as personal relics of well-known people, for their value is often far greater than the old book in which they are found affixed.
59. SDLIEX_190716_019.JPG: In 1984, the San Diego Public Library's collection of bookplates -- numbering around 300 -- received a tremendous boost. James H. Wilkinson, a member of the American Society of Bookplate Collectors and Designers, passed away leaving his collection of 6,700 bookplates to the library's Wangenheim Room. Mr. Wilkerson had requested that the donation be given in memory of his grandfather, James Daniel Humphrey. This gift spurred the subsequent donation of over 1,300 bookplates from another generous donor, resulting in San Diego Public Library owning one of the largest library-owned collections in the country.
60. SDLIEX_190716_022.JPG: In time, bookplates were also issued by institutions, often religious ones, awarding books to individuals to recognize academic performance, or good behavior. These would be inscribed by hand with the name of the individual. Such plates could be very elaborate, or very simple in their design, reflecting the character of the awarding institution. It also became very common for institutions such as schools and public libraries to adopt their own personalized bookplate for their collections.
61. SDLIEX_190716_024.JPG: Bookplates, of which there are probably far more than a million extant examples worldwide, have become objects of collection. The study of and the taste for collecting bookplates can be dated back to the year 1860. The first real impetus was given by the appearance of A Guide to the Study of Book-Plates (Ex Libris), by Lord de Tabley in 1880.
62. SDLIEX_190716_031.JPG: Most of the designs of earlier plates were armorial -- relating to heraldry -- and displayed a coat of arms.
63. SDLIEX_190716_110.JPG: The art of Michel Fingesten (1884-1943)
64. SDLIEX_190716_123.JPG: The art of Franz von Bayros (1866-1924)
65. SDLIEX_190716_137.JPG: The art of Joseph Sattler (1867-1931)
66. SDLIBR_180718_001.JPG: The following pictures are from the page 2018_CA_SD_Library_Rare CA -- San Diego -- Public Library -- Rare Books Collection (51 photos from 2018)
67. SDLIBR_180718_007.JPG: Leslie William Lee Jung Ho, 1939
68. SDLIBR_180718_022.JPG: The Codex Vindobonensis
69. SDLIBR_180718_034.JPG: William Hogarth (1697-1764) The English artist William Hogarth was a leading social critic of his day -- known for his satirical art that mocked the manners and morals of 18th century England. He is best known for his series of paintings that told a story through related scenes. The six-part Marriage a la Mode (1743) mocked upper-class marriage customs. The eight-part series, A Rake's Progress (1735), shows the rise and fall of a middle-class youth. Other works poked fun at the courts, elections, corrupt public officials, and the social costs of liquor. The sale of engravings from these works made Hogarth wealthy. But he was a controversial critic and disliked by many artists. The Hogarth works shown in this exhibit are part of a 99-piece Wangenheim collection of original engravings and etchings.
70. SDLIBR_180718_043.JPG: Donal Hord Westwind 1953
71. SDLIBR_180718_060.JPG: Frederick Yates Untitled, c 1904
72. SDLIBR_180718_070.JPG: Burmese Kammavaca (Confession for Buddhist Monks)
73. SDLIBR_180718_080.JPG: Kate Greenaway First Editions
74. SDLIBR_180718_090.JPG: Donal Hord Peon Game: Passers (Four Men), 1950
75. SDLIBR_180718_096.JPG: The Rubaiyat of Omar Khayyam
76. SDLIBR_180718_099.JPG: Omar Khayyam
77. SDLIBR_180718_103.JPG: Donal Hord Peon Game: Guesses (Four Men), 1950
78. SDLIBR_180718_111.JPG: Smallest Books Published in U.S.A.
79. SDLIBR_180718_114.JPG: Smallest Book in the World
80. SDLIBR_180718_126.JPG: The Smallest Book in the World This leather-bound ABC-picture book (4-color print), was produced in the traditional book city Leipzig. Measuring 2.4 x 2.9 mm, this is the world's smallest book in a published edition.
