BGuthrie Photos: Merge Same Event: DC_Katzen

BGuthrie Photos: Merge Same Event: DC_Katzen_2015A Merge Same Event: DC_Katzen_2015A:

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Copyrights: All pictures were taken by amateur photographer Bruce Guthrie (me!) who retains copyright on them. Free for non-commercial use with attribution. See the [Creative Commons] definition of what this means. "Photos (c) Bruce Guthrie" is fine for attribution. (Commercial use folks including AI scrapers can of course contact me.) Feel free to use in publications and pages with attribution but you don't have permission to sell the photos themselves. A free copy of any printed publication using any photographs is requested. Descriptive text, if any, is from a mixture of sources, quite frequently from signs at the location or from official web sites; copyrights, if any, are retained by their original owners.

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Specific picture descriptions: Photos above with "i" icons next to the bracketed sequence numbers (e.g. "[1] ") are described as follows:
1. KATIDE_150404_16.JPG: Identidad by Silvia Levenson was still there from last time
2. KATIDE_150404_29.JPG: Silvia Levenson channels her identity as a survivor of the Argentinian Dirty War and her emotional connection to the Grandmothers of the Plaza de Mayo in order to push the bounds of her skills and produce refined glass work. The 116 glass objects of baby clothes in Identidad help tell the emotional story of hundreds of children that were torn from their parents and illegally adopted during the Argentinean Dirty War, a time of state terrorism between 1976 and 1983. The impressive courage of the Abuelas de Plazo de Mayo (Grandmothers of the Plaza de Mayo), formed in 1977, has so far helped reunite 116 kidnapped children with their true identity. Levenson speaks for the located children, and for those still missing. She entrusts the colored glass in Identidad to preserve the memory and look to the future.
3. KATBYI_150124_001.JPG: The following pictures are from the page 2015_DC_KatzenX_2015A_Byington DC -- American University -- Katzen Arts Center -- 2015A Winter Exhibit: Dean Byington: Buildings Without Shadows (25 photos from 2015)
4. KATBYI_150124_014.JPG: Dean Byington Buildings Without Shadows
5. KATBYI_150124_056.JPG: Dean Byington's dizzying constructions are made through an elaborate and evolving process that employs collage, drawing, digital compositing, and finally, silkscreen. The canvases are amalgams of both time and material process. At their root, his paintings utilize a type of collage process, one that he invented through years of trial and error. Dean scours antique books for engraved illustrations. From this scavenged archive, he cuts tens of thousands of tiny sections to be taped together in a new, impossibly dense enigmatic landscape. His process is born from an interest in science, history, architecture, and reproduction technologies. The historical technique of engraving is central to his work. Engraving was perfected in the late 1400s and is the precursor to etching and subsequent photo mechanical methods of image making. It is done by incising or gouging distinctive hatched lines into a metal plate, which is then inked and printed with pressure. To the contemporary eye, the incised mark-making style of the engraving is evocative of a bygone era. Dean absorbs this stylistic motif for precisely this reason. As viewers of visual images we digest thousands of visual signals from a single image. Each signal reveals something specific to the image's origin. The stylistic choice of engraving is a Trojan horse. We are comforted by the nostalgic familiarity of its appearance. Engraving has earned a place of confidence and trust with the viewer. It is identified with artistic bedrock like Albrecht Durer and Rembrandt and is the very technique that the United States Treasury uses to create currency. -- Excerpt from Entropy Has No Opposite, by Griff Williams
6. KATIDE_150124_01.JPG: The following pictures are from the page 2015_DC_KatzenX_2015A_Identidad DC -- American University -- Katzen Arts Center -- 2015A Winter Exhibit: Identidad by Silvia Levenson (18 photos from 2015)
  Silvia Levenson channels her identity as a survivor of the Argentinian Dirty War and her emotional connection to the Grandmothers of the Plaza de Mayo in order to push the bounds of her skills and produce refined glass work. The 116 glass objects of baby clothes in Identidad help tell the emotional story of hundreds of children that were torn from their parents and illegally adopted during the Argentinean Dirty War, a time of state terrorism between 1976 and 1983. The impressive courage of the Abuelas de Plazo de Mayo (Grandmothers of the Plaza de Mayo), formed in 1977, has so far helped reunite 116 kidnapped children with their true identity. Levenson speaks for the located children, and for those still missing. She entrusts the colored glass in Identidad to preserve the memory and look to the future.
7. KATPLA_150124_01.JPG: The following pictures are from the page 2015_DC_KatzenX_2015A_Plattner DC -- American University -- Katzen Arts Center -- 2015A Winter Exhibit: Phyllis Plattner: Gods of War! (22 photos from 2015)
8. KATPLA_150124_50.JPG: Phyllis Plattner is both storyteller and social commentator, concerned with birth and the mother, soldiers and anarchy and death. Her works are epic paintings fused with geometric construction, Christian iconography and appropriated images. Images rich in art historical reference and painted in elaborate detail with jewel-like tones that pay homage to beloved paintings by Giotto, Martini, Picasso and Mantegna, as well as historic photojournalism. Her paintings are comprised of multiple panels resplendent with gold leaf, raised embellishment and the decorative richness of Italian Renaissance altarpieces. Looking past the gorgeous surfaces, her paintings stir emotion and trigger an inner revolution. Plattner is concerned with political upheaval, racial and ethnic violence, consequence of war, as well as the meditative world and the divine. -- Nancy Scheinman
9. KATSOU_150124_01.JPG: The following pictures are from the page 2015_DC_KatzenX_2015A_Sourced DC -- American University -- Katzen Arts Center -- 2015A Winter Exhibit: Locally Sourced (1 photo from 2015)
10. KATZEO_150124_008.JPG: The following pictures are from the page 2015_DC_KatzenO_150124 DC -- American University -- Katzen Arts Center -- 2015A Winter Opening Reception (Public) (30 photos from 2015)
11. KATZEO_150124_090.JPG: Phyllis Plattner (left)
12. KATZEO_150124_102.JPG: Phyllis Plattner
13. KATZEO_150124_132.JPG: Phyllis Plattner and Jack Rasmussen
14. LEVEN_150124_008.JPG: The following pictures are from the page 2015_DC_KatzenXT_Levenson_150124 DC -- American University -- Katzen Arts Center -- 2015A Winter Artist Talk: Silvia Levenson (40 photos from 2015)
15. LEVEN_150124_017.JPG: User comment: Glenn Marcus, Aimee Breslow, Walter Isaacs
16. LEVEN_150124_020.JPG: User comment: Glenn Marcus, Jack Rasmussen
17. LEVEN_150124_021.JPG: User comment: Glenn Marcus, Jack Rasmussen
18. LEVEN_150124_044.JPG: Cecilia Nah�n, Ambassador of the Argentine Republic to the United States of America
19. LEVEN_150124_089.JPG: Jack Rasmussen
20. LEVEN_150124_452.JPG: Silvia Levenson
21. LEVEN_150124_492.JPG: Cecilia Nah�n, Silvia Levenson, Jack Rasmussen
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