81. SDLIBR_180718_137.JPG: Rosetta Stone From Wikipedia, the free encyclopedia The Rosetta Stone is a granodiorite stele, found in 1799, inscribed with three versions of a decree issued at Memphis, Egypt in 196 BC during the Ptolemaic dynasty on behalf of King Ptolemy V. The top and middle texts are in Ancient Egyptian using hieroglyphic script and Demotic script, respectively, while the bottom is in Ancient Greek. As the decree has only minor differences between the three versions, the Rosetta Stone proved to be the key to deciphering Egyptian hieroglyphs, thereby opening a window into ancient Egyptian history. The stone, carved during the Hellenistic period, is believed to have originally been displayed within a temple, possibly at nearby Sais. It was probably moved during the early Christian or medieval period, and was eventually used as building material in the construction of Fort Julien near the town of Rashid (Rosetta) in the Nile Delta. It was rediscovered there in July 1799 by a French soldier named Pierre-Fran�ois Bouchard during the Napoleonic campaign in Egypt. It was the first Ancient Egyptian bilingual text recovered in modern times, and it aroused widespread public interest with its potential to decipher this previously untranslated hieroglyphic language. Lithographic copies and plaster casts began circulating among European museums and scholars. British troops having meanwhile defeated the French, under the Capitulation of Alexandria in 1801 the original stone came into British possession and was transported to London. It has been on public display at the British Museum almost continuously since 1802 and is the most-visited object there. Study of the decree was already under way when the first full translation of the Greek text appeared in 1803. It was 20 years, however, before the transliteration of the Egyptian scripts was announced by Jean-Fran�ois Champollion in Paris in 1822; it took longer still before scholars were able to read Ancient Egyptian inscriptions and literature confidently. Major advances in the decoding were recognition that the stone offered three versions of the same text (1799); that the demotic text used phonetic characters to spell foreign names (1802); that the hieroglyphic text did so as well, and had pervasive similarities to the demotic (Thomas Young, 1814); and that, in addition to being used for foreign names, phonetic characters were also used to spell native Egyptian words (Champollion, 1822–1824). Ever since its rediscovery, the stone has been the focus of nationalist rivalries, including its transfer from French to British possession during the Napoleonic Wars, a long-running dispute over the relative value of Young and Champollion's contributions to the decipherment and, since 2003, demands for the stone's return to Egypt. Two other fragmentary copies of the same decree were discovered later, and several similar Egyptian bilingual or trilingual inscriptions are now known, including two slightly earlier Ptolemaic decrees (the Decree of Canopus in 238 BC, and the Memphis decree of Ptolemy IV, c. 218 BC). The Rosetta Stone is, therefore, no longer unique, but it was the essential key to modern understanding of Ancient Egyptian literature and civilisation. The term Rosetta Stone is now used in other contexts as the name for the essential clue to a new field of knowledge.
82. SDLIBR_180718_147.JPG: The Fifty-three Stages of the Tokaido by Hiroshige
83. SDLIBR_180718_150.JPG: Ando Hiroshige Shirasuka (Fifty-Three Stations of the Tokaido #33), c 1831-34
84. SDLIBR_180718_167.JPG: Egyptian pen and ink case
85. SDLIBR_180718_169.JPG: Leather scroll in Ge'ez language (Ethiopian script)
86. SDLIBR_180718_181.JPG: The Book of Esther in Hebrew characters, 18th century
87. SDLIBV_180718_01.JPG: The following pictures are from the page 2018_CA_SD_LibraryV CA -- San Diego -- Public Library -- Views from... (9 photos from 2018)
88. SDLIBX_180718_01.JPG: The following pictures are from the page 2018_CA_SD_Library_Extreme CA -- San Diego -- Public Library -- Exhibit: A Method of Reaching Extreme Altitudes (28 photos from 2018)
  A Method for Reaching Extreme Altitudes
89. SDLIBX_180718_04.JPG: A Method for Reaching Extreme Altitudes
90. SDLIBX_180718_15.JPG: Melissa Walter Orbital Debris, 001-004, 2018
91. SDLIBX_180718_18.JPG: Melissa Walter Orbital Debris, 001-004, 2018
92. SDLIBX_180718_23.JPG: Sheena Rae Dowling The Lovers, 2014
93. SDLIBX_180718_26.JPG: Sheena Rae Dowling The One that Got Away, 2016
94. SDLIBX_180718_29.JPG: Sheena Rae Dowling Colin's Nebula, 2017
95. SDLIBX_180718_35.JPG: Sheena Rae Dowling Briana's Nebula, 2017
96. SDLIBX_180718_51.JPG: Adam Belt Down the Rabbit Hole (CMS Detector), 2012
97. SDLIBX_180718_57.JPG: Adam Belt Down the Rabbit Hole (CMS Detector), 2012
98. SDLIBX_180718_64.JPG: Cheryl Sorg on being #1, 2018 on being #2, 2018
99. SDLIBX_180718_70.JPG: Cheryl Sorg on being #1, 2018 on being #2, 2018
100. SDLIBX_180718_77.JPG: Cheryl Sorg beings, 2018
101. SDLIBS_170719_001.JPG: The following pictures are from the page 2017_CA_SD_Library_Steroids CA -- San Diego -- Public Library -- Exhibit: Weather on Steroids (59 photos from 2017)
  Weather on Steroids The Art of Climate Change Science
102. SDLIBS_170719_003.JPG: Christopher Puzio Bishop, 2015
103. SDLIBS_170719_007.JPG: Weather on Steroids Atmospheric Rivers Alexander Gershunov
104. SDLIBS_170719_010.JPG: Weather on Steroids Atmospheric Rivers Oscar Romo
105. SDLIBS_170719_029.JPG: Weather on Steroids Extreme Heat, Extreme Health Effects Kristen Guirguis
106. SDLIBS_170719_030.JPG: Weather on Steroids Precipitation Extremes -- Drought and Flood Alexander Gershunov
107. SDLIBS_170719_032.JPG: Weather on Steroids Dust, Dissolution, Ablaze Mercela Paz Luna Russel
108. SDLIBS_170719_037.JPG: Weather on Steroids Seeing Through water, Seeing Through Weather Dana Montlack
109. SDLIBS_170719_039.JPG: Weather on Steroids El Nino/La Nina Impacts on the Physics and Biology of the Pacific Ocean Manfredi Manizza
110. SDLIBS_170719_045.JPG: Weather on Steroids Confluences Cheryl Leonard
111. SDLIBS_170719_047.JPG: Weather on Steroids Sea Level Rise and Coastal Impacts Alexander Gershunov
112. SDLIBS_170719_065.JPG: Weather on Steroids 400 Parts Per Million Judit Hersko
113. SDLIBS_170719_068.JPG: Weather on Steroids The Keeling Curve and Carbon Dioxide Buildup Ralph Keeling
114. SDLIBS_170719_071.JPG: Weather on Steroids Mountain Snows are Life for the Western US and Climate Change is Destroying Them Michael Dettinger
115. SDLIBS_170719_074.JPG: Weather on Steroids Listen to the Trees Ruth Wallen
116. SDLIBS_170719_087.JPG: What can we learn by listening to the trees?
117. SDLIBS_170719_089.JPG: How is tree growth influenced by a changing climate?
118. SDLIBS_170719_103.JPG: Weather on Steroids Tipping Point Climate Change Lilleane Peebles
119. SDLIBS_170719_109.JPG: Weather on Steroids What We Can Expect in a Globally Warmed World in the Coming Decades Arthur J. Miller
120. SDLIBS_170719_120.JPG: Weather on Steroids You Can't Go Home Again David Pierce
121. SDLIBS_170719_123.JPG: Weather on Steroids Magic Circle Paul Turounet
122. SDLIBS_170719_136.JPG: Weather on Steroids Curios of the Future Tiersa Cosaert
123. SDLIBS_170719_138.JPG: Weather on Steroids Changing Storms Erode La Jolla Beaches Shang-Ping Xie
124. SDLIBS_170719_148.JPG: Weather on Steroids For You For All Allison Wiese
125. SDLIBS_170719_150.JPG: Weather on Steroids Climate Change for All! Getting the Message Across to Diverse Audiences Michel Boudrias
126. SDLIBS_170719_162.JPG: Weather on Steroids Undulated Asperatus Clouds Oscar Romo
127. SDLIBS_170719_173.JPG: Weather on Steroids Future Souvenirs Eva Struble
128. SDLIBS_170719_175.JPG: Weather on Steroids The Big Unknown Richard Somerville
129. SDLIBV_170718_01.JPG: The following pictures are from the page 2017_CA_SD_LibraryV CA -- San Diego -- Public Library -- Views from... (22 photos from 2017)
130. SDLIBR_160720_001.JPG: The following pictures are from the page 2016_CA_SD_Library_Rare CA -- San Diego -- Public Library -- Rare Books Collection (22 photos from 2016)
  Ralph Mocine Untitled, early 20th century
131. SDLIBR_160720_004.JPG: Leslie William Lee Jung Ho, 1939
132. SDLIBR_160720_019.JPG: William Hogarth (1697-1764) The English artist William Hogarth was a leading social critic of his day -- known for his satirical art that mocked the manners and morals of 18th century England. He is best known for his series of paintings that told a story through related scenes. The six-part Marriage a la Mode (1743) mocked upper-class marriage customs. The eight-part series, A Rake's Progress (1735), shows the rise and fall of a middle-class youth. Other works poked fun at the courts, elections, corrupt public officials, and the social costs of liquor. The sale of engravings from these works made Hogarth wealthy. But he was a controversial critic and disliked by many artists. The Hogarth works shown in this exhibit are part of a 99-piece Wangenheim collection of original engravings and etchings.
133. SDLIBR_160720_025.JPG: Magic, Mutants, and Monsters: A Child-eyes' View of Shakespeare
134. SDLIBR_160720_040.JPG: Acting Shakespeare: Plays and Players
135. SDLIBR_160720_046.JPG: The Rosetta Stone This is a plastic replica of the original 11-inch thick black basalt stone now in the British Museum. When found in 1799, the two Egyptian scripts, hieroglyphic, and demotic, had not been deciphered for centuries, but Greek had never been lost. From it Jean Champollion, a Frenchman, completely deciphered the hieroglyphics by 1832. The stone is a copy of a decree honoring Ptolemy V at the end of the ninth year of his reign as rules of Egypt, April 4, 196 BC. The decree gives Ptolomy's titles, describes his love for his people and his country and lists benefits he had conferred on Egypt: Forgiveness of debts owed the crown; Tax reduction; Release of Prisoners; Restoration of temples and sacred buildings; etc.
136. SDLIBR_160720_057.JPG: Ando Hiroshige Shirasuka (Fifty-Three Stations of the Tokaido #33), c 1831-34
137. SDLIBR_160720_069.JPG: Ando Hiroshige Shono (Fifty-Three Stations of the Tokaido #46), c 1831-34
138. SDLIBR_160720_076.JPG: Donal Hord Peon Game: Guesses (Four Men), 1950
139. SDLIBR_160720_081.JPG: Donal Hord Peon Game: Chanting Woman, 1950
140. SDLIBR_160720_084.JPG: Donal Hord Peon Game: Passers (Four Men), 1950
141. SDLIBR_160720_092.JPG: Frederick Yates Untitled, c 1904
142. SDLIBR_160720_097.JPG: Missal. Spain. 1615 A missal is a service book containing the texts necessary for the performance of the Mass (including chants, prayers, and readings), together with ceremonial directions. This missal contains only chants of the celebrant and the responses of the choir (the antiphonal) and the congregation. Translation of title Page: "Offici vivus te Missa. Beati" -- Celebration of your blessed living Mass or living Mass for blessed Joseph. Cof. is the abbreviation for the Latin word confrater which means colleague or brother and was the church title for Brother. Title page verso is a dedication to the Virgin Mary and starts "Divo Josepho" which is Spanish for Divine Joseph then text switches to Latin.
143. SDLIBV_160720_01_STITCH.JPG: The following pictures are from the page 2016_CA_SD_LibraryV CA -- San Diego -- Public Library -- Views from... (24 photos from 2016)
144. SDLIBV_150708_02_STITCH.JPG: The following pictures are from the page 2015_CA_SD_LibraryV CA -- San Diego -- Public Library -- Views from... (40 photos from 2015)
  This view of the bridge will be obstructed by new buildings over the next few years.
145. SDLIBV_150708_33.JPG: They approved a 37 story building to go in that sandy lot. The library staff talked about totally losing sunlight when it goes up next to their nine story building. From http://www.sandiegouniontribune.com/news/2015/mar/25/ballpark-apartment-highrise-to-start-construction/ More than 700 apartment units are planned By Lori Weisberg | 6:17 p.m. March 25, 2015 Starting next month, construction will get under way on one of downtown San Diego's largest housing developments, following the approval Wednesday by Civic San Diego of the $250 million project. Located east of the ballpark along Park Boulevard and Imperial Avenue on what is now a surface parking lot, the planned 37-story apartment tower and surrounding low-rise buildings are part of Ballpark Village, originally conceived several years ago by JMI Realty, the developer of Petco Park. JMI, which is partnering with Lennar Homes, is former Padres owner John Moores' development company that master-planned the district around the ballpark, which opened in April 2004. ... The 3.5-acre housing site -- the equivalent of three city blocks -- is one of the company's last remaining pieces of ballpark-related property. The Ballpark Village development is seen as another key catalyst for the continued revitalization of East Village. ... In all, the project's 720 units will be spread across the 400-foot tower and three six-story buildings. Ground floor retail totaling more than 55,000 square feet is also planned, as well as a 1,214-space parking garage. Upper floors of the apartment tower will offer views out to the bay and city skyline, as well as partial views into Petco Park. And a pedestrian plaza, with cafe-style seating and public art, could eventually be home to farmers markets, car shows, bands and other special events, Chatfield said. The first apartments would be ready to occupy by the third quarter of 2017, with completion of the project targeted for the second quarter of 2018, Chatfield said. He estimates that it will generate as many as 1,000 jobs during the construction period. Although some thought had been given to including condos in the development, JMI and Greystar ultimately opted to make it an all-rental complex, consisting of mostly studio, 1- and 2-bedroom apartments, plus nine 3-bedroom units and four live-work units. The apartments will range in size from 560 square feet to 1,400 square feet, said Bob LaFever, a managing director with Greystar. Within the complex, there will also be 27 affordable units. "Rental is primarily what our company does, and this makes for a great for-rent asset," LaFever said. "And there is strong rental demand." All of Ballpark Village encompasses about seven acres, but the remaining acreage is undeveloped. Chatfield said JMI is working on plans for a 1,600-room hotel there but it would likely require an expanded convention center to move forward, he said.
Multi Column: Number of columns of thumbnails to appear per page (normally defaults to 3): [1 col] [2] [3] [4] [5] [6] [7] [8] [9] [10]
Bigger photos? To save server space, the full-sized versions of these images have either not been loaded to the server or have been removed from the server. (Only some pages are loaded with full-sized images and those usually get removed after three months.) I still have them though. If you want me to email them to you, please send an email to guthrie.bruce@gmail.com and I can email them to you, or, depending on the number of images, just repost the page again will the full-sized images.
Same Subject: Click on this link to see coverage of items having the same subject: [Libraries] [Vistas]
Connection Not Secure messages? Those warnings you get from your browser about this site not having secure connections worry some people. This means this site does not have SSL installed (the link is http:, not https:). That's bad if you're entering credit card numbers, passwords, or other personal information. But this site doesn't collect any personal information so SSL is not necessary. Life's good!
Limiting Text: You can turn off all of this text by clicking this link: [Thumbnails Only]
Photo Contact: [Email Bruce Guthrie